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Polyphonic chansons --- Intabulations (Keyboard instrument)

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First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

Keyboard instrument music. --- Intabulations (Keyboard instrument)

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Keyboard instrument music --- Intabulations (Keyboard instrument) --- Keyboard music --- Recorded accompaniments (Keyboard instrument) --- Verbal scores --- pianomuziek --- anno 1500-1599 --- anno 1600-1699 --- England

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Musica getutscht (Basel, 1511) is the earliest printed treatise on musical instruments in the West. Written by a priest and chapel singer named Sebastian Virdung, it provided rudimentary instruction on playing three instruments: the clavichord, the lute and the recorder. This early 'do-it-yourself' manual of instruction not only tells us about music-making in that era, it also illumines other aspects of society in the years just before the Reformation. Its author communicates in a popular style, choosing a mixture of media: a written text in the guise of an informal conversation, coupled with woodcut illustrations and visual aids. Enthusiasts of early music and its performance as well as historians of art, society and the German language will welcome Beth Bullard's substantial introduction and annotations, which help explain the text of this important work and its place in intellectual history.

78.60.1 --- Musical instruments --- Tablature (Music) --- Virdung, Sebastian, --- Musical notation --- Intabulations --- Tablature (Musical notation) --- Instrumental music --- Instruments, Musical --- Organology (Music) --- History and criticism --- Instrumenten --- Traktaten --- Iconografie --- Klavier --- Blokfluit --- Luit --- Duitsland --- 15e eeuw --- 16e eeuw --- Methodes

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Vincenzo Galilei, père de l'astronome et mathématicien Galileo, est surtout connu aujourd'hui pour son activité au sein de la Cameratafiorentina, cette académie informelle qui joua un rôle décisif dans la promotion de la monodie accompagnée à la fin du XVIe siècle, étape indispensable à la naissance de l'opéra quelques années plus tard. Mais ce théoricien célèbre se souciait aussi de pratique : compositeur et luthiste accompli, il a laissé de nombreuses oeuvres musicales et un traité, Fronimo, qui propose à son lecteur une méthode permettant d'arranger la musique vocale sur un luth. Ce livre propose pour la première fois d'étudier en détail la conception que Galilei se fait de l'art instrumental de son temps, grâce à une comparaison rigoureuse et exhaustive des deux éditions de son traité, parues en 1568 et 1584. Abordant des domaines aussi variés que ceux de la théorie instrumentale, du contrepoint, du madrigal italien, de la vie musicale florentine ou des conceptions esthétiques de Galilei, il apporte un éclairage nouveau sur l'une des figures les plus importantes de l'histoire de la musique italienne de la fin de la Renaissance.

Contrapunt --- Contrepoint --- Counterpoint --- Tablature (Musical notation) --- Tablature (Notation musicale) --- Tabulatuur (Muzieknotatie) --- Music theory --- Music --- Musique --- Handbooks, manuals, etc --- Théorie --- Guides, manuels, etc --- Galilei, Vincenzo --- Théorie --- Musicology - 16th century - Italy. --- Lute --- Tablature (Music) --- Musical notation --- Intabulations --- Lyra (Musical instrument) --- Plucked instruments --- Polyphony --- Instruction and study --- Galilei, Vincenzo, --- Lute - Lute Instruction and study --- Counterpoint. --- Musicology - 18th century. --- Galilei, Vincenzo, - 1520-1591 --- Musicology