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"Collection of songs, orations, myths, stories, legends, and other oral literatures from seven of the major language groups of the Great Plains: Muskogean, Uto-Aztecan, Caddoan, Siouan, Algonquian, Kiowa-Tanoan, and Athabascan"--Provided by publisher.
Indians of North America --- Folk literature, Indian --- Indian literature --- Indian literature (American Indian) --- Literature --- Indian folk literature --- Folklore. --- Indian authors
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Publisher description: Storytelling and singing continue to be a vital part of community life for Native peoples today. Voices from Four Directions gathers stories and songs from thirty-one Native groups in North America -- including the Inupiaqs in the frigid North, the Lushootseeds along the forested coastline of the far West, the Catawbas in the humid South, and the Maliseets of the rugged woods of the East. Vivid stories of cosmological origins and transformation, historical events remembered and retold, as well as legendary fables can be found in these pages. Well-known Trickster figures like Raven, Rabbit, and Coyote figure prominently in several tales as do heroes of local fame such as Tom Laporte of the Maliseets. The stories and songs entertain, instruct, and recall rich legacies as well as obligations. Many are retellings and reinventions of classic narratives, while others are more recent creations. Award-winning poet and critic Brian Swann has gathered some of the richest and most diverse literatures of Native North America and provides an introduction to the volume. In addition, each story is introduced and newly translated.
Legends --- Tales --- Indian mythology --- Folk literature, Indian --- Indians of North America --- Indian folk literature --- Indian literature --- Folk-lore, Indian --- Mythology --- Religion and mythology --- #KVHA:American Studies --- #KVHA:Indianenliteratuur --- #KVHA:Indianen; Verenigde Staten --- #KVHA:Literatuurgeschiedenis; Verenigde Staten
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Gender and Story in South India presents exciting ethnographic research by Indian women scholars on Hindu and Muslim women-centered oral narratives. The book is unique for its geographic and linguistic focus on South India, for its inclusion of urban and rural locales of narration, and for its exploration of shared Hindu and Muslim female space. Drawing on the worldviews of South Indian female narrators in both everyday and performative settings, the contributors lead readers away from customary and comfortable assumptions about gender distinctions in India to experience a more dialogical, poetically ordered moral universe that is sensitive to women's material and spiritual lives. Book jacket
Gender identity in literature. --- Women in literature. --- Folk literature, Indian --- Tales --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Indian folk literature --- Indian literature --- Folk tales --- Folktales --- Folk literature --- History and criticism. --- History and criticism
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Legends --- Tales --- Indian mythology --- Indians of North America --- Folk literature, Indian --- Indian folk literature --- Indian literature --- Folk-lore, Indian --- Mythology --- Religion and mythology --- Folklore --- Folk literature [Indian ] --- North America
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Folklore --- Amerindian literature --- South American Indian languages --- Folk literature, Indian --- -Indian mythology --- Indians --- -898 --- Aborigines, American --- American aborigines --- American Indians --- Amerindians --- Amerinds --- Pre-Columbian Indians --- Precolumbian Indians --- Ethnology --- Mythology, Indian --- Mythology --- Indian folk literature --- Indian literature --- Translations into French --- Civilization --- Religion and mythology --- Indian mythology --- 898
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Folk literature [Indian ] --- Indiaanse literatuur --- Indian folk literature --- Indian literature --- Indian literature (American Indian) --- Indianen--Literatuur --- Indians--Literature --- Litterature indienne --- Littérature populaire indienne --- Volksliteratuur [Indiaanse ] --- American literature --- America in literature --- Littérature américaine --- Translations into English --- Translations from Indian languages --- Traductions des langues indiennes --- Littérature américaine --- Indians --- History --- Sources --- Languages --- Writing
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"Surveys the traditions of Native American elegiac expression over several centuries. Krupat covers a variety of oral performances of loss and renewal, including the Condolence Rites of the Iroquois and the memorial ceremony of the Tlingit people known as koo'eex, examining as well a number of Ghost Dance songs, which have been reinterpreted in culturally specific ways by many different tribal nations. Krupat treats elegiac "farewell" speeches of the eighteenth and nineteenth centuries in considerable detail, and comments on retrospective autobiographies by Black Hawk and Black Elk. Among contemporary Native writers, he looks at elegiac work by Linda Hogan, N. Scott Momaday, Gerald Vizenor, Sherman Alexie, Maurice Kenny, and Ralph Salisbury, among others. Despite differences of language and culture, he finds that death and loss are consistently felt by Native peoples both personally and socially: someone who had contributed to the People's well-being was now gone. Native American elegiac expression offered mourners consolation so that they might overcome their grief and renew their will to sustain communal life"--
Grief in literature. --- Death in literature. --- Loss (Psychology) in literature. --- Indians of North America --- Elegiac poetry, American --- American literature --- Folk literature, Indian --- Indian literature --- American elegiac poetry --- American poetry --- Indian folk literature --- Indian literature (American Indian) --- Literature --- Funeral customs and rites. --- Indian authors --- History and criticism. --- Burial --- Mortuary customs
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Troubling Tricksters is a collection of theoretical essays, creative pieces, and critical ruminations that provides a re-visioning of trickster criticism in light of recent backlash against it. The complaints of some Indigenous writers, the critique from Indigenous nationalist critics, and the changing of academic fashion have resulted in few new studies on the trickster. For example, The Cambridge Companion to Native American Literature (2005), includes only a brief mention of the trickster, with skeptical commentary. And, in 2007, Anishinaabe scholar Niigonwedom Sinclair (a contributor to this volume) called for a moratorium on studies of the trickster irrelevant to the specific experiences and interests of Indigenous nations. One of the objectives of this anthology is, then, to encourage scholarship that is mindful of the critic?s responsibility to communities, and to focus discussions on incarnations of tricksters in their particular national contexts. The contribution of Troubling Tricksters, therefore, is twofold: to offer a timely counterbalance to this growing critical lacuna, and to propose new approaches to trickster studies, approaches that have been clearly influenced by the nationalists? call for cultural and historical specificity.
Indiens d'Amerique --- Litterature populaire indienne d'Amerique --- Tricksters dans la litterature. --- Tricksters --- Indians of North America --- Folk literature, Indian --- Tricksters in literature. --- Trickster in literature --- Indian folk literature --- Indian literature --- Trickster --- Folklore --- Magicians --- Swindlers and swindling --- Folk-lore, Indian --- Moeurs et coutumes. --- Folklore. --- Histoire et critique. --- Social life and customs. --- History and criticism. --- Customs
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This remarkable collection of eight essays offers a rare perspective on the issue of cross-cultural communication. Greg Sarris is concerned with American Indian texts, both oral and written, as well as with other American Indian cultural phenomena such as basketry and religion. His essays cover a range of topics that include orality, art, literary criticism, and pedagogy, and demonstrate that people can see more than just "what things seem to be." Throughout, he asks: How can we read across cultures so as to encourage communication rather than to close it down?Sarris maintains that cultural practices can be understood only in their living, changing contexts. Central to his approach is an understanding of storytelling, a practice that embodies all the indeterminateness, structural looseness, multivalence, and richness of culture itself. He describes encounters between his Indian aunts and Euro-American students and the challenge of reading in a reservation classroom; he brings the reports of earlier ethnographers out of museums into the light of contemporary literary and anthropological theory.Sarris's perspective is exceptional: son of a Coast Miwok/Pomo father and a Jewish mother, he was raised by Mabel McKay-a renowned Cache Creek Pomo basketweaver and medicine woman-and by others, Indian and non-Indian, in Santa Rosa, California. Educated at Stanford, he is now a university professor and recently became Chairman of the Federated Coast Miwok tribe. His own story is woven into these essays and provides valuable insights for anyone interested in cross-cultural communication, including educators, theorists of language and culture, and general readers.
Pomo Indians --- Miwok Indians --- Folk literature, Indian --- Oral tradition --- Storytelling --- Ethnic & Race Studies --- Gender & Ethnic Studies --- Social Sciences --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Folklore --- Oral interpretation of fiction --- Tradition, Oral --- Oral communication --- Oral history --- Indian folk literature --- Indian literature --- Awani Indians --- Me-Wuk Indians --- Meewoc Indians --- Mewan Indians --- Mi-Wuk Indians --- Miwuk Indians --- Yosemite Indians --- Indians of North America --- Moquelumnan Indians --- Kulanapan Indians --- History and criticism --- Performance --- Folklore. --- History and criticism.
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"Examining materials from early modern and contemporary North India and Pakistan, Tellings and Texts brings together seventeen first-rate papers on the relations between written and oral texts, their performance, and the musical traditions these performances have entailed. The contributions from some of the best scholars in the field cover a wide range of literary genres and social and cultural contexts across the region. The texts and practices are contextualized in relation to the broader social and political background in which they emerged, showing how religious affiliations, caste dynamics and political concerns played a role in shaping social identities as well as aesthetic sensibilities. By doing so this book sheds light into theoretical issues of more general significance, such as textual versus oral norms; the features of oral performance and improvisation; the role of the text in performance; the aesthetics and social dimension of performance; the significance of space in performance history and important considerations on repertoires of story-telling. The book also contains links to audio files of some of the works discussed in the text. Tellings and Texts is essential reading for anyone with an interest in South Asian culture and, more generally, in the theory and practice of oral literature, performance and story-telling."--Publisher's website.
Folk literature, Indian. --- Folk songs, Indian. --- Storytelling --- Story-telling --- Telling of stories --- Indian folk songs --- Indian folk literature --- Oral tradition --- Literature --- Music --- History. --- Criticism, Textual. --- Performance --- Oral interpretation --- Children's stories --- Folklore --- Oral interpretation of fiction --- Indian literature --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Tradition, Oral --- Oral communication --- Oral history --- Oral tradition. --- Storytelling. --- Performance. --- India, North. --- North India. --- India, North --- Northern India --- Uttar Bhārat --- Uttara Bhārata
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