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Through the study of exemplary media works and practices - photography, film, video, performance, installations, web cams - scholars from various disciplines call attention to the unsettling of identification and the disablement of vision in contemporary aesthetics. To look at an image that prevents the stabilization of identification, identity and place; to perceive a representation that oscillates between visibility and invisibility; to relate to an image which entails a rebalancing of sight through the valorization of other senses; to be exposed, through surveillance devices, to the gaze of new figures of authority - the aesthetic experiences examined here concern a spectator whose perception lacks in certainty, identification, and opticality what it gains in fallibility, complexity, and interrelatedness. Precarious Visualities provides a new understanding of spectatorship as a relation that is at once corporeal and imaginary, and persistently prolific in its cultural, social, and political effects. Contributors include Raymond Bellour (École des hautes études en sciences sociales), Monika Kin Gagnon (Concordia University), Beate Ochsner (University of Mannheim -Universität Mannheim), Claudette Lauzon (McGill University), David Tomas (Université du Québec à Montréal), Slavoj Zizek (Ljubljiana University and University of London), Marie Fraser (Université du Québec à Montréal), Alice Ming Wai Jim (Concordia University), Julie Lavigne (Université du Québec à Montréal), Amelia Jones (University of Manchester), Eric Michaud (École des hautes études en sciences sociales), Hélène Samson (McCord Museum), and Thierry Bardini (Université de Montréal)."
Arts, Modern --- Identity (Psychology) in art. --- Identity (Psychology) and mass media. --- Mass media and identity --- Mass media --- Arts --- Identité (Psychologie) dans l'art. --- Identité (Psychologie) et médias. --- Identite (Psychologie) dans l'art. --- Identite (Psychologie) et medias.
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This book is a clear, systematic, original and lively account of how media representations shape the way we see our and others lives in a global age. It provides in-depth analysis of a range of international media representations of disaster, war, conflict, migration and celebration. The book explores how images, stories and voices, on television, the Internet, and in advertisements and newspapers, invite us to relocate to distant contexts, and to relate to people who are remote from our daily lives, by developing mediated intimacy and focusing on the self. It also explores how these representations shape our self-narratives. Orgad examines five sites of media representation; the other, the nation, possible lives, the world and the self. She argues that representations can and should contribute to fostering more ambivalence and complexity in how we think and feel about the world, our place in it and our relation to far-away others. Media Representations and the Global Imagination will be of particular interest to students and scholars of media and cultural studies, as well as sociology, politics, international relations, development studies and migration studies.
Mass communications --- Mass media --- Identity (Psychology) and mass media --- Mass media and culture. --- Mass media and globalization. --- Médias --- Identité (Psychologie) et médias --- Médias et culture --- Médias et mondialisation --- Social aspects. --- Aspect social --- #SBIB:309H1020 --- #SBIB:309H402 --- Mediaboodschappen: algemene werken (met inbegrip van genres, taalgebruik en historiek) --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, ... --- Médias --- Identité (Psychologie) et médias --- Médias et culture --- Médias et mondialisation --- Identity (Psychology) and mass media. --- Social aspects --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, .. --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, . --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media,
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