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Indian art --- Indian artists --- Indians of North America --- Museums
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--Pointed, absorbing novel about an indigenous artist's long journey of creativity and coming-of-awareness from White Earth Reservation to Paris.
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Women artists --- Indian women --- Indian artists --- Femmes artistes --- Femmes indiennes --- Artistes indiens d'Amérique --- History --- Sculpture --- Painting --- Sociology of minorities --- Art --- United States --- United States of America --- Feminist art --- Indigenous population --- Artists --- Reference work --- Book
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Don Smith - or Lelooska, as he was usually called - was a prominent Native American artist and storyteller in the Pacific Northwest. Born in 1933 of “mixed blood” Cherokee heritage, he was adopted as an adult by the prestigious Kwakiutl Sewid clan and had relationships with elders from a wide range of tribal backgrounds. Initially producing curio items for sale to tourists and regalia for Oregon Indians, Lelooska emerged in the late 1950s as one of a handful of artists who proved crucial to the renaissance of Northwest Coast Indian art. He also developed into a supreme performer and educator, staging shows of dances, songs, and storytelling. During the peak years, from the 1970s to the early 1990s, the family shows with Lelooska as the centerpiece attracted as many as 30,000 people annually.In this book, historian and family friend Chris Friday shares and annotates interviews that he conducted with Lelooska, between 1993 and ending shortly before the artist's death, in 1996. This is the story of a man who reached, quite literally, a million or more people in his lifetime and whose life was at once exceptional and emblematic.
Indian artists --- Indians of North America --- Artists, Indian --- Artists --- American aborigines --- American Indians --- First Nations (North America) --- Indians of the United States --- Indigenous peoples --- Native Americans --- North American Indians --- Culture --- Ethnology --- Lelooska, --- Smith, Don Lelooska,
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"Joseph Hillaire (Lummi, 1894-1967) is recognized as one of the great Coast Salish artists, carvers, and tradition-bearers of the twentieth century. In A Totem Pole History, his daughter Pauline Hillaire, Sca;lla-Of the Killer Whale (b. 1929), who is herself a well-known cultural historian and conservator, tells the story of her father's life and the traditional and contemporary Lummi narratives that influenced his work. A Totem Pole History contains seventy-six photographs, including Joe's most significant totem poles, many of which Pauline watched him carve. She conveys with great insight the stories, teachings, and history expressed by her father's totem poles. Eight contributors provide essays on Coast Salish art and carving, adding to the author's portrayal of Joe's philosophy of art in Salish life, particularly in the context of twentieth century intercultural relations. This engaging volume provides an historical record to encourage Native artists and brings the work of a respected Salish carver to the attention of a broader audience. "--
ART / Native American. --- Totem poles --- Indian wood-carving --- Indian artists --- Lummi Indians --- Totems --- Indians --- Wood-carving, Indian --- Wood-carving --- Artists, Indian --- Artists --- Lummas Indians --- Lumme Indians --- Lummie Indians --- Lumni Indians --- Coast Salish Indians --- Indians of North America --- Hillaire, Joe,
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Christian art and symbolism --- Art, Mexican --- Indian artists --- Indian influences. --- Psychology. --- 7.031.7 --- -Christian art and symbolism --- -Indian artists --- -Artists, Indian --- Artists --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Mexican art --- Tepito Arte Acá (Group of artists) --- Primitieve kunst van de Amerikaanse volken tot op heden --- Indian influences --- Psychology --- -Primitieve kunst van de Amerikaanse volken tot op heden --- 7.031.7 Primitieve kunst van de Amerikaanse volken tot op heden --- -7.031.7 Primitieve kunst van de Amerikaanse volken tot op heden --- Artists, Indian --- Religious art --- Indians of Mexico --- Christian art and symbolism - Mexico - Indian influences. --- Art, Mexican - 16th century. --- Indian artists - Mexico - Psychology. --- -Indian influences
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An interdisciplinary exploration of indigenous bodies.
American literature --- Indian literature --- Human body in literature. --- Human body in art. --- Human body --- Indian artists --- Indian philosophy --- Indian art --- Indian literature (American) --- Indian literature (American Indian) --- Literature --- Indians of North America --- Body, Human, in literature --- Human figure in literature --- Ethnic art --- Symbolic aspects of the human body --- Symbolism --- Artists, Indian --- Artists --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Indian authors. --- History and criticism. --- Symbolic aspects. --- Indian authors --- Philosophy --- Human figure in art. --- Indigenous art --- Indigenous philosophy --- Indigenous artists --- Indigenous literature --- Indigenous authors.
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In recent years, works by American Indian artists and filmmakers such as Jaune Quick-To-See Smith, Edgar Heap of Birds, Sherman Alexie, Shelley Niro, and Chris Eyre have illustrated the importance of visual culture as a means to mediate identity in contemporary Native America. This insightful collection of essays explores how identity is created and communicated through Native film-, video-, and art-making; what role these practices play in contemporary cultural revitalization; and how indigenous creators revisit media pasts and resignify dominant discourses through their work. Taking
Indian artists --- Indian art --- Indian motion picture producers and directors --- Indians in motion pictures. --- Indigenous films --- Visual communication --- Indians of North America --- Arts and society --- Indian arts --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Motion pictures --- Indians of Central America in motion pictures --- Indians of Mexico in motion pictures --- Indians of North America in motion pictures --- Indians of South America in motion pictures --- Indians of the West Indies in motion pictures --- Motion picture producers and directors, Indian --- Motion picture producers and directors --- Art, Indian --- Indian art, Modern --- Indians --- Pre-Columbian art --- Precolumbian art --- Art --- Artists, Indian --- Artists --- Arts, Indian --- Arts --- Ethnic identity. --- Intellectual life. --- Race identity --- Film --- United States --- United States of America
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