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Over the last decade, Peru has experienced a spectacular mining boom and astronomical economic growth. Yet, for villagers in Peru's southern Andes, few have felt the material benefits. With this book, Eric Hirsch considers what growth means—and importantly how it feels. Hirsch proposes an analysis of boom-time capitalism that starts not from considerations of poverty, but from the premise that Peru is wealthy. He situates his work in a network of villages near new mining sites, agricultural export markets, and tourist attractions, where Peruvian prosperity appears tantalizingly close, yet just out of reach. This book centers on small-scale development investments working to transform villagers into Indigenous entrepreneurs ready to capitalize on Peru's new national brand and access the constantly deferred promise of national growth. That meant identifying as Indigenous, where few actively did so; identifying as an entrepreneur, in a place where single-minded devotion to a business went against the tendency to diversify income sources; and identifying every dimension of one's daily life as a resource, despite the unwelcome intimacy this required. Theorizing growth as an affective project that requires constant physical and emotional labor, Acts of Growth follows a diverse group of Andean residents through the exhausting work of making an economy grow.
Economic development --- Rural development --- Social aspects --- Andes. --- Peru. --- abundance. --- affect. --- development. --- entrepreneurship. --- extraction. --- growth. --- indigeneity. --- neoliberalism.
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No detailed description available for "The Social Lives of Land".
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The »Sounding Museum« fuses anthropology, acoustic ecology, soundscape composition, and trans-cultural communication inside the context of museum education. Based on the piece »Two Weeks in Alert Bay«, it supplies researchers, practitioners, and audiences with an instrument to gain an acoustic image of the contemporary cultural and everyday life of the Kwakwaka'wakw of Alert Bay, BC. The project mediates intercultural competence thorough the affective agency of sound. With the coeval »Session Musician's Approach«, introduced and analysed in text, audio, and interactive form, it also bridges the gap between art, science, and education. With a foreword by Barry Truax. The box includes a book, 2 DVD and 1 CD. »Eine spannende Fundgrube für die Soundscape-Forschung.« Britta Sweers, Die Musikforschung, 69/2 (2016)
Soundscape Composition; Indigeneity; Coevalness; Intangible Cultural Heritage; Ethnographic Museum; Museum; Education; Sound; Museum Education; Museology; Cultural Education --- Coevalness. --- Cultural Education. --- Education. --- Ethnographic Museum. --- Indigeneity. --- Intangible Cultural Heritage. --- Museology. --- Museum Education. --- Museum. --- Sound.
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In Bolivia's plurinational conjuncture, novel political articulations, legal reform, and processes of collective identification converge in unprecedented efforts to 're-found' the country and transform its society. This ethnography explores the experiences of Afrodescendants in plurinational Bolivia and offers a fresh perspective on the social and political transformations shaping the country as a whole. Moritz Heck analyzes Afrobolivian social and cultural practices at the intersections of local communities, politics, and the law, shedding light on novel articulations of Afrobolivianity and evolving processes of collective identification. This study also contributes to broader anthropological debates on blackness and indigeneity in Latin America by pointing out their conceptual entanglements and continuous interactions in political and social practice.
Afrodescendants. --- Ethnicity. --- Indigeneity. --- African diaspora. --- Racism. --- Social movements. --- African Diaspora. --- America. --- Cultural Anthropology. --- Cultural History. --- Ethnology. --- Plurinationality. --- Social Movements.
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"Between 1944 and 1949 the United States Navy held a war crimes tribunal that tried Japanese nationals and members of Guam's indigenous Chamorro population who had worked for Japan's military government. In Sacred Men Keith L. Camacho traces the tribunal's legacy and its role in shaping contemporary domestic and international laws regarding combatants, jurisdiction, and property. Drawing on Giorgio Agamben's notions of bare life and Chamorro concepts of retribution, Camacho demonstrates how the U.S. tribunal used and justified imprisonment, torture, murder, and exiling of accused Japanese and Chamorro war criminals in order to institute a new American political order. This U.S. disciplinary logic in Guam, Camacho contends, continues to directly inform the ideology used to justify the Guantanamo Bay detention center, the torture and enhanced interrogation of enemy combatants, and the American carceral state."--Provided by publisher.
War crime trials --- World War, 1939-1945 --- History --- Atrocities --- Guam --- Trials (War crimes) --- Trials (Crimes against humanity) --- Trials (Genocide) --- Trials --- Giorgio Agamben --- empire --- indigeneity --- militarism --- sovereignty
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Oaxaca Resurgent examines how Indigenous people in one of Mexico's most rebellious states shaped local and national politics during the twentieth century. Drawing on declassified surveillance documents and original ethnographic research, A. S. Dillingham traces the contested history of indigenous development and the trajectory of the Mexican government's Instituto Nacional Indigenista, the most ambitious agency of its kind in the Americas. This book shows how generations of Indigenous actors, operating from within the Mexican government while also challenging its authority, proved instrumental in democratizing the local teachers' trade union and implementing bilingual education. Focusing on the experiences of anthropologists, government bureaucrats, trade unionists, and activists, Dillingham explores the relationship between indigeneity, rural education and development, and the political radicalism of the Global Sixties. By centering Indigenous expressions of anticolonialism, Oaxaca Resurgent offers key insights into the entangled histories of Indigenous resurgence movements and the rise of state-sponsored multiculturalism in the Americas. This revelatory book provides crucial context for understanding post-1968 Mexican history and the rise of the 2006 Oaxacan social movement.
Indians of Mexico --- Education and state --- Rural development --- Multiculturalism --- Government relations --- History --- Education --- Mexico. --- Oaxaca. --- bilingual education. --- development. --- education. --- global sixties. --- indigeneity. --- indigenismo. --- indigenous resurgence. --- language. --- multiculturalism.
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Erneuerbare Energien werden weltweit ausgebaut. Dies betrifft vermehrt auch indigene Gruppen, deren Lebensweisen und Weltanschauungen dadurch herausgefordert werden. So betrachten die in Mexiko lebenden Ikojts Windenergie als kontaminierend und deshalb als Bedrohung für die Ökologie ihrer Lagune. Oliver D. Liebig untersucht ihre Sichtweise und denkt das Verhältnis von Natur, erneuerbarer Energie und sozialem Leben neu - nicht zuletzt aus Sicht des Windes. Auf diese Weise entsteht ein Entwurf von erneuerbarer Energie, der diese - jenseits von einer Fixierung als Ressource - mit den lokalen Gegebenheiten in Zusammenhang stehend betrachtet. Besprochen in: www.spektrum.de, 23.11.2020, Ulrike Prinz https://www.matze-msh.eu, 27.11.2020
Energy policy --- Social aspects. --- Contamination. --- Cultural Anthropology. --- Cultural Studies. --- Culture. --- Environment. --- Environmental Sociology. --- Ethnology. --- Huave. --- Indigeneity. --- Latin America. --- Mexico. --- Nature. --- Wind Energy. --- Wind Power.
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The future of Honduras begins and ends on the white sand beaches of Tela Bay on the country's northeastern coast where Garifuna, a Black Indigenous people, have resided for over two hundred years. In The Ends of Paradise, Christopher Loperena examines the Garifuna struggle for life and collective autonomy, and demonstrates how this struggle challenges concerted efforts by the state and multilateral institutions, such as the World Bank, to render both their lands and their culture into fungible tourism products. Using a combination of participant observation, courtroom ethnography, and archival research, Loperena reveals how purportedly inclusive tourism projects form part of a larger neoliberal, extractivist development regime, which remakes Black and Indigenous territories into frontiers of progress for the mestizo majority. The book offers a trenchant analysis of the ways Black dispossession and displacement are carried forth through the conferral of individual rights and freedoms, a prerequisite for resource exploitation under contemporary capitalism. By demanding to be accounted for on their terms, Garifuna anchor blackness to Central America—a place where Black peoples are presumed to be nonnative inhabitants—and to collective land rights. Steeped in Loperena's long-term activist engagement with Garifuna land defenders, this book is a testament to their struggle and to the promise of "another world" in which Black and Indigenous peoples thrive.
Black people --- Economic development. --- Land use, Rural. --- Social conditions. --- Autonomy. --- Blackness. --- Extractivism. --- Garifuna. --- Honduras. --- Indigeneity. --- Indigenous Rights. --- Land. --- Race in Honduras. --- Tourism.
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In 1999, off the coast of the Pacific Northwest, the first gray whale in seven decades was killed by Makah whalers. The hunt marked the return of a centuries-old tradition and, predictably, set off a fierce political and environmental debate. Whalers from the Makah Indian Tribe and antiwhaling activists have clashed for over twenty years, with no end to this conflict in sight. In Contesting Leviathan, anthropologist Les Beldo describes the complex judicial and political climate for whale conservation in the United States, and the limits of the current framework in which whales are treated as "large fish" managed by the National Marine Fisheries Service. Emphasizing the moral dimension of the conflict between the Makah, the US government, and antiwhaling activists, Beldo brings to light the lived ethics of human-animal interaction, as well as how different groups claim to speak for the whale-the only silent party in this conflict. A timely and sensitive study of a complicated issue, this book calls into question anthropological expectations regarding who benefits from the exercise of state power in environmental conflicts, especially where indigenous groups are involved. Vividly told and rigorously argued, Contesting Leviathan will appeal to anthropologists, scholars of indigenous culture, animal activists, and any reader interested in the place of animals in contemporary life.
Whaling --- Makah Indians --- Whaling --- Whales --- Whaling --- Fishing. --- Moral and ethical aspects --- Conservation --- Government policy --- Makah. --- Native American. --- activism. --- antiwhaling. --- bureaucracy. --- identity. --- indigeneity. --- morality. --- whales. --- whaling.
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Indigenous arts, simultaneously attuned to local voices and global cultural flows, have often been the vanguard in communicating what is at stake in the interactions, contradictions, disjunctions, opportunities, exclusions, injustices and aspirations that globalization entails. Focusing specifically on embodied arts and activism, this interdisciplinary volume offers vital new perspectives on the power and precariousness of indigeneity as a politicized cultural force in our unevenly connected world. Twenty-three distinct voices speak to the growing visibility of indigenous peoples’ performance on a global scale over recent decades, drawing specific examples from the Americas, Australia, the Pacific, Scandinavia and South Africa. An ethical touchstone in some arenas and a thorny complication in others, indigeneity is now belatedly recognised as mattering in global debates about natural resources, heritage, governance, belonging and social justice, to name just some of the contentious issues that continue to stall the unfinished business of decolonization. To explore this critical terrain, the essays and images gathered here range in subject from independent film, musical production, endurance art and the performative turn in exhibition and repatriation practices to the appropriation of hip-hop, karaoke and reality TV. Collectively, they urge a fresh look at mechanisms of postcolonial entanglement in the early 21st century as well as the particular rights and insights afforded by indigeneity in that process.
Indigenous peoples --- Performance art --- Social life and customs. --- Politics and government. --- Political aspects. --- Political activity --- Arts, Modern --- Happenings (Art) --- Performing arts --- Ethnology --- globalization --- postcolonial arts --- contemporary --- activism --- modern --- postcolonial --- global --- trans-indigenous --- indigeneity --- indigenous arts --- performance
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