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Hypertext literature, Spanish American --- Digital libraries --- Hypertext literature --- Latin American literature

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Digital humanities --- Hypertext literature --- Computational linguistics --- Computational linguistics. --- Digital humanities. --- Hypertext literature.

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A primer and study of the Glossa Ordinaria, the medieval glossed Bible first printed in 1480/81.

Religious studies --- History of civilization --- anno 500-1499 --- 22.07 --- Bijbel: kommentaren; commentaren; bijbelverklaring --- Hypertext literature. --- Digital literature (Hypertext literature) --- Electronic literature (Hypertext literature) --- Literature --- Glossa ordinaria.

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This book considers how social justice and authentic freedom of speech could be better tackled through hypertextual writing. Unilinear writing produces an artificial understanding of justice, freedom of speech and hermeneutics. In contrast, hypertextual writing promises an optimistic future which involves less judgment, more empathy and the embracing of difference, so vital in our post-truth culture. The author argues that hypertextual writing is set to have a marked impact on fields like jurisprudence, social sciences and education. Rethinking Ethics Through Hypertext reconciles traditional theories of ethics by re-framing them through hypertextual techniques, bringing together contrasting and contradictory ethical views. It presents compelling insights for scholars of moral philosophy, social justice, hermeneutics and education.

Ethics. --- Hypertext literature. --- Social justice. --- Freedom of speech.

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Lori Emerson examines how interfaces-from today's multitouch devices to yesterday's desktops, from typewriters to Emily Dickinson's self-bound fascicle volumes-mediate between writer and text as well as between writer and reader. Following the threads of experimental writing from the present into the past, she shows how writers have long tested and transgressed technological boundaries.Reading the means of production as well as the creative works they produce, Emerson demonstrates that technologies are more than mere tools and that the interface is not a neutral border between writer and machine but is in fact a collaborative creative space. Reading Writing Interfaces begins with digital literature's defiance of the alleged invisibility of ubiquitous computing and multitouch in the early twenty-first century and then looks back at the ideology of the user-friendly graphical user interface that emerged along with the Apple Macintosh computer of the 1980s. She considers poetic experiments with and against the strictures of the typewriter in the 1960s and 1970s and takes a fresh look at Emily Dickinson's self-printing projects as a challenge to the coherence of the book.Through archival research, Emerson offers examples of how literary engagements with screen-based and print-based technologies have transformed reading and writing. She reveals the ways in which writers-from Emily Dickinson to Jason Nelson and Judd Morrissey-work with and against media interfaces to undermine the assumed transparency of conventional literary practice.

Hypertext literature --- Hypertext literature. --- LITERARY CRITICISM --- Literature and technology. --- SOCIAL SCIENCE --- History and criticism. --- General. --- Media Studies. --- Literature and technology --- Literature --- Technology --- Arts, Industrial --- Industrial Arts --- Cloud Computing --- Literatures --- Industry and literature --- Technology and literature --- Digital literature (Hypertext literature) --- Electronic literature (Hypertext literature) --- History and criticism --- E-books --- Electronic literature --- e-lit --- Digital literature --- Littérature et informatique. --- Littérature et technique.