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Immigrants --- Refugees --- Immigrants' writings --- Italy
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This book brings fresh perspectives to the anthropology of migration. It focuses on what migrants write and how anthropologists may incorporate insights gained from engagement with this writing into research methods and writing practices. The volume includes a range of contributions from leading scholars in the field, all organized around a striking set of questions about the conditions in which migrant narratives are written and translated, the audiences for which they are intended, the genres and media through which they are disseminated, and what such stories include or leave out. The contributors to this volume demonstrate an innovative shift in anthropological methods by showing how fiction and nonfiction, graphic memoir and autoethnography, song lyrics, as well as social media posts and images unsettle the power dynamics in the study of migration narrative. This book will serve as important supplemental reading for courses on migration, literary anthropology, ethnographic methods, and sociocultural anthropology in general. Its interdisciplinary perspective will appeal to a broad range of scholars and students with interests in migration, narrative, and anthropological writing genres. iocultural anthropology in general. Its interdisciplinary perspective will appeal to a broad range of scholars and students with interests in migration, narrative, and anthropological writing genres.iocultural anthropology in general. Its interdisciplinary perspective will appeal to a broad range of scholars and students with interests in migration, narrative, and anthropological writing genres.iocultural anthropology in general. Its interdisciplinary perspective will appeal to a broad range of scholars and students with interests in migration, narrative, and anthropological writing genres.
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Examines the underlying precarity in twenty-first-century immigrant fiction and reveals the contradictions inherent in neoliberalism as an ideology.
Immigrants' writings --- History and criticism. --- Atlantic Ocean --- Emigration and immigration.
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The life of an immigrant living in America is a difficult one, as immigrants often find themselves struggling with their families, their sense of identity, and the balance between past and present cultures. Essays in this volume review and analyze contemporary short stories by such authors as Junot Diaz, Sui Sin Far, William Saroyan, Isaac Bashevis, Chimamanda Ngozi Adichie, Jhumpa Lahiri, Edwidge Danticat, Yi-yun Li, Ernesto Quinonez, and Ha Jin.
Immigrants' writings, American --- Short stories, American --- History and criticism.
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This book is dedicated to the poetics in the Italian language that have spread around Italy over the last thirty years, also as a consequence of the migratory waves from the South-East to the North-West of the world. After years of research, the authors have selected a sample of twelve poets, who for different reasons have adopted Italian as the language of their literary expression. These authors come from the Balkans (Bosnia and Herzegovina, Albania), from Eastern Europe (Romania, Poland), from central-northern Europe (Austria, Germany), but also from Latin American countries (Brazil, Argentina , Chile), the Middle East (Iran and Iraq), and the Africa (Senegal). This volume features a long critical introduction and an updated bibliography, and studies the issue of migration from a cultural, literary and linguistic perspective, further investigating the work of individual poets in relation to their culture of origin and their use of the language (or languages), touching current and complex notions and issues such as otherness, interculturality, evolution of identity, migration and relationship between the multicultural and multilingual writing and the contemporary Italian poetic tradition and its canon. The unpublished interviews concluding the volume were made at the authors’ places of residence and reconstruct their biographical and artistic path and their idea of language, translation, literature, home country and nationality.
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This book is dedicated to the poetics in the Italian language that have spread around Italy over the last thirty years, also as a consequence of the migratory waves from the South-East to the North-West of the world. After years of research, the authors have selected a sample of twelve poets, who for different reasons have adopted Italian as the language of their literary expression. These authors come from the Balkans (Bosnia and Herzegovina, Albania), from Eastern Europe (Romania, Poland), from central-northern Europe (Austria, Germany), but also from Latin American countries (Brazil, Argentina , Chile), the Middle East (Iran and Iraq), and the Africa (Senegal). This volume features a long critical introduction and an updated bibliography, and studies the issue of migration from a cultural, literary and linguistic perspective, further investigating the work of individual poets in relation to their culture of origin and their use of the language (or languages), touching current and complex notions and issues such as otherness, interculturality, evolution of identity, migration and relationship between the multicultural and multilingual writing and the contemporary Italian poetic tradition and its canon. The unpublished interviews concluding the volume were made at the authors’ places of residence and reconstruct their biographical and artistic path and their idea of language, translation, literature, home country and nationality.
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During the Cold War, Ellis Island no longer served as the largest port of entry for immigrants, but as a prison for holding aliens the state wished to deport. The government criminalized those it considered un-assimilable (from left-wing intellectuals and black radicals to racialized migrant laborers) through the denial, annulment, and curtailment of citizenship and its rights. The island, ceasing to represent the iconic ideal of immigrant America, came to symbolize its very limits. Unbecoming Americans sets out to recover the shadow narratives of un-American writers forged out of the racial and political limits of citizenship. In this collection of Afro-Caribbean, Filipino, and African American writers—C.L.R. James, Carlos Bulosan, Claudia Jones, and Richard Wright—Joseph Keith examines how they used their exclusion from the nation, a condition he terms “alienage,” as a standpoint from which to imagine alternative global solidarities and to interrogate the contradictions of the United States as a country, a republic, and an empire at the dawn of the "American Century.” Building on scholarship linking the forms of the novel to those of the nation, the book explores how these writers employed alternative aesthetic forms, including memoir, cultural criticism, and travel narrative, to contest prevailing notions of race, nation, and citizenship. Ultimately they produced a vital counter-discourse of freedom in opposition to the new formations of empire emerging in the years after World War II, forms that continue to shape our world today.
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