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Imagination --- Imagination in literature --- Imagination in motion pictures --- Imaginaire --- Imaginaire dans la littérature --- Imaginaire au cinéma --- Imagination. --- Imagination in literature. --- Imagination in motion pictures.

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Imagination --- Imagination (Philosophy) --- Imagination --- Imagination in motion pictures --- Imagination in literature

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Das Publikum nimmt Filme nicht nur mit Augen und Ohren wahr – es imaginiert sie auch. Film bedeutet daher immer auch: »Kino im Kopf«. Das gilt vor allem dann, wenn uns Filme auf anspielungsreiche Weise etwas vorenthalten: Dann werden wir als Zuschauer dazu eingeladen, herausgefordert, uns das Ausgesparte sinnlich vorzustellen. Die Filmwissenschaft hat Fragen zur Imagination des Zuschauers lange Zeit eher stiefmütterlich behandelt. Dieser Band setzt sich nun erstmals im deutschsprachigen Raum systematisch mit dem vertrackten Zusammenspiel von Film und Zuschauerimagination auseinander. Die Autoren klären begriffliche Fragen, diskutieren ästhetische Mittel wie Ellipse oder Filmmusik, gehen der Imagination im Dokumentarfilm und im Stummfilmkino nach und verfolgen die Zuschauerimagination über die medialen Grenzen des Films hinaus.

Fantasy films --- Imagination in motion pictures --- Motion pictures --- Motion picture audiences

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From documentary to art-house cinema - and from an abundance of onscreen images to their complete absence - films that experiment variously with narration, voice-over and soundscapes do not only engage viewers' thoughts and senses. They also make an appeal to visualise more than is perceptible on screen. This book explores the extraordinary ways in which film can stimulate and direct the image-making capacity of the imagination. Bringing together an international range of films with debates in philosophy, film theory, literary scholarship and cognitive psychology, author Sarah Cooper charts the key processes that serve the imagining of images in the light of the mind. Through its navigation of a labile and vivid mental terrain, this innovative work makes a profound contribution to the study of spectatorship.

Philosophy and psychology of culture --- Film --- Aesthetics --- Imagination in motion pictures. --- Film criticism. --- Imagination. --- Motion pictures. --- Motion picture criticism --- Motion pictures --- Moving-picture criticism --- Criticism --- Imagery, Mental --- Images, Mental --- Mental imagery --- Mental images --- Educational psychology --- Intellect --- Psychology --- Reproduction (Psychology) --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Evaluation --- History and criticism