Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Popular Indian Cinema is clearly a worldwide phenomenon. But what often gets overlooked in this celebration is this cinema's intricate relationship with global dynamics since its very inception in the 1890s. With contributions from a range of international scholars, this volume analyses the transnational networks of India's popular cinema in terms of its production, narratives and reception. The first section of the book,Topographies, concentrates on the globalised audio-visual economies within which the technologies and aesthetics of India's commercial cinema developed. Essays here focus on t

Motion pictures --- Motion pictures, Indic. --- East Indian motion pictures --- Indic motion pictures --- Motion pictures, East Indian --- Foreign films --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Social aspects --- Foreign influences. --- History and criticism --- India --- In motion pictures. --- Film --- Social aspects.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Imagine the patriotic camaraderie of national day parades. How crucial is performance for the sustenance of the nation? The Performance of Nationalism considers the formation of the Indian and Pakistani nation, in the wake of the most violent chapter of its history: the partition of the subcontinent. In the process, Jisha Menon offers a fresh analysis of nationalism from the perspective of performance. Menon recuperates the manifold valences of 'mimesis' as aesthetic representation, as the constitution of a community of witnesses, and as the mimetic relationality that underlies the encounter between India and Pakistan. The particular performances considered here range from Wagah border ceremonies, to the partition theatre of Asghar Wajahat, Kirti Jain, M. K. Raina, and the cinema of Ritwik Ghatak and M. S. Sathyu. By pointing to the tropes of twins, doubles, and doppelgangers that suffuse these performances, this study troubles the idea of two insular, autonomous nation-states of India and Pakistan. In the process, Menon recovers mimetic modes of thinking that unsettle the reified categories of identity politics.

Performing arts --- Social aspects --- Political aspects --- Indic drama --- Nationalism in literature. --- Partition, Territorial, in literature. --- Partition, Territorial, in motion pictures. --- Motion pictures, Indic. --- Nationalism in motion pictures. --- Motion pictures --- East Indian motion pictures --- Indic motion pictures --- Motion pictures, East Indian --- Foreign films --- Indic literature --- History and criticism. --- India --- Pakistan --- Dominion of Pakistan --- Bākistān --- Islamic Republic of Pakistan --- Islamskai︠a︡ Respublika Pakistan --- Islami Jamhuriya e Pakistan --- Pākistāna --- پاکِستان --- Islāmī Jumhūrī-ye Pākistān --- باكستان --- Paquistan --- Пакістан --- Ісламская Рэспубліка Пакістан --- Пакистан --- Ислямска република Пакистан --- Isli︠a︡mska republika Pakistan --- Islamische Republik Pakistan --- Eʼeʼaahjí Naakaii Dootłʼizhí Bikéyah --- Pakistani Islamivabariik --- Πακιστάν --- Ισλαμική Δημοκρατία του Πακιστάν --- Islamikē Dēmokratia tou Pakistan --- Jamhuryat Islami Pakistan --- State of Pakistan --- Islāmī Jumhūriyah Pākistān --- パキスタン --- Pakisutan --- West Pakistan (Pakistan) --- History --- Influence. --- In literature. --- In motion pictures.