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Anacréon - 0560-0478 av. J.-C. --- European poetry --- Iambic poetry, Classical. --- Odes, Latin. --- Laudatory poetry, Latin. --- Greek influences. --- Horace. --- Anacreon --- Horatius Flaccus, Quintus
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Iambic poetry --- Greek language --- Latin language --- Poésie iambique --- Grec (Langue) --- Latin (Langue) --- History and criticism. --- Metrics and rhythmics. --- Histoire et critique --- Métrique et rythmique --- Iambic poetry, Classical --- Poésie iambique --- Métrique et rythmique --- Classical iambic poetry --- Classical poetry --- Metrics and rhythmics --- History and criticism
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This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the iambic tradition (e.g. meter, motifs, or poetic biographies) into other literary forms (e.g. elegy, oratorical prose, anthologies of fables), and it shows that the humorous, scurrilous, efficacious aggression of Archilochus continued to facilitate negotiations of power and social relations long after Horace's Epodes. The eclectic approach encompasses Greek and Latin, prose and poetry, and exploratory interludes appended to each chapter help to open four centuries of later classical literature to wider debates about the function, propriety and value of the lowest and most debated poetic form from archaic Greece. Each chapter presents a unique variation on how these imperial authors became Archilochus - however briefly and to whatever end.
Iambic poetry, Classical --- Greek language --- Latin language --- Latin literature --- Poésie iambique ancienne --- Grec (Langue) --- Latin (Langue) --- Littérature latine --- History and criticism. --- Metrics and rhythmics. --- Greek influences. --- Histoire et critique --- Métrique et rythmique --- Influence grecque --- Archilochus --- Criticism and interpretation. --- Influence. --- Roman literature --- Classical literature --- Classical philology --- Latin philology --- Classical iambic poetry --- Classical poetry --- Archilochos, --- Archiloque --- Archiloco --- Arquiloco --- Ἀρχίλοχος --- Arkhilokhos --- Poésie iambique ancienne --- Littérature latine --- Métrique et rythmique --- Metrics and rhythmics --- History and criticism --- Greek influences
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To date the positive value of Horace’s iambic criticism has been underestimated, and overall Horace has been tamed too much. By examining the relationship of the iambic tradition with ritual, this book studies how Horace’s Epodes are more than partisan (consolidating Octavian’s victory by projecting hostilities onto powerless others) but meta-partisan (forming fractured entities into a diversified unity). As Horace moves through his iambics to lyrics ( Epodes to Odes ), he stages acts of aggression and retaliation along with attempts at resistance and reconciliation so that this shifting back and forth creates a correspondence between perspectives. Unity develops from diversity, polyeideia . This is the point at which Horace socializes literary criticism ( Ars Poetica ): societas becomes the telos of his poetics.
Iambic pentameter --- Iambic poetry, Classical --- Pentamètre iambique --- Poésie iambique ancienne --- History and criticism --- Histoire et critique --- Horace --- Horace. --- Criticism and interpretation --- Iambic pentameter. --- Criticism and interpretation. --- Pentamètre iambique --- Poésie iambique ancienne --- Pentameter, Iambic --- Versification --- Orazio --- Horacij Flakk, Kvint --- Horatius Flaccus, Quintus --- Horatius Flaccus, Q. --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס --- Horace - Criticism and interpretation
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