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Gute Gestaltung / Good Design 13 presents prizewinning designs from all disciplines. Whether architecture, corporate design, digital media, graphic fine arts, product design, photo, or film, the works awarded prizes by the German Design Council (DDC) in its annual "Gute Gestaltung" (Good Design) competition demonstrate design excellence and skillful use of form. They document the high level of quality maintained by the contributing designers and firms.This book invites comparison, both within and between the various categories, making it a valuable and handy compendium of project assignments and creative solutions. Gute Gestaltung 13 präsentiert preisgekröntes Design aller Gestaltungsdisziplinen. Ob Architektur, Corporate Design, Digital Media, Graphic Fine Arts, Produktdesign, Foto oder Film - die vom Deutschen Designer Club ausgezeichneten Arbeiten des jährlichen Wettbewerbs "Gute Gestaltung" zeichnen sich durch einen exzellenten Gestaltungswillen und eine bewusst angewandte Formgebung aus. Sie dokumentieren den hohen Qualitätsanspruch der einreichenden Agenturen und Unternehmen.Das Buch fordert geradezu den Vergleich heraus: innerhalb der verschiedenen Kategorien, aber auch zwischen diesen. Es wird so zu einem handlichen Arbeitsbuch mit Aufgabenstellungen und Umsetzungen im besten Sinne - ein hochwertiges, interessantes Kompendium kreativer Leistungen.

Industrial design. --- Design --- Art and industry. --- Aesthetics, Modern --- Aesthetics --- Advertising, Art in --- Industry and art --- Industries --- Commercial art --- Design, Industrial --- Mechanical drawing --- New products --- Awards --- History

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Industries in art --- Sculpture, Swiss --- Art and industry --- -Industries in art --- -Swiss sculpture --- Industry in art --- Advertising, Art in --- Industry and art --- Industries --- Commercial art --- -Art and industry --- Swiss sculpture --- Sculpture, Swiss - 20th century --- Art and industry - Switzerland

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Flaxman, John II --- Flaxman, John --- CDL --- 73.071 FLAXMAN --- Neoclassicism (Art) --- Art and industry --- Art and mythology --- Advertising, Art in --- Industry and art --- Industries --- Commercial art --- Art, Modern --- Classicism in art --- Revival movements (Art) --- Flaxman, John, --- Flaksman, Dzhon, --- Flaxman, Giovanni, --- Flaxman, John.

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L'élaboration d'une poétique est considérée depuis Platon et Aristote comme l'une des tâches majeures de la politique. L'enjeu ne concerne pas seulement la délimitation des Beaux-arts, mais l'art dans sa plus grande généralité. C'est toute la technicité humaine qui est ainsi vouée par la philosophie à relever du politique. Y a-t-il sens à maintenir une telle conception du poétique à l'époque de l'avancée industrielle ? Dans les années 20-30, le Bauhaus a été, en Allemagne, le champ d'élaboration des implications artistiques de cette question. Cela s'est fait dans la tension la plus grande sur les moindres enjeux esthétiques. En témoignent divers textes d'artistes ayant travaillé sur place (Gropius, Kandinsky, Klee, Mies van der Rohe, Moholy-Nagy), mais aussi les contributions de proches (Schoenberg). Cet essai tente, à partir de l'élaboration d'un concept philosophique d'industrie, de montrer comment ces textes nous aident à penser les valeurs de la technique. (quatrième de couverture)

Advertising [Art in ] --- Art and industry --- Art et industrie --- Industrie en kunst --- Industrie et art --- Industry and art --- Kunst en industrie --- Kunst in de reclame --- Publicite [Art dans la ] --- Art --- Art et politique --- Bauhaus --- Industrie --- Philosophie --- Philosophie et art --- Technique --- Avant-garde (Aesthetics) --- History --- Avant-garde (Aesthetics) - Germany - History - 20th century --- Art and industry - Germany

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Beginning with the origins of the graphic arts industry in Britain, Angela Davis describes the development of technology, commercial organization, and professionalization of artists in Canada. She focuses on the artists involved in the creation and reproduction of a "popular" art form. The evolution of commercial illustration and the graphic arts industry, Davis asserts, had a dramatic impact not only on the popular press and advertising but also on illustrators, engravers, photo-engravers, and lithographers, who still considered themselves to be artists but found that they were now working in an industrial atmosphere similar to that of other workers. Art and Work reveals that the foundations of Canadian art and popular culture rest not only on the European traditions of "fine" art but also on the commercial art produced in the early graphic arts houses.

Art and industry --- Graphic arts --- Printing industry --- Art et industrie --- Arts graphiques --- Industries graphiques --- History --- Employees --- Histoire --- Personnel --- Advertising, Art in --- Industry and art --- Industries --- Commercial art --- Manufacturing industries --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- History. --- Employees&delete& --- E-books