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Comment faire des études-genres avec de la littérature : masquereading
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ISBN: 9782343034126 2343034125 Year: 2014 Publisher: Paris L'Harmattan

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Issues d'un séminaire doctoral (Lille 3, 2013), ces 19 contributions (littérature, philosophie, droit, sociologie, cultural studies…) tentent de répondre à deux questions : que fait-on quand on écrit " sur " les genres ? Dans quel cadre épistémologique est-on ? Autrement dit, quels régimes de savoirs/pouvoirs informant les genres combat-on dans la perspective ouverte par la critique féministe qui a posé un regard politique sur les relations de pouvoir, que génère le système sexe/genre dominant ?


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Les femmes dans la critique et l'histoire littéraire
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ISBN: 9782745322326 274532232X Year: 2011 Volume: 1 Publisher: Paris H. Champion

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Que les femmes auteurs aient été maltraitées par la critique et l`histoire littéraire, que leur présence ait été assez généralement condamnée sous des prétextes divers et leur travail contesté, minoré puis souvent oublié, n`est désormais plus ignoré de personne. Au fil des siècles, le fossé s`est creusé entre la réalité (le nombre de femmes actives en littérature, la nature des œuvres produites ) et les discours tenus sur elle, non seulement par la critique mais aussi par l`histoire littéraire telle qu`elle s`est peu à peu constituée, escortée d`une profusion de recueils, d`anthologies et de dictionnaires. Mémoire, héritage, patrimoine sont, quand il est question des femmes auteurs, bien mal servis, et ce, aujourd`hui encore. Le présent volume souhaite interroger cette situation par le biais d`observations qui vont de la Renaissance au XXe siècle. Au fil d`analyses ponctuelles, il entend ainsi participer à l`élaboration d`une histoire de la réception des femmes auteurs qui, pour l`heure, continue de faire défaut

Gender in Play on the Shakespearean Stage : Boy Heroines and Female Pages
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ISBN: 0472105671 0472084054 0472904248 Year: 1996 Publisher: Ann Arbor : The University of Michigan Press,

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"Like other English Renaissance writers and dramatists, Shakespeare was attracted to the heroine in male disguise. Gender in Play on the Shakespearean Stage examines the use of this type of character--man playing woman playing man--by framing five plays by Shakespeare against readings of some of the other "female page" plays written by other playwrights of the period. The many variations Michael Shapiro traces are placed in the context of female cross-dressing as a social phenomenon and in the context of female impersonation as the standard way of representing women on the Shakespearean stage. Shakespeare's use of the female page spanned his entire career: The Two Gentlemen of Verona (an early comedy), The Merchant of Venice, As You Like It, Twelfth Night (mature romantic comedies), and Cymbeline (a late romance). Shapiro deploys several modes of literary criticism to establish the distinctiveness of each of Shakespeare's five disguised heroine plays and to trace the subtle and ingenious variations on the motif by such writers as Greene, Fletcher, Chapman, Middleton, Jonson, and Ford. The popularity of the "female page" is examined as a playful literary and theatrical way of confronting, avoiding, or merely exploiting issues such as the place of women in a patriarchal culture and the representation of women on stage. Looking beyond and behind the stage for the cultural anxieties that cross-dressing London women being punished as prostitutes and speculation that the apprentices who played female roles in adult companies engaged in homoerotic practices. [This book] will appeal not only to scholars of Renaissance drama but to any reader interested in the historical construction and analysis of gender and sexuality, both on- and offstage"-- Back cover.


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Act Like A Man : Challenging Masculinities in American Drama
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ISBN: 0472904205 Year: 1995 Publisher: Ann Arbor : University of Michigan Press,

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"In the first comprehensive study of plays written for male characters only, Robert Vorlicky offers a new theory that links cultural codes governing gender and the conventions determining dramatic form. Act Like a Man looks at a range of plays, including those by O'Neill, Albee, Mamet, Baraka, and Rabe as well as new works by Philip Kan Gotanda, Alonzo Lamont, and Robin Swados, to examine how dialogue within these works reflects the social codes of male behavior and inhibits individualization among men. Plays in which women are absent are often characterized by the location of a male "other"--A female presence who distances himself from the dominant, impersonal masculine ethos and thereby becomes a facilitator of personal communication. The potential authority of this figure is so powerful that its presence becomes the primary determinant of the quality of men's interaction and of the range of male subjectivities possible. This formulation becomes the basis of an alternative theory of American dramatic construction, one that challenges traditional dramaturgical notions of realism"--Publisher's description


Book
Gender in Play on the Shakespearean Stage : Boy Heroines and Female Pages
Author:
ISBN: 0472904248 Year: 1996 Publisher: Ann Arbor : The University of Michigan Press,

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Abstract

"Like other English Renaissance writers and dramatists, Shakespeare was attracted to the heroine in male disguise. Gender in Play on the Shakespearean Stage examines the use of this type of character--man playing woman playing man--by framing five plays by Shakespeare against readings of some of the other "female page" plays written by other playwrights of the period. The many variations Michael Shapiro traces are placed in the context of female cross-dressing as a social phenomenon and in the context of female impersonation as the standard way of representing women on the Shakespearean stage. Shakespeare's use of the female page spanned his entire career: The Two Gentlemen of Verona (an early comedy), The Merchant of Venice, As You Like It, Twelfth Night (mature romantic comedies), and Cymbeline (a late romance). Shapiro deploys several modes of literary criticism to establish the distinctiveness of each of Shakespeare's five disguised heroine plays and to trace the subtle and ingenious variations on the motif by such writers as Greene, Fletcher, Chapman, Middleton, Jonson, and Ford. The popularity of the "female page" is examined as a playful literary and theatrical way of confronting, avoiding, or merely exploiting issues such as the place of women in a patriarchal culture and the representation of women on stage. Looking beyond and behind the stage for the cultural anxieties that cross-dressing London women being punished as prostitutes and speculation that the apprentices who played female roles in adult companies engaged in homoerotic practices. [This book] will appeal not only to scholars of Renaissance drama but to any reader interested in the historical construction and analysis of gender and sexuality, both on- and offstage"-- Back cover.

Keywords

Theâtre --- Rôle selon le sexe --- Women in the theater. --- Women in literature. --- Theater --- Theater. --- Sex role in literature. --- Gender identity in the theater. --- Gender identity in literature. --- Disguise in literature. --- Cross-dressing in literature. --- Child actors. --- Travestisme dans la litterature. --- Femmes dans la litterature. --- Deguisement dans la litterature. --- Rôle selon le sexe dans la litterature. --- Identite de genre dans la litterature. --- Enfants acteurs --- Femmes au theâtre --- Identite de genre au theâtre --- Child actors --- Women in the theater --- Gender identity in the theater --- Identite sexuelle --- Dans la litterature. --- Casting. --- Histoire --- Distribution artistique --- History --- Casting --- Shakespeare, William, --- Personnages dans la litterature. --- Characters --- Women. --- Dramatic production. --- Stage history --- England. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Children as actors --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Transvestism in literature --- Casting (Performing arts) --- Women as literary characters --- Comportement selon le sexe --- Interchangeabilité des rôles --- Rôles féminins --- Rôles masculins --- Rôles sexuels --- Sexe, Rôle selon le --- (psychologie) --- Art du théâtre --- Art théâtral --- Contribution au théâtre --- Et le théâtre --- Oeuvres --- Scène --- Théâtre (arts du spectacle) --- Almanachs de théâtre --- Maquillage --- Musées de théâtre --- Musique et théâtre --- Peinture de décors de théâtre --- Peinture et théâtre --- Personnages de théâtre --- Photographie de théâtre --- Sémiotique et théâtre --- Théâtralité --- Au théâtre --- Théâtre --- Théâtre et société --- Bibliothèques de théâtre --- Théâtre dans les prisons --- Théâtre de rue --- Théâtre et handicapés --- Théâtre et handicapés auditifs --- Théâtre et handicapés visuels --- Théâtre et internet --- Théâtre et jeunesse --- Théâtre et personnes âgées --- Théâtre et philosophie --- Théâtre et politique --- Cinéma et théâtre --- Théâtres --- Costume de théâtre --- Critique dramatique --- Féminisme et théâtre --- Festivals de théâtre --- Homosexualité et théâtre --- Art dramatique --- Ateliers-théâtre --- Théâtre à machines --- Théâtre ambulant --- Théâtre d'amateurs --- Théâtre d'appartement --- Théâtre d'entreprise --- Théâtre d'été --- Théâtre d'objets --- Théâtre de cour --- Burlesque (théâtre) --- Théâtre de la cruauté --- Théâtre de marionnettes --- Théâtre de répertoire --- Théâtre en éducation --- Commedia dell'arte --- Théâtre noir --- Théâtre postdramatique --- Théâtre rural --- Théorie du théâtre --- Troupes de théâtre --- Droit d'auteur --- Mime --- Pantomime --- Arts du spectacle --- Production and direction --- théâtre --- Anthropologie --- Aspect psychologique --- Censure --- Droit --- Esthétique --- Politique publique --- Publics --- Thèmes, motifs --- Objets de collection --- Mise en scène --- Canevas --- Comptes rendus --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Hākipia, Wiremu, --- Shekspīʼar, Viliyam, --- Shekspir, Uĭlii︠a︡m, --- Shekʻspir, Uilyam, --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra

Shakespearean Tragedy and Gender
Authors: ---
ISBN: 0253069041 0253329647 Year: 1996 Publisher: Bloomington : Indiana University Press,

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"Shakespeare is not our contemporary, the contributors to Shakespearean Tragedy and Gender emphatically conclude--yet coping with his cultural influence is never a simple matter. Ranging from Shakespeare's earliest attempts at tragedy in Richard III and Titus Andronicus, this volume covers the major tragic period, giving special attention to Othello"--Back cover.

Keywords

Vrouwen. --- Sekseverschillen. --- Frau --- Tragödie --- Geschlechterverhältnis --- Frauenbild --- Women in literature. --- Women and literature. --- Tragedy. --- Sex role in literature. --- Gender identity in literature. --- Criticism and interpretation. --- Characters and characteristics. --- tragedies. --- Femmes dans la litterature. --- Tragedie. --- Rôle selon le sexe dans la litterature. --- Identite de genre dans la litterature. --- Femmes et litterature --- Drama --- Women and literature --- Histoire --- English --- history. --- History --- Shakespeare, William. --- Börngen, ... --- Shakespeare, William --- Shakespeare, William, --- Personnages --- Femmes. --- Tragedies. --- Characters --- Women. --- Characters. --- England. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Dramas --- Characteristics, Personal --- Personal characteristics --- Persons --- Typology (Psychology) --- Literature --- Women as literary characters --- Bild --- Geschlechterbeziehung --- Geschlechterverhältnisse --- Geschlechterbeziehungen --- Gender relationship --- Heteronormativität --- Trauerspiel --- Tragödien --- Tragik --- Erwachsene Frau --- Weib --- Weibliche Erwachsene --- Frauen --- Erwachsener --- Weiblichkeit --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Hākipia, Wiremu, --- Shekspīʼar, Viliyam, --- Shekspir, Uĭlii︠a︡m, --- Shekʻspir, Uilyam, --- Shashibiya --- Schakespear, William --- Schakespear --- Šaḳisper, Veilliyam --- Šaḳisper, Veilliyem --- Šaḳisper --- Šeḳisper --- Šekesper --- Šekesper, Wilyam --- Shakespeare, Guillermo --- Chekchapiyera, William --- Saixpēr, Uilliam --- Saixpēros --- Šakisbīr, Williyam --- S'egsi-pe-yar, Wi-li-am --- Sekhspír --- Šekspir, Vilijam --- Šekspir, Vil'jam --- Šekspir, V. --- Šekspir, Wiliam --- Šekspir, William --- Šekspiras, Viljamas --- Šek'spiri, Uiliam --- Šekspīrs, Viljams --- Šekspyras, V. --- Shakespear, W. --- Shakespear, William --- Shake-Spear, William --- Shakespeare --- Shakespeare, Gwilherm --- Shakespeare, W. --- Shakespeare, Wilhelm --- Shakespeare, Willhelm --- Shakespearowy, W. --- Shake-Speare, William --- Shakspear --- Shakspeare --- Shakspeare, Guglielmo --- Shakspeare, Guillaume --- Shakspeare, William --- Shak-Speare, William --- Shashibiya, William --- Sheikusupia, Uiriamu --- Sheḳspir, Ṿiliam --- Šhekspir, Viliam --- Shex'pir, Wil'yam --- Shig-si-phi-ya --- Sheg-si-phi-yar --- Šiksbīr, Wīlīam --- Šiksbīr, Willyam --- Šikspīr, Wīlīam --- Szekspir, Wiliam --- Szekspir, William --- Sheḳspir, Ṿiliyam --- Schakespeare, William --- Šaksbīr, Wiliyam --- Shakspere --- Šekspir, Uil'jam --- Shakespear --- Saixpēr --- Sakespeiros --- Shakesperae, William --- Shackespear --- S., W. --- Shakespeare, Guglielmo --- S̆ekspir, Vilʹjam --- S̆ekspir, Viljem --- S̆ekspyras, Viljamas --- S̆ekhspiri, Wiliam --- Chakespear, William --- Sakespear, William --- Shakspeare, Wilhelm --- Šekspir --- Shak-speare, William --- Šekspir, Vilém --- Šekspire --- Shaksper, William --- Szekspir, Wiljam --- Saíxpēr, Uílliam --- Sakespeĩros, Uíïlliam --- Schekspirs, Wiljams --- Sekspiri, Viliam --- Shekspir, Uiliem --- Sekspir, Vilijam --- Bacon-Shakespeare, Francis --- Pseudo-Shakespeare --- Šekspir, U. --- Shaekespeare, William --- Shakespear, Wilhelm --- Shakespear, Willhelm --- Shakespere, William --- Shakspear, William --- Shakspere, William --- Šekspyras --- Šekspir, Uilʹjam --- Shakespere, Vilmos --- Šekspir, Uiljam --- Šekspir, Villiam --- Sheḳspir, Ṿilyam --- Sheḳsper --- Shekspir, Uiljjam --- Шэкспир, Уильям --- 莎士比亚 --- شېكېسپېر, ۋىليام --- שקספער --- Schriftsteller --- Dramatiker --- Lyriker --- Schauspieler --- Stratford-upon-Avon --- Deutsche Shakespeare-Gesellschaft --- 1564-1616 --- 23.04.1564-23.04.1616 --- Börngen, ... --- ... --- Düsseldorf --- Leser, Rosalie --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra

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