Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Jia Zhangke on Jia Zhangke is an extended dialogue between film scholar Michael Berry and the internationally acclaimed Chinese filmmaker. Drawing from extensive interviews and public talks, this volume offers a portrait of Jia's life, art, and approach to filmmaking. Jia and Berry's conversations range from Jia's childhood and formative years to extensive discussions of his major narrative films, including such classics as Xiao Wu, Platform, The World, Still Life, and A Touch of Sin. Jia gives a first-hand account of his influences, analyzes the Chinese film industry, and offers his thoughts on everything from film music and working with actors to cinematography and screenwriting. From industry and economics to art and politics, Jia Zhangke on Jia Zhangke represents the single most comprehensive document of the director's candid thoughts on the art and challenges of filmmaking"--

Jia Zhangke --- Chinese cinema --- independent film --- oral history --- Sixth Generation --- Reform Era --- Motion picture producers and directors --- Jia, Zhangke, --- Criticism and interpretation. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Zhangke, Jia --- Jia, Zhang-ke, --- 贾樟柯

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Mouvement d'inspiration littéraire et artistique né aux États-Unis, dans les années 1950, à l'initiative de William Burroughs, Allen Ginsberg et Jack Kerouac, la Beat Generation a profondément influencé la création contemporaine. Le beau livre revient sur dix-huit années explosives, de New York, en passant par Los Angeles et San Francisco, jusqu'au Mexique, Tanger et Paris. L'ouvrage met particulièrement en avant le séjour parisien des écrivains de la Beat Generation, une étape essentielle. Les nombreux documents reproduits (photos, manuscrits, pochettes de disques, dessins et peintures ...) témoignent de l'euphorie créative des membres du groupe, ainsi que de la pluridisciplinarité du mouvement (arts visuels, littérature, jazz, poésie sonore ...). Sous la direction de Philippe-Alain Michaud, l'ouvrage propose différents essais des plus grands spécialistes du sujet. Une dizaine d'entretiens inédits avec des protagonistes du mouvement, ainsi que des extraits de textes et poèmes (Allen Ginsberg, Gregory Corso, William Burroughs, notamment) viennent enrichir le catalogue.

kunst --- cultuurgeschiedenis --- fifties --- sixties --- Verenigde Staten --- engagement --- Kerouac Jack --- Ginsberg Allen --- kunst en politiek --- kunst en maatschappij --- muziek --- film --- California --- experimentele film --- Independent Film --- beat culture --- gender studies --- Afro-Amerikanen --- jazz --- Parker Charlie --- beat film --- Frank Robert --- Cassavetes John --- 7.038 --- homoseksualiteit --- San Francisco --- New York --- Paris --- Parijs --- Gysin Brion --- Burroughs William S. --- McClure Michael --- Kryger Joanne --- Murao Shigeyoshi --- Ferlinghetti Lawrence --- Howl --- Ruppersberg Allen --- literatuur --- twintigste eeuw --- Beat generation --- Exhibitions --- Burroughs William S --- Littérature --- Poésie --- Kerouac, Jack, --- Etats-Unis --- Kerouac, Jack, 1922-1969

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

collages [visual works] --- installations [visual works] --- Art --- photography [process] --- art [fine art] --- Johnson, Ray --- Alexander, Robert --- Hopper, Edward --- Norse, Harols --- Brown, Joan --- Koch, Kenneth --- Cameron --- Mitchell, James O. --- Thompson, Bob --- Smith, Vincent --- O'Hara, Frank --- Perkoff, Stuart --- Patchen, Kenneth --- DeFeo, Jay --- Chamberlain, John --- Corso, Gregory --- Rivers, Larry --- Burchard, Jerry --- Frank, Robert --- McClure, Michael --- Burroughs, William S. --- Joans, Ted --- Cohen, John --- Hedrick, Wally --- Smithson, Robert --- Gysin, Brion --- Dine, Jim --- Jordan, Larry --- Leslie, Alfred --- Bladen, Ronald --- Kooning, de, Willem --- LaVigne, Robert --- Kessler, Chester --- Ginsberg, Allen --- Eller, James --- Kienholz, Edward --- Monroe, Arthur --- Conner, Bruce --- Jordan, Patricia --- Sanzenbach, Keith --- Brittin, Charles --- Berman, Wallace --- Beck, Julian --- Kerouac, Jack --- Redl, Harry --- Herms, George --- Müller, Dody --- Weil, Susan --- Keenan, Larry --- Talbert, Ben --- Smith, Harry --- Stockwell, Dean --- Schneemann, Carolee --- Rauschenberg, Robert --- Jess --- Mason, Fred --- Pollock, Jackson --- McDarrah, Fred W. --- Clark, Ed --- McElroy, Robert R. --- Kline, Franz --- anno 1950-1959 --- anno 1960-1969 --- United States --- Lisa Phillips; with contr; by Maurice Berger, Ray Carney, Maria Damon [et al.] --- kunst --- twintigste eeuw --- cultuurgeschiedenis --- beat generation --- fifties --- sixties --- Verenigde Staten --- contestatie --- engagement --- Kerouac Jack --- Ginsberg Allen --- kunst en politiek --- kunst en maatschappij --- muziek --- film --- California --- experimentele film --- Independent Film --- beat culture --- gender studies --- Afro-Amerikanen --- jazz --- Parker Charlie --- beat film --- Frank Robert --- Pull My Daisy --- Cassavetes John --- Shadows --- 7.038 --- Smith, Harry Everett --- Arts and society --- Subculture --- History --- Influence. --- artists' portraits --- art [discipline] --- kunstsociologie --- United States of America