Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Central Asia and Siberia are characterized by multiethnic societies formed by a patchwork of often small ethnic groups. At the same time large parts of them have been dominated by state languages, especially Russian and Chinese. On a local level the languages of the autochthonous people often play a role parallel to the central national language. The contributions of this conference proceeding follow up on topics such as: What was or is collected and how can it be used under changed conditions in the research landscape, how does it help local ethnic communities to understand and preserve their own culture and language? Do the spatially dispersed but often networked collections support research on the ground? What contribution do these collections make to the local languages and cultures against the backdrop of dwindling attention to endangered groups? These and other questions are discussed against the background of the important role libraries and private collections play for multiethnic societies in often remote regions that are difficult to reach.

indigenous literature --- multiethnic societies --- Central Asia --- Siberia

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Central Asia and Siberia are characterized by multiethnic societies formed by a patchwork of often small ethnic groups. At the same time large parts of them have been dominated by state languages, especially Russian and Chinese. On a local level the languages of the autochthonous people often play a role parallel to the central national language. The contributions of this conference proceeding follow up on topics such as: What was or is collected and how can it be used under changed conditions in the research landscape, how does it help local ethnic communities to understand and preserve their own culture and language? Do the spatially dispersed but often networked collections support research on the ground? What contribution do these collections make to the local languages and cultures against the backdrop of dwindling attention to endangered groups? These and other questions are discussed against the background of the important role libraries and private collections play for multiethnic societies in often remote regions that are difficult to reach.

Society & social sciences --- indigenous literature --- multiethnic societies --- Central Asia --- Siberia

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

With a sure voice, Groulx, an Anishnaabe writer, artistically weaves together the experiences of Indigenous peoples in settler Canada with those of the people of Palestine, revealing a shared understanding of colonial pasts and presents.

Canadian poetry --- Canadian poetry (English) --- Canadian literature --- jerusalem --- palestine --- red river --- intifada --- Israel --- middle east poetry --- colonization --- colonialism --- decolonization --- indigenous poetry --- first nations --- metis --- indigenous literature --- indigenous --- reconciliation --- Anishinaabe --- nakba

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"I build this story like my lair. One willow, / a rib at a time" - "The Crooked Good" Since 1990, Sky Dancer Louise Bernice Halfe's work has stood out as essential testimony to Indigenous experiences within the ongoing history of colonialism and the resilience of Indigenous storytellers. Sôhkêyihta includes searing poems, written across the expanse of Halfe's career, aimed at helping readers move forward from the darkness into a place of healing. Halfe's own afterword is an evocative meditation on the Cree word sôhkêyihta: Have courage. Be brave. Be strong. She writes of coming into her practice as a poet and the stories, people, and experiences that gave her courage and allowed her to construct her "lair." She also reflects on her relationship with nêhiyawêwin, the Cree language, and the ways in which it informs her relationships and poetics. The introduction by David Gaertner situates Halfe's writing within the history of whiteness and colonialism that works to silence and repress Indigenous voices. Gaertner pays particular attention to the ways in which Halfe addresses, incorporates, and pushes back against silence, and suggests that her work is an act of bearing witness - what Kwagiulth scholar Sarah Hunt identifies as making Indigenous lives visible.

Canadian poetry --- Cree Indians --- Algonquian Indians --- Indians of North America --- Canadian poetry (English) --- Canadian literature --- Cree poetry. --- Cree women's poetry. --- Cree women. --- Indigenous literature. --- Indigenous poetics. --- Indigenous poetry.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

(Re)Generation contains selected poetry by Anishinaabe writer Kateri Akiwenzie-Damm exploring a range of issues: from violence against Indigenous women and lands to Indigenous erotica and the joyous intimate encounters between bodies. From her earliest work in my heart is a stray bullet and Bloodriver Woman, through her spoken word works standing ground and A Constellation of Bones, Akiwenzie-Damm's poetry demonstrates how to represent Indigenous peoples in their full complexity, especially as it pertains to bodily pleasure, love, and loss. Akiwenzie-Damm's afterword speaks to the relations and obligations Indigenous peoples have to one another and their other-than-human kin, as she reflects on the resilient work that Indigenous creative work has done and continues to do in spite of colonial violence. She stakes a claim for the necessity of poetry in the face of ongoing colonialism, not only in the present but in the future and for the generations to come. The introduction by Dallas Hunt locates Akiwenzie-Damm within the field of Indigenous literature and meditates on her influence on the field of Indigenous erotica. Kateri Akiwenzie-Damm writes in service of Indigenous brilliance, love, intimacy, and joy, and speaks with an unwavering voice, one that, to paraphrase Akiwenzie-Damm herself, "shakes the earth."

Canadian poetry --- 2000-2099 --- Anishinaabe. --- Canada studies. --- Canadian literature. --- Cree. --- Dallas Hunt. --- Indigenous erotica. --- Indigenous literature. --- Indigenous poetry. --- Indigenous poets. --- Indigenous studies. --- Kateri Akiwenzie-Damm. --- Kegedonce. --- Poetry. --- Sovereign erotic. --- Sovereign erotics. --- who are some Indigenous poets.