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Imperialism --- Human rights --- Transnationalism --- Impérialisme --- Droits de l'homme (Droit international) --- Transnationalisme --- Social aspects --- History. --- Histoire --- Commonwealth countries --- Great Britain --- Pays du Commonwealth --- Grande-Bretagne --- Social conditions. --- Civilization --- Conditions sociales --- Civilisation --- History --- Social conditions --- Impérialisme --- Imperialism - Social aspects - Great Britain --- Human rights - Commonwealth countries --- Transnationalism - History --- Commonwealth countries - Social conditions --- Great Britain - Civilization - 19th century --- Great Britain - Civilization - 20th century

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We leven in een tijd waar het beeld alomtegenwoordig is. Het leren omgaan met deze beelden, ze interpreteren en duiden, wordt net zo belangrijk als het lezen en interpreteren van teksten. In onderwijsprogramma's van scholen en universiteiten wordt meer en meer aandacht besteed aan deze visuele cultuur. Maar men is er nog niet uit hoe deze beelden te 'lezen', hoe te reageren op de onderliggende ideologie die vervat zit in de beelden. Hoe benader je de esthetiek van de beelden ondanks het ideologische karakter ervan. In dit handboek krijgen studenten een aantal instrumenten in handen om kritisch naar deze visuele cultuur te kijken. Vanuit een interdisciplinaire en feministische invalshoek kijken de essays in deze bundel naar beeldmateriaal zoals ondermeer films en foto's.

Feminism and education --- Teaching --- Educational sciences --- Sociology of the family. Sociology of sexuality --- Art --- Mass communications --- Imperialism --- Women --- Women's studies --- Social aspects --- History --- Imperialism - Social aspects - Europe - History --- Women - Europe - History --- Women's studies - Europe --- Feminism --- Media --- Methodology --- Education --- Theory --- Book --- Culture --- Imaging

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Few empires had such an impact on the conquered peoples as did the Roman empire, creating social, economic, and cultural changes that erased long-standing differences in material culture, languages, cults, rituals and identities. But even Rome could not create a single unified culture. Individual decisions introduced changes in material culture, identity, and behavior, creating local cultures within the global world of the Roman empire that were neither Roman nor native. The author uses Northwest Italy as an exemplary case as it went from a marginal zone to one of the most flourishing and stro

Acculturation --- Assimilation (Sociology) --- Imperialism --- Romanisierung. --- History --- Social aspects --- Italien. --- Italy, Northern --- Rome (Empire). --- Rome --- Antiquities, Roman. --- Material culture. --- Ethinic relations. --- Assimilation (Sociologie) --- Impérialisme --- Histoire --- Aspect social --- Italie (Nord) --- Ethnic relations. --- Relations interethniques --- Antiquités romaines --- Acculturation -- Italy, Northern -- History. --- Acculturation -- Rome -- History. --- Assimilation (Sociology) -- Italy, Northern -- History. --- Assimilation (Sociology) -- Rome -- History. --- Imperialism -- Social aspects -- Italy, Northern -- History. --- Imperialism -- Social aspects -- Rome -- History. --- Italy, Northern -- Antiquities, Roman. --- Italy, Northern -- Material culture. --- History. --- Colonialism --- Empires --- Expansion (United States politics) --- Neocolonialism --- Political science --- Anti-imperialist movements --- Caesarism --- Chauvinism and jingoism --- Militarism --- Cultural assimilation --- Anthropology --- Socialization --- Cultural fusion --- Emigration and immigration --- Minorities --- Culture contact --- Development education --- Civilization --- Culture --- Ethnology --- Social aspects&delete& --- Rim --- Roman Empire --- Roman Republic (510-30 B.C.) --- Romi (Empire) --- Byzantine Empire --- Rome (Italy) --- Northern Italy --- Culture contact (Acculturation)

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"Moving beyond older approaches to the history of the Habsburgs in Central Europe in which nations are the main actors and nationalist conflict the inevitable moving force in the monarchy's trajectory, Pieter Judson offers an alternate narrative framework for the history of Habsburg Central Europe from the eighteenth century to the demise of the empire in World War I. He investigates how shared imperial institutions, administrative practices, and cultural programs helped to shape local society in every region of the empire. He shows how all of these elements gave imperial citizens fundamentally common experiences that crossed linguistic, confessional, and regional divides--experiences that even shaped nationalists' understandings of nationhood. And he traces what happened to the common or shared elements of imperial practice when the Habsburg monarchy formally ceased to exist in 1918."--Provided by publisher.

History of Europe --- Habsburg [Dynasty] --- anno 1700-1799 --- anno 1800-1999 --- Nationalism --- Imperialism --- History. --- Social aspects --- Habsburg, House of --- Nationalisme --- Impérialisme --- Histoire --- Aspect social --- Habsbourg (dynastie) --- Histoire. --- History --- Colonialism --- Empires --- Expansion (United States politics) --- Neocolonialism --- Political science --- Anti-imperialist movements --- Caesarism --- Chauvinism and jingoism --- Militarism --- Consciousness, National --- Identity, National --- National consciousness --- National identity --- International relations --- Patriotism --- Autonomy and independence movements --- Internationalism --- Political messianism --- Habsbourg --- Nationalism - Europe, Central - History --- Imperialism - Social aspects - Europe, Central - History --- Habsburg, House of - History --- Impérialisme

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A critical cultural materialist introduction to the study of global entertainment media. In Global Entertainment Media, Tanner Mirrlees undertakes an analysis of the ownership, production, distribution, marketing, exhibition and consumption of global films and television shows, with an eye to political economy and cultural studies. Among other topics, Mirrlees examines: Paradigms of global entertainment media such as cultural imperialism and cultural globalization. The business of entertainment media: the structure of capitalist culture/creative industries (financers, producers, distributors and exhibitors) and trends in the global political economy of entertainment media. The "governance" of global entertainment media: state and inter-state media and cultural policies and regulations that govern the production, distribution and exhibition of entertainment media and enable or impede its cross-border flow. The new international division of cultural labor (NICL): the cross-border production of entertainment by cultural workers in asymmetrically interdependent media capitals, and economic and cultural concerns surrounding runaway productions and co-productions.The economic motivations and textual design features of globally popular entertainment forms such as blockbuster event films, TV formats, glocalized lifestyle brands and synergistic media. The cross-cultural reception and effects of TV shows and films. The World Wide Web, digitization and convergence culture.

Mass communications --- Service industry --- Sociology of culture --- Mass media and globalization. --- Motion pictures and globalization. --- Television and globalization --- Culture and globalization. --- Motion picture industry --- Television programs --- Imperialism --- Globalization --- Médias et mondialisation --- Cinéma et mondialisation --- Télévision et mondialisation --- Culture et mondialisation --- Cinéma --- Emissions télévisées --- Impérialisme --- Mondialisation --- Social aspects. --- Industrie --- Aspect social --- Mass media and globalization --- Motion pictures and globalization --- Culture and globalization --- Social aspects --- Television and globalization. --- Médias et mondialisation --- Cinéma et mondialisation --- Télévision et mondialisation --- Cinéma --- Emissions télévisées --- Impérialisme --- Motion picture industry - United States --- Television programs - United States --- Imperialism - Social aspects --- Globalization - Social aspects