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art history --- Art --- anno 1100-1199 --- anno 1200-1299 --- Champagne --- Flanders --- geschiedenis --- religieuze kunst --- relieken --- miniaturen --- beeldhouwkunst --- paneelschilderkunst --- glasramen --- gotiek --- 1150 - 1250 --- 12de eeuw --- 13de eeuw --- Vlaanderen --- Art, Medieval --- Illumination of books and manuscripts, Medieval --- Christian art and symbolism --- Art, Early Gothic --- 091.31 <44> --- 091.31 <493> --- Verluchte handschriften--Frankrijk --- Handschriftenkunde. Handschriftencatalogi--België --- Exhibitions --- 091.31 <44> Verluchte handschriften--Frankrijk --- Art, Medieval - Belgium - Flanders - Exhibitions --- Art, Medieval - France - Champagne-Ardenne - Exhibitions --- Illumination of books and manuscripts, Medieval - Belgium - Flanders - Exhibitions --- Illumination of books and manuscripts, Medieval - France - Champagne-Ardenne - Exhibitions --- Christian art and symbolism - Medieval, 500-1500 - Exhibitions --- Art, Early Gothic - Exhibitions --- Franse school --- Vlaamse school --- geschiedenis. --- religieuze kunst. --- relieken. --- miniaturen. --- sculptuur. --- paneelschilderkunst. --- glasramen. --- gotiek. --- 1150 - 1250. --- 12de eeuw. --- 13de eeuw. --- Vlaanderen. --- Champagne. --- sculptuur
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This is the first comprehensive and in-depth study of the earliest figural painting ever to have been produced in Flanders on a continual basis. Most of the manuscripts are Psalters, but Bibles, a Breviary, a Missal, a Netherlandic life of a saint, and yet other texts occur. Three main categories of illuminator are distinguishable: those working in Bruges, in Ghent, and, at least in part, for the circle of the counts of Flanders. The principal chapters and the catalog segments are organized around their individual contributions. An arrangement in time and place of the total body of work was obtained through a lengthy and rigorous process of comparison of figural, ornamental and writing styles, codicological and textual features. Several distinctive Flemish patterns of Psalter iconography have emerged; these are presented in tabular form with accompanying commentaries. A surprising amount of information about the early owners of the books, mostly well-to-do members of the laity, was yielded in the analysis for the manuscript catalogs.
Manuscripts. Epigraphy. Paleography --- Painting --- anno 1200-1299 --- Flanders --- Illumination of books and manuscripts, Flemish --- Illumination of books and manuscripts, Medieval --- Illumination of books and manuscripts, Gothic --- Enluminure flamande --- Enluminure médiévale --- Enluminure gothique --- manuscripten --- illustraties --- geschiedenis --- miniaturen --- middeleeuwen --- 12de eeuw --- 13de eeuw --- Vlaanderen --- Brugge --- Gent --- Manuscripts, Medieval --- Painting, Medieval --- Painting, Flemish --- Painters --- History --- Manuscrits à peintures flamands --- Manuscripts --- 091 "12" --- 091.31 <493> --- 091.31 "04/14" --- Handschriftenkunde. Handschriftencatalogi--13e eeuw. Periode 1200-1299 --- Handschriftenkunde. Handschriftencatalogi--België --- Verluchte handschriften--Middeleeuwen --- 091.31 "04/14" Verluchte handschriften--Middeleeuwen --- 091 "12" Handschriftenkunde. Handschriftencatalogi--13e eeuw. Periode 1200-1299 --- Enluminure médiévale --- Illumination of books and manuscripts --- Flanders (County) --- 13th century --- Illumination of books and manuscripts [Medieval ] --- Illumination of books and manuscripts [Flemish ] --- Bruges (Belgium) --- Ghent (Belgium) --- illustratie --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- Illumination of books and manuscripts, Medieval - Belgium - Flanders --- Manuscripts, Medieval - Belgium - Flanders --- Painting, Medieval - Belgium - Flanders --- Painting, Flemish - 13th century --- Painters - Belgium - Flanders - History - To 1500 --- Mss enluminés et à peintures --- manuscripten. --- illustratie. --- geschiedenis. --- miniaturen. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak). --- 12de eeuw. --- 13de eeuw. --- Vlaanderen. --- Brugge. --- Gent.
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