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Stravinski, Igor --- Igor Fyodorovich Stravinsky 1882-1971 (°Rusland) --- Muziek ; componisten ; Igor Stravinsky --- 78.07 --- Musici, componisten, zangers --- Composers --- Russia --- Biography --- Stravinsky, Igor,

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Published for the first time: a rich epistolary dialogue revealing one master teacher's power to shape the cultural canon and one great composer's desire to embed himself within historical narratives.

Conductors (Music) --- Boulanger, Nadia --- Stravinsky, Igor, --- Boulanger, Nadia. --- Music conductors --- Music directors --- Musicians --- Stravinsky, Igor --- Stravinski, Igor --- Strawinsky, Igor --- Strawinski, Igor --- Stravinskij, Igor' Fëdorovič --- Istrāvīnskī, Īgūr, --- Stravinski, Igor, --- Stravinskiĭ, I. F. --- Stravinskiĭ, Igorʹ Fedorovich, --- Stravinskij, Igor Fiodorovič, --- Strawiński, Igor Fiodorowicz, --- Strawinskij, Igor, --- Strawinsky, I. --- Strawinsky, Igor, --- Strawinsky, Jgor, --- Стравинский, Игорь, --- סטראווינסקי, איגור --- סטראוינסקי, איגור --- Igor Stravinsky. --- Nadia Boulanger. --- Selected correspondence. --- Stravinsky family. --- composer correspondence. --- cultural icons. --- historical narratives. --- modernist period. --- music conversation. --- music education. --- music history. --- music legacy. --- music relationship. --- music researchers. --- music scholars. --- musical dialogue.

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Music and fashion: the deep connection between these two expressive worlds is firmly entrenched. Yet little attention has been paid to the association of sound and style in the early twentieth century-a period of remarkable and often parallel developments in both high fashion and the arts, including music. This beautifully written book, lavishly illustrated with fashion plates and photographs, explores the relationship between music and fashion, elegantly charting the importance of these arts to the rise of transatlantic modernism. Focusing on the emergence of the movement known as Neoclassicism, Mary E. Davis demonstrates that new aesthetic approaches were related to fashion in a manner that was perfectly attuned to the tastes of jazz-age sophisticates. Looking in particular at three couturiers-Paul Poiret, Germaine Bongard, and Coco Chanel-and three breakthrough fashion magazines-La Gazette du Bon Ton, Vanity Fair, and Vogue-Davis illuminates for the first time the ways in which fashion's imperatives of originality and constant change influenced composers such as Erik Satie, Igor Stravinsky, and Les Six. She also considers the role played by the Ballets Russes, and explores the contributions of artists including costume and set designer Léon Bakst, writer and director Jean Cocteau, Amédée Ozenfant, and Pablo Picasso. The first study to situate music in this rich context, Classic Chic demonstrates the profound importance of the linked endeavors of composition and couture to modernist thought. In addition to its innovative approach to this important moment in history, Davis's focus on the social aspects of the story makes the book a tremendously engaging read.

Popular music --- Popular culture. --- Fashion --- Musicians --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Artists --- History and criticism. --- History --- Clothing --- 20th century art history. --- 20th century fashion history. --- 20th century music history. --- amedee ozenfant. --- art. --- ballets russes. --- coco chanel. --- entertainment industry. --- erik satie. --- fashion and clothing. --- fashion photography. --- fashion plates. --- fashion. --- germaine bongard. --- high fashion. --- igor stravinsky. --- interdisciplinary. --- jean cocteau. --- la gazette du bon ton. --- leon bakst. --- les six. --- modernism. --- modernity. --- music. --- neoclassicism. --- originality. --- pablo picasso. --- paul poiret. --- retrospective. --- sound and style. --- transatlantic modernism. --- vanity fair. --- vogue.

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A rare look at the life and music of renowned Russian composer Nikolai Rimsky-KorsakovDuring his lifetime, Nikolai Rimsky-Korsakov (1844-1908) was a composer whose work had great influence not only in his native Russia but also internationally. While he remains well-known in Russia-where many of his fifteen operas and various orchestral pieces are still in the standard repertoire-very little of his work is performed in the West today beyond Scheherezade and arrangements of The Flight of the Bumblebee. In Western writings, he appears mainly in the context of the Mighty Handful, a group of five Russian composers to which he belonged at the outset of his career. Rimsky-Korsakov and His World finally gives the composer center stage and due attention.In this collection, Rimsky-Korsakov's major operas, The Snow Maiden, Mozart and Salieri, and The Golden Cockerel, receive multifaceted exploration and are carefully contextualized within the wider Russian culture of the era. The discussion of these operas is accompanied and enriched by the composer's letters to Nadezhda Zabela, the distinguished soprano for whom he wrote several leading roles. Other essays look at more general aspects of Rimsky-Korsakov's work and examine his far-reaching legacy as a professor of composition and orchestration, including his impact on his most famous pupil Igor Stravinsky.The contributors are Lidia Ader, Leon Botstein, Emily Frey, Marina Frolova-Walker, Adalyat Issiyeva, Simon Morrison, Anna Nisnevich, Olga Panteleeva, and Yaroslav Timofeev.The Bard Music FestivalBard Music Festival 2018Rimsky-Korsakov and His WorldBard CollegeAugust 10-12 and August 17-19, 2018

Composers --- Alexander Ostrovsky. --- Alexei Ratmansky. --- Asian territories. --- Conservatory system. --- Igor Stravinsky. --- Khovanshchina. --- Maurice Ravel. --- Mighty Handful. --- Modest Musorgsky. --- Mozart and Salieri. --- Mozart. --- Nadezhda Zabela-Vrubel. --- Nikolai Mikhailovsky. --- Nikolai Rimsky-Korsakov. --- Orientalism. --- Orientalist truisms. --- Rimsky-Korsakov school. --- Russian Empire. --- Russian Style. --- Russian characters. --- Russian classical music. --- Russian convention. --- Russian culture. --- Russian music. --- Russian musicology. --- Russian opera. --- Russian painting. --- Russian politics. --- Russian state. --- Russo-Japanese War. --- Salieri. --- Sergei Diaghilev. --- Snegurochka. --- Soviet Union. --- Soviet musicology. --- St. Petersburg Conservatory. --- Symbolist. --- The Golden Cockerel. --- The Snow Maiden. --- aesthetics. --- ballet. --- censorship. --- classicist aesthetics. --- colonial conquest. --- composer. --- composition. --- compositional school. --- contemporaneity. --- enchantment. --- experiential connection. --- historical musicology. --- humane politics. --- individual feeling. --- lyricism. --- metaphysical excess. --- muse. --- music theory. --- musical life. --- non-Russian characters. --- opera. --- operas. --- orchestration. --- pedagogical strategies. --- performers. --- philosophy. --- poetic beauty. --- political satire. --- populism. --- prehistoric village. --- sentience. --- social cooperation. --- theater management. --- visual artists.

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Freedom from Violence and Lies is a collection of forty-one essays by Simon Karlinsky (1924-2009), a prolific and controversial scholar of modern Russian literature, sexual politics, and music who taught in the University of California, Berkeley's Department of Slavic Languages and Literatures from 1964 to 1991. Among Karlinsky's full-length works are major studies of Marina Tsvetaeva and Nikolai Gogol, Russian Drama from Its Beginnings to the Age of Pushkin; editions of Anton Chekhov's letters; writings by Russian émigrés; and correspondence between Vladimir Nabokov and Edmund Wilson. Karlinsky also wrote frequently for professional journals and mainstream publications like the New York Times Book Review and the Nation. The present volume is the first collection of such shorter writings, spanning more than three decades. It includes twenty-seven essays on literary topics and fourteen on music, seven of which have been newly translated from the Russian originals.

Russian poetry --- Modernism (Literature) --- Music and literature. --- History and criticism. --- Pushkin, Aleksandr Sergeevich, --- Tchaikovsky, Peter Ilich, --- Stravinsky, Igor, --- Shostakovich, Dmitriĭ Dmitrievich, --- Influence. --- Literature and music --- Crepuscolarismo --- Chostakovitch, D. --- Chostakovitch, Dimitri, --- Chostakovitch, Dmitri, --- Schostakovich, Dmitri Dmitriyevich, --- Schostakovitj, Dmitrij, --- Schostakowisch, Dmitri Dimitriewisch, --- Schostakowitsch, D., --- Schostakowitsch, Dimitri, --- Schostakowitsch, Dmitri, --- Schostakowitsch, Dmitrij, --- Sciostakovic, Dimitri, --- Sciostakovic, Dmitri, --- Sciostakovich, Dmitri, --- Shostakovic, Dmitrij, --- Shostakovich, D. --- Shostakovich, Dimitri, --- Shostakovich, Dmitrij, --- Shostakovich, Dmitry, --- Shostakovitch, Dmitri, --- Sjostakovitj, Dmitri, --- Sjostakovitj, Dmitrij, --- Sjostakovitsj, Dmitri, --- Šostakovič, D. D. --- Šostakovič, D. --- Šostakovič, Dmitrij, --- Šostakovič, Dmitrij Dmitrijevič, --- Šostakovičius, D., --- Šostakovitš, Dmitri, --- Szostakowicz, A., --- Szostakowicz, Dmitri, --- Szostakowicz, Dymitr, --- Шостакович, Дмитрий Дмитриевич, --- שוסטקוביץ׳, דמיטרי, --- Istrāvīnskī, Īgūr, --- Stravinski, Igor, --- Stravinskiĭ, I. F. --- Stravinskiĭ, Igorʹ Fedorovich, --- Stravinskij, Igor Fiodorovič, --- Strawiński, Igor Fiodorowicz, --- Strawinskij, Igor, --- Strawinsky, I. --- Strawinsky, Igor, --- Strawinsky, Jgor, --- Стравинский, Игорь, --- סטראווינסקי, איגור --- סטראוינסקי, איגור --- Ciaikovsky, Piotr Ilic, --- Tschaikowsky, Peter Iljitch, --- Tchaikowsky, Peter Iljitch, --- Ciaikovsky, Pjotr Iljc, --- Cajkovskij, P. I., --- Tsjaikovsky, Peter Iljitsj, --- Czajkowski, Piotr, --- Chaikovsky, P. I., --- Csajkovszkij, Pjotr Iljics, --- Tsjaïkovskiej, Pjotr Iljietsj, --- Tjajkovskij, Pjotr Ilitj, --- Čaikovskis, P., --- Chaĭkovskiĭ, Petr Ilʹich, --- Tchaikovski, P. --- Tchaikovski, Piotr Ilyitch, --- Chaĭkovskiĭ, P. --- Tchaikovsky, P. --- Tchaïkovsky, Piotr Ilitch, --- Tschaikowsky, Pjotr Iljitsch, --- Tschajkowskij, Pjotr Iljitsch, --- Tchaïkovski, P. I., --- Ciaikovskij, Piotr, --- Ciaikovskji, Piotr Ilijich, --- Tschaikowski, P. I. --- Tschaikowski, Peter Illic, --- Tjajkovskij, Peter, --- Chaĭkovski, Pʹotr Ilich, --- Tschaikousky, --- Tschaijkowskij, P. I., --- Tschaikowsky, P. I., --- Chaĭkovski, P. I. --- Tchaikovsky, Pyotr Ilyich, --- Čajkovskij, Pëtr Ilʼič, --- Tschaikovsky, Peter Ilyich, --- Tchaikofsky, Peter Ilyitch, --- Tciaikowski, P., --- Tchaïkovski, Petr Ilitch, --- Ciaikovski, Peter Ilic, --- Tschaikowski, Pjotr, --- Tchaikowsky, Pyotr, --- Sinopov, P., --- Tchaikovskij, Piotr Ilic, --- Chaikovsky, Peter Ilyich, --- Чайковский, Петр Ильич, --- צייקובסקי, פיטר אילייץ, --- تشايكوفسكي، بيتر إيلتش, --- 柴可夫斯基, --- Chaykovskii, Peter Ilich, --- Ciaikovski, P. J., --- Čajkovski, P. I. --- Ciaikowski, P. I., --- Ciaikovskij, Pyotr Ilyich, --- Пушкин, Александр Сергеевич, --- Poesjkin, Alexander, --- Puszkin, Aleksander, --- Puschkin, Alexander, --- Pouchkine, Alexandre, --- Poushkin, Alexander, --- Puškin, Alexandr Sergějevič, --- Пушкін, Олександр Сергійович, --- Pushkin, Oleksandr Serhiĭovych, --- Пушкин, А. С. --- Pushkin, A. S. --- Pushkin, Alexander, --- Pʻu-hsi-chin, --- Pushkin, A. --- Пускин, Александр, --- Puskin, Aleksandr, --- Pooshkeen, Alexander, --- Pushḳin, Aleksander S. --- Puškin, Alexander Sergeevich, --- Puškin, Aleksandar S., --- Puškini, Alekʻsandre, --- Puskin, Alé̂chxanđrơ, --- Puskin, Alegsandar, --- Pushkin, Alejandro Sergueevich, --- Puchkin, Alejandro Serguievich, --- Puschkin, A. S. --- Puṣkin̲, Aleksāṇṭar, --- Pushkin, Alexandr, --- פושקין --- פושקין, אלכסנדר סרגיביץ׳, --- פושקין, אלכסנדר סרגייביץ --- פושקין, אלכסנדר סרגייביץ׳, 1799־1837 --- פושקין, אלקסנדר סרגיביץ, --- פושקין, א. --- פושקין, א. ס, --- פושקין, א. ס. --- פושקין, ס. --- 普希金, A. S., --- Pușkin, A. S., --- Ciaikowsky, P. J., --- Literature --- Literary movements --- Postmodernism (Literature) --- Stravinsky, Igor --- Stravinski, Igor --- Strawinsky, Igor --- Strawinski, Igor --- Tchaikovsky, Pytor, --- Puškin, Aleksandr Sergeevič --- Poesjkin, A. S. --- Poesjkin, Alexander --- Pouchkine, Alexandre --- Puschkin, Alexander --- Puschkin, Alexander Sergejewitsch --- Pushkin, Alexander --- Pusjkin, Aleksandr Sergejevitsj --- Puškin, A. S. --- Pushkin, Aleksandr Sergeevich --- Tchaikovsky, Pyotr Il'yich --- Tchaikovski, Piotr Ilyitch --- Tschaikowski, Peter Iljitsch --- Tschaikowsky, Peter Iljitsch --- Tschaikowski, Pjotr Iljitsch --- Tsjaikofski, Peter Iljitsj --- Tschaikowski, Pjotr --- Tsjaikovski, Pjotr Iljitsj --- Chaikovski, Piotr Ilich --- Tchaïkovski, Piotr Ilitch --- Tchaikovski, Peter --- Tchaikovsky, Peter Ilich --- Shostakovich, Dmitriĭ Dmitrievich --- Шостакович, Дмитрий Дмитриевич --- Schostakowisch, Dmitri Dimitriewisch --- Stravinskij, Igor' Fëdorovič --- Arts --- Literary Criticism --- Alexander Pushkin --- Igor Stravinsky --- Soviet Union --- Anthologies.