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A study of British imperialism's imaginative geography, exploring the pairing of India and the Atlantic world from literature to colonial policy. In this lively book, Ashley Cohen weaves a complex portrait of the imaginative geography of British imperialism. Contrary to most current scholarship, eighteenth-century Britons saw the empire not as separate Atlantic and Indian spheres but as an interconnected whole: the Indies. Crisscrossing the hemispheres, Cohen traces global histories of race, slavery, and class, from Boston to Bengal. She also reveals the empire to be pervasively present at home, in metropolitan scenes of fashionable sociability. Close-reading a mixed archive of plays, poems, travel narratives, parliamentary speeches, political pamphlets, visual satires, paintings, memoirs, manuscript letters, and diaries, Cohen reveals how the pairing of the two Indies in discourse helped produce colonial policies that linked them in practice. Combining the methods of literary studies and new imperial history, Cohen demonstrates how the imaginative geography of the Indies shaped the culture of British imperialism, which in turn changed the shape of the world.
Imperialism in popular culture --- Great Britain --- Colonies --- History
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Imperialism in popular culture --- History --- Lawrence, T. E. --- Influence.
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A study of British imperialism's imaginative geography, exploring the pairing of India and the Atlantic world from literature to colonial policy.
Imperialism in popular culture --- 1700-1799 --- Great Britain --- Colonies --- History
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Imperialism in popular culture --- Italy --- Italy --- Colonies --- In literature. --- Colonies --- History.
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Imperialism in popular culture --- Imperialism in popular culture --- Imperialism --- Postcolonialism --- Postcolonialism --- History --- History --- Public opinion --- History --- History --- History --- Great Britain --- Great Britain --- Great Britain --- Colonies --- History --- Colonies --- Public opinion --- History --- Colonies --- Public opinion --- History
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Belgian colonialism was short-lived but left significant traces that are still felt in the twenty-first century. This book explores how the imperial past has lived on in Belgium, but also in the Democratic Republic of the Congo, Rwanda and Burundi. The contributing authors approach colonial legacies from an interdisciplinary perspective and examine how literature, politics, the arts, the press, cinema, museal practices, architecture, and language policies – but also justice and ethics – have been used to critically revisit this period of African and European history. Whilst engaging with significant figures such as Sammy Baloji, Chokri Ben Chikha, Alexis Kagame, Edmond Leplae, Joseph Ndwaniye, and Sony Labou Tansi, this book also analyses the role of places such as the AfricaMuseum, Bujumbura, Colwyn Bay, Kongolo, and the Virunga Park to appraise the links between memory and the development of a postcolonial present.
Colonisation. Decolonisation --- Belgium --- Burundi --- Rwanda --- Congo --- Postcolonialism --- Imperialism --- Imperialism in popular culture --- Impérialisme. --- Postcolonialisme. --- Imperialism. --- Postcolonialism. --- Impérialisme.
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In 'Colonial Transactions' Florence Bernault moves beyond the racial divide that dominates colonial studies of Africa. Instead, she illuminates the strange and frightening imaginaries that colonizers and colonized shared on the ground. Bernault looks at Gabon from the late nineteenth century to the present, historicizing the most vivid imaginations and modes of power in Africa today: French obsessions with cannibals, the emergence of vampires and witches in the Gabonese imaginary, and the use of human organs for fetishes. Struggling over objects, bodies, agency, and values, colonizers and colonized entered relations that are better conceptualized as "transactions." Together they also shared an awareness of how the colonial situation broke down moral orders and forced people to use the evil side of power. This foreshadowed the ways in which people exercise agency in contemporary Africa, as well as the proliferation of magical fears and witchcraft anxieties in present-day Gabon. Overturning theories of colonial and postcolonial nativism, this book is essential reading for historians and anthropologists of witchcraft, power, value, and the body.
Magic --- Witchcraft --- Imperialism in popular culture --- Social aspects --- Social aspects --- History --- Gabon --- Gabon --- Gabon --- France --- Colonial influence. --- History --- Religious life and customs. --- Colonies --- Administration.
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Au cours des années 1970, la rumba, le soukous et le makossa forment une « sono mondiale » dont la circulation entre les continents est lourde d’enjeux politiques. Dans un contexte postcolonial fortement marqué par la persistance d’un impérialisme culturel français, leur renommée dépasse les frontières de l’Afrique centrale pour s’exporter en Europe et en Amérique, grâce à la popularité d’artistes comme Manu Dibango. Cet ouvrage raconte la singulière histoire de ces musiques urbaines. De l’effervescence culturelle post-Mai 68 à la diffusion du jazz afro-américain, en passant par la promotion intéressée par l’État français d’une world music francophone, Arielle Nganso met en lumière les facteurs qui ont concouru à leur large diffusion et les logiques impériales qui l’ont structurée. Elle souligne les grandes difficultés rencontrées par ces musiciens pour produire et diffuser leur art en France : se heurtant notamment à une conception exotisante de leur musique, ces derniers ont été contraints de la formater aux attentes des oreilles occidentales. Enfin, elle réinvestit la question de la restitution des œuvres d’art africaines, en y intégrant le champ musical.
Popular music --- World music --- Imperialism in popular culture --- Musique populaire --- Musiques du monde --- History and criticism. --- Histoire et critique. --- World music --- Postcolonialism and music --- Imperialisme dans la culture populaire --- Postcolonialisme et musique
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