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Architecture religieuse medievale --- Hongrie --- Influence etrangere
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What is meant by 'influence' in the realm of literature, art, music or ideas? How is it related to concepts such as pastiche or parody? Self-evidently, our understanding of any 'past' work depends on contemporary methods of reading; but does it makes sense, therefore, to claim that influence can be retroactive? Harold Bloom used the term 'the anxiety of influence' as the title of a famous study, but his is only one of many theorizations that span the modern era. This collection of essays examines a variety of texts written in French from the eighteenth century onwards, together with a number of visual and musical works. (All quotations in other languages are followed by translations in English.) The contributors elucidate, question and/or draw on major theories of influence, in new readings of well-known works. Whilst all engage with French and/or francophone culture, the works examined open cross-disciplinary perspectives
Littérature française --- Influence étrangère. --- Histoire et critique.
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ARCHITECTURE RELIGIEUSE MEDIEVALE --- HONGRIE --- INFLUENCE ETRANGERE
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Droit commercial --- Pluralisme juridique --- Acculturation --- Droit --- Influence étrangère
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ART NORMAND --- MOSAIQUES BYZANTINES --- ART MEDIEVAL --- ITALIE --- SICILE --- INFLUENCE ETRANGERE
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Anthropologues --- Indiens d'Amérique --- Yanomami (Indiens) --- Déontologie. --- Influence étrangère
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This book considers the architect Le Corbusier’s encounters with Australia and New Zealand as a two-way exchange, showing the impact of his ideas and projects on architects of the region whilst also revealing counterinfluences on Le Corbusier in his post-war career that were activated by his contacts. Compiled from detailed archival research undertaken at the Fondation Le Corbusier, Paris, and nationally based archives, Le Corbusier in the Antipodes brings together a set of episodes placing them in context with the history of modern art, architecture and urbanism in 20th century Australia and New Zealand. Key exchanges between Le Corbusier and others never before described are presented and analyzed, including Le Corbusier’s contact with Australian architect Harry Seidler at Chandigarh, Le Corbusier’s drawing of the plan of Adelaide in 1950 and his creative collaboration with Jorn Utzon on art for the Sydney Opera House. This book also includes analysis of previously unseen Le Corbusier artworks, which formed part of the Utzon family collection. In reading these personal and contingent moments of encounter, the book puts forward new ways of understanding the dissemination and mediation of Le Corbusier’s ideas and their effects in post-war Australia and New Zealand. These antipodean contacts are set against the broader story of Le Corbusier’s career, questioning received interpretations of his design methods and current assumptions about the influence of his work in national contexts beyond Europe.
Architecture --- City planning --- Urbanisme --- Foreign influences. --- History --- Influence étrangère --- Histoire --- Le Corbusier, --- Criticism and interpretation. --- Influence.
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The Internet has had a huge impact on channels of communication and information, reaching across time and space to connect the world through globalisation. In this Internet-led world, story links to story, windows open on new stories and no overall authority establishes priority. This sense of globalisation has raised many questions for contemporary American Novelists, primarily the usefulness or redundancy of narrative and its potentially adaptive function. What are the right stories for such a broadband world? How do contemporary American novelists respond to issues such as the influence of the multinational corporation and its predecessors, human rights Imperialism, the literary work as a marketable commodity, translation as betrayal, data overload, and the implosion of the virtual into the biosphere? Is globalisation inevitable – or is it a fiction which fiction turns into reality? Fictions of America explores these questions and looks at the ways in which India, China and Africa can be said to have underwritten American culture, how literature has been marketed globally, and how novelists have answered back to power with resistant fictions. Judie Newman examines a wide range of fiction from the mid nineteenth to the twenty-first century including the transnational adoption narrative, short story, historical novel, slave narrative, international bestseller and Western to illustrate her argument. Looking closely at authors such as Bharati Mukherjee, John Updike, Emily Prager, Hannah Crafts, Zora Neale Hurston, David Bradley, Peter Høeg, and Cormac McCarthy, Fictions of America provides a bold response to the crucial questions raised by globalisation.
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PEINTURE FRANCAISE --- PEINTURE MEDIEVALE --- ORIGINES --- FRANCE --- INFLUENCE ETRANGERE --- INFLUENCE ORIENTALE --- 15E SIECLE
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Littérature espagnole. --- Littérature française --- Littérature italienne. --- Littérature --- Littérature. --- Influence étrangère. --- Historiographie.
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