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Subject, society and culture
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ISBN: 0803983506 9780803983502 Year: 2001 Publisher: London: Sage,

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Miti dell'individualismo moderno : Faust, don Chisciotte, don Giovanni, Robinson Crusoe
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ISBN: 8879894072 9788879894074 Year: 1998 Publisher: Roma: Donzelli,

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Book
Die Entdeckung des Individuums.
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Year: 1966 Publisher: Salzburg : Müller,

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Die Entdeckung des Individuums
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Year: 1966 Publisher: Salzburg : Müller,

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Det unga Sverige : åttitalsrörelse och genombrottsepok
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ISBN: 9185118702 Year: 1982 Publisher: Lund Arkiv för studier i arbetarrörelsens historia

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Über die Wahrheit und über die Lüge des radikalen, antibürgerlichen Individualismus : eine Studie zum erzählerischen und essayistischen Werk Carl Sternheims.
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ISBN: 3820476075 Year: 1983 Volume: 3 Publisher: Frankfurt am Main Lang

The individual in a new society : a study of selected "Erzählungen" and "Kurzgeschichten" of the German Democratic Republic from 1965 to 1972
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ISBN: 3261020946 Year: 1977 Publisher: Bern ; Las Vegas : P. Lang,

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Individuum und Gesellschaft im englischen Drama der Gegenwart : Arnold Wesker und Harold Pinter
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Year: 1972 Publisher: Berlin: Akademie,

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La première manière de René Béhaine
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Year: 1978 Publisher: Paris,

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Corporate Romanticism : Liberalism, Justice, and the Novel
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ISBN: 0823272273 0823272281 Year: 2016 Publisher: Baltimore, Maryland : Baltimore, Md. : Project Muse, Project MUSE,

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Corporate Romanticism offers an alternative history of the connections between modernity, individualism, and the novel. In early nineteenth-century England, two developments-the rise of corporate persons and the expanded scale of industrial action-undermined the basic assumption underpinning both liberalism and the law: that individual human persons can be meaningfully correlated with specific actions and particular effects. Reading works by Godwin, Austen, Hogg, Mary Shelley, and Dickens alongside a wide-ranging set of debates in nineteenth-century law and Romantic politics and aesthetics, Daniel Stout argues that the novel, a literary form long understood as a reflection of individualism's ideological ascent, in fact registered the fragile fictionality of accountable individuals in a period defined by corporate actors and expansively entangled fields of action. Examining how liberalism, the law, and the novel all wrestled with the moral implications of a highly collectivized and densely packed modernity, Corporate Romanticism reconfigures our sense of the nineteenth century and its novels, arguing that we see in them not simply the apotheosis of laissez-fair individualism but the first chapter of a crucial and distinctly modern problem about how to fit the individualist and humanist terms of justice onto a world in which the most consequential agents are no longer persons.

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