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Interior monologue. --- Axiōtē, Melpō. --- Axiōtē, Melpō --- Technique.
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„Wer mit sich selbst redet, ist verrückt.“ Günter Butzers historisch und disziplinär weit ausgreifende Studie zum Selbstgespräch in der europäischen Literatur verfolgt die Genealogie dieses modernen Vorurteils über die frühe Neuzeit zurück in die Antike und zeigt, dass dem Soliloquium als einem methodischen Verfahren sprachlicher Selbstbeeinflussung eine eminente kultur- und literaturgeschichtliche Bedeutung zukommt. Von Marc Aurel und Augustinus über Montaigne und Rousseau bis hin zu Kafka und Beckett werden die unterschiedlichen Ausprägungen dieses Redetyps dargestellt und seine Beziehungen zu philosophischen, theologischen, medizinischen und ästhetischen Diskursen entfaltet. Das literarische Selbstgespräch erscheint dabei als eine machtvolle Praxis der Textverarbeitung, die die kanonischen Werke einer Kultur der Subjektbildung dienstbar macht und daraus neue Texte entstehen lässt. Es ergibt sich das faszinierende Bild eines Geflechts von kulturellen Techniken, anthropologischem Wissen und rhetorischen Strategien, die alle einem Ziel unterstellt werden: der Selbstformung des Menschen durch Rede.
Interior monologue. --- European literature --- History and criticism.
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Interior monologue --- Monologue --- Joyce, James, --- Joyce, James --- Technique.
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Interior monologue --- Monologue intérieur --- Larbaud, Valéry, --- Technique --- Old French literature --- Technique.
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Interior monologue. --- Monologues in literature. --- Joyce, James, --- Schnitzler, Arthur, --- Schnitzler, Arthur,
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In this book literary interior monologue is considered in relation to extraliterary phenomena, as well as narrative theory. The central question posed by this study is: what makes a particular interior monologue "believable," given the unobservable nature of human thought? The discussion revolves around the unobservable counterpart of literary interior monologue, i.e., what is known in psychology as inner speech. Taking various experimental findings and theories from Soviet and American research on inner speech, the author compares them with literary interior monologue and tries to account for similarities and differences. Examples of literary interior monologue are analyzed in comparison with data from the linguistic study of real oral spontaneous discourse (also known as "face-to-face communication"). In the context of this interdisciplinary framework four examples of literary interior monologue are considered: V.M. Garshin's "Four Days" (1877), E. Dujardin's Les Lauriers sont coupes (1887), A Schnitzler's Leutnant Gustl (1900) and V. Larbaud's Amants, heureux amants ... (1921). The inclusion of data from psychology and research on face-to-face communication makes a unique contribution not only to narrative theory, but also to the understanding of the relationship between literary and extraliterary communication.
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Larbaud, Valéry --- Interior monologue. --- Larbaud, Valery --- -Technique --- Theses --- -Barnabooth, A. O. --- Technique --- Interior monologue --- Monologue, Interior --- Fiction --- Monologues in literature --- Literary style --- Stream of consciousness fiction --- Larbaud, Valéry, --- Hagiosy, L., --- Technique.
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Ich-Form. --- Innerer Monolog. --- Innerer Monolog. --- Interior monologue. --- Interior monologue. --- Letterkunde. --- Literatur. --- Literatur. --- Literature, Modern --- Literature, Modern. --- Literaturtheorie. --- Monolog. --- Monolog. --- Monologen. --- Monologue. --- Monologue. --- Prosa. --- History and criticism --- 1900-1999. --- Geschichte 1888-1957. --- Geschichte 1900-1957.
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Interior monologue --- Latin language, Postclassical --- Monologue intérieur (littérature) --- Latin (langue) postclassique. --- Style. --- Style --- Glossaires et lexiques --- Augustine, --- Augustin,
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Stream of consciousness fiction --- Interior monologue --- Courant de conscience (Littérature) --- Monologue intérieur --- Congresses. --- Congrès --- Courant de conscience (Littérature) --- Monologue intérieur --- Congrès
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