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Burtynsky, Edward --- Petroleum industry and trade --- Oil fields --- Equipment and supplies --- Burtynsky, Edward, --- 77.092.07 --- Fotografie ; 1997-2009 ; Edward Burtynsky --- Burtynsky, Edward °1955 (°St. Catherines, Ontario, Canada) --- Fotografie ; 21ste eeuw ; industriële landschappen --- Fotografen A - Z --- Exhibitions --- Fotografen ; 1997-2009 ; Edward Burtynsky
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Aardrijkskunde ; secundair onderwijs ; leermiddelen --- aardrijkskunde --- leerboeken --- secundair onderwijs --- 485.5 --- schoolboeken --- Aardrijkskunde --- Aardrijkskunde ; secundair onderwijs --- 485.6 --- 91 <07> --- didactiek secundair onderwijs - aardrijkskunde --- Aardrijkskunde. Geografie--Cursussen. Instructies. Onderwijs --- Schoolbooks - Didactic material --- 4e leerjaar secundair onderwijs --- Algemeen secundair onderwijs --- Technisch secundair onderwijs --- Kunstsecundair onderwijs --- Bevolking --- Ecologie --- Industriële landschappen --- Verstedelijking --- Gezondheidszorg --- Druktechniek --- Bouwsector --- Stadsvernieuwing --- #BSCH: vak: aardrijkskunde
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Coping with post-industrial brownfields is an issue throughout Europe and North America. A point of departure for their broad rediscovery in Germany was the refurbishment of an abandoned steelworks from 1990 on by Peter Latz which subsequently became Duisburg Nord Landscape Park. There, industrial relics were not demolished or converted but perceived as integral parts of the overall concept and then imbued with new meaning and use. Many additional projects with a similar approach were created in the past decades, among them Parc del Clòt in Barcelona, Parque do Tejo e Trancão in Lisbon or Michel Desvigne’s Parc aux Angéliques in Bordeaux, currently under construction.0This book does not only describe a systematic framework for the use of post-industrial ruins it also contextualizes them in design history. The author, professor for landscape design at Copenhagen University, covers a wide range of topics, linking 19th century Romanticism’s preoccupation with ruins to industrial decline (exemplified by Detroit) and then on to the subsequent Renaissance of the transformed landscape and its refound beauty.
Industrieterreinen ; herbestemming --- Landschapsarchitectuur en milieu --- Urban renewal --- Land use, Urban --- Brownfields --- 725.03 --- 72.025 --- 711.452 --- 711.554 --- 711.61 --- Industriële landschappen ; hergebruik ; recyclage --- Landschapsarchitectuur ; 21ste eeuw ; post-industriële sites --- Industriële archeologie --- Herbruik (architectuur) --- Industriesteden --- Industrieterreinen --- Publieke ruimte --- Openbare ruimte --- Stedenbouw. Ruimtelijke ordening ; industriesectoren, industrieterreinen
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Aardrijkskunde ; secundair onderwijs ; leermiddelen --- handboeken secundair onderwijs --- aardrijkskunde --- PXL-Education 2018 --- Aardrijkskunde --- 485.5 --- didactiek --- Aardrijkskunde secundair onderwijs --- 485.6 --- didactiek secundair onderwijs - aardrijkskunde --- Schoolbooks - Didactic material --- 2e leerjaar secundair onderwijs --- Katholiek onderwijs --- Landschappen --- Landbouw --- Europa --- België --- Verkeer --- Transport --- Sportschoenen --- Algemeen secundair onderwijs --- Industriële landschappen --- Milieu --- Recyclage --- Toerisme --- Bevolking --- Mobiliteit --- Duurzaamheid --- Ecologische voetafdruk --- Productieorganisatie --- A-stroom --- Landschap --- Sportschoen --- Crisis --- Cultuur --- Tuinbouw --- Leefbaarheid --- secundair onderwijs --- leerboeken
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Edward Burtynsky (b. 1955) seeks to portray the visible outcomes of a globalized economy and humankind's impact upon environments around the world. He has achieved global recognition with his large-scale photographs and project-based monographs, such as Quarries, Oil and Water, all of which have resulted in popular touring exhibitions and, in the case of Water, a feature-length documentary film entitled Watermark. This book provides an overview of Burtynsky's work across four decades, including both iconic images and previously unpublished photographs. It dissolves previous project-based definitions to set out Burtynsky's oeuvre as five free-flowing sections that provide a sense of both his visual language and his exploration of the dilemmas at the heart of our globalized world. Each of the five sections is interleaved with a selection of texts from previous publications and articles on Burtynsky to provide a complete understanding of Burtynsky's view of the world.This book provides both an entirely new way of seeing Burtynsky's work.
Landscape photography. --- Photography, Artistic. --- Photography, Industrial. --- 77.092.07 --- Fotografen ; 1983-2015 ; Edward Burtynsky --- Fotografie ; 20ste en 21ste eeuw ; industriële landschappen en gebouwen --- Burtynsky, Edward °1955 (°St. Catherines, Ontario, Canada) --- Industrial photography --- Photography --- Photography in industry --- Commercial photography --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Photography, Landscape --- Outdoor photography --- Fotografen A - Z --- Industrial applications --- Aesthetics --- Landscapes --- Burtynsky, Edward, --- photography [process] --- urban areas --- natural landscapes --- Burtynsky, Edward --- Landscape photography --- Photography, Artistic --- Photography, Industrial
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