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Coins, Phoenician --- Coins, Roman --- Coins, Islamic --- Mosaics --- Illumination of books and manuscripts, Islamic --- Punic language --- Congresses. --- Coins, Phoenician - Africa, North - Congresses. --- Coins, Roman - Africa, North - Congresses. --- Coins, Islamic - Africa, North - Congresses. --- Mosaics - Africa, North - Congresses. --- Illumination of books and manuscripts, Islamic - Africa, North - Congresses. --- Punic language - Congresses.
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Illumination of books and manuscripts, Arab. --- Islamic illumination of books and manuscripts --- Illumination of books and manuscripts, Medieval --- Manuscripts, Arabic. --- Enluminure arabe --- Enluminure islamique --- Enluminure médiévale --- Manuscrits arabes --- Illumination of books and manuscripts, Islamic --- Enluminure médiévale --- Illumination of books and manuscripts, Arab --- Manuscripts, Arabic --- Arabic manuscripts --- Muslim illumination of books and manuscripts --- Illumination of books and manuscripts --- Painting, Medieval --- Arab illumination of books and manuscripts --- Illumination of books and manuscripts, Arabic --- Illumination of books and manuscripts, Islamic - Arab countries. --- Illumination of books and manuscripts, Medieval - Arab countries. --- Manuscrits à peintures arabes --- Manuscrits à peintures islamiques --- Moyen âge
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Enluminure des livres et manuscrits iranienne --- Enluminure des livres et manuscrits islamique --- Handschriften [Perzische] --- Illumination of books and manuscripts [Iranian ] --- Illumination of books and manuscripts [Islamic ] --- Manuscripts [Persian] --- Manuscrits persans --- Persian manuscripts --- Verluchting van boeken en handschriften [Iraanse ] --- Verluchting van boeken en handschriften [Mohammedaanse ] --- Illumination of books and manuscripts, Iranian. --- Miniature painting, Iranian. --- Enluminure iranienne --- Peinture de miniature iranienne
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Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work. Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.
Manuscripts, Arabic. --- Illumination of books and manuscripts, Arab. --- Arabic manuscripts --- Arab illumination of books and manuscripts --- Illumination of books and manuscripts, Arabic --- Islamic illumination of books and manuscripts --- Illumination of books and manuscripts, Medieval --- Painting, Medieval --- Illumination of books and manuscripts, Islamic --- Muslim illumination of books and manuscripts --- Illumination of books and manuscripts
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"The dominant form of Ottoman pictorial art until the eighteenth century, miniatures have traditionally been studied as reflecting the socio-historical contexts, aesthetic concerns and artistic tastes of the era within which they were produced. Begum Ozden Fyrat proposes instead a radical re-reading of seventeenth- and eighteenth-century miniatures in the light of contemporary critical theory, highlighting the viewer's encounter with the image. Encounters with the Ottoman Miniature employs contemporary concepts such as the gaze, frame/framing, reading and re-reading, drawing on thinkers such as Walter Benjamin, Roland Barthes and Gilles Deleuze to establish the vibrant cultural agency of miniature paintings. With analysis that illuminates both the social and political situations in which these miniatures were painted as well as emphasising the miniature's contemporary relevance, Firat presents an important new re-imagining of this art form--Bloomsbury Publishing."
Islamic illumination of books and manuscripts --- Islamic miniature painting --- Miniature painting, Islamic --- Muslim miniature painting --- Miniature painting --- Illumination of books and manuscripts, Islamic --- Muslim illumination of books and manuscripts --- Illumination of books and manuscripts --- History. --- History of art / art & design styles.
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This book traces the history of manuscript production in the Islamic West between the 10th and the 12th centuries. It interrogates the material evidence that survives from this period, paying special attention to the origin and development of Maghribi round scripts, the distinctive form of Arabic writing employed in al-Andalus (Muslim Iberia) and Northwest Africa. More than 200 dated manuscripts written in Maghribi round scripts - many of which have not previously been published and are of great historical significance - are presented and discussed. This leads to a reconstruction of the activity of Maghribi calligraphers, copyists, notaries and secretaries, creating a better understanding of the development of their practices. Using a blend of art historical methods, palaeographic analyses and a thorough scrutiny of Arabic sources, the author paints a comprehensive and lively picture of Maghribi manuscript culture, from its beginnings under the Umayyads of Cordova until the heyday of the Almohad caliphate. He lifts the veil on a glorious, yet neglected season in the history of Arabic calligraphy, shedding new light on a tradition that was crucial for the creation of the Andalusi identity and its spread throughout the medieval Mediterranean.
Islamic civilization --- Islamic illumination of books and manuscripts. --- Civilización islámica --- Civilización musulmana --- Iluminación de libros y manuscritos --- Manuscripts. --- Manuscritos --- Illumination of books and manuscripts, Islamic --- Muslim illumination of books and manuscripts --- Illumination of books and manuscripts --- Civilization, Islamic --- Muslim civilization --- Civilization --- Civilization, Arab --- Islamic civilization. --- Manuscritos árabes --- Caligrafía árabe --- Iluminación --- Documentos árabes
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