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Thomas Love Peacock (1785‒1866) is one of the most distinctive prose satirists of the Romantic period. The Cambridge Edition of the Novels of Thomas Love Peacock offers the first complete text of these works to appear for more than half a century. Headlong Hall (1816), Peacock's earliest work of dialogic and satirical fiction, was the most popular of his tales during his lifetime and considered his signature novel. An episodic plot and a country house setting provide the framework for a sparkling intellectual comedy that embraces music, gastronomy, philosophy, politics, craniology, painting, and landscape gardening. This edition supplies an authoritative text and a comprehensive introduction tracing the genesis, composition, publication, reception, and revision of the novel. Extensive explanatory notes throw light on the Welsh backdrop to the fiction as well as on the literary, political, social, and intellectual contexts of Peacock's innovative topical satire.
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Veering away from the salty sailors and seadogs that were his typical subject matter, author W. W. Jacobs draws on his own experiences in World War I in this pair of brief sketches, both of which are written in the format of a soldier's personal diary.
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One of W. W. Jacobs' most unforgettable characters is the cantankerous nightwatchmen on the wharf in London who spends his spare time reminiscing about past capers and misadventures. In this tale, he muses about the nature of gratitude and recounts some of the good deeds for which he's never been repaid.
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A quiet, unassuming man named Mr. Mullet has achieved a measure of success as the proprietor of an upscale hotel. But when a mysterious stranger shows up in town threatening to reveal Mullet's true identity, all of his hard work could be jeopardized. Will Mullet's dark secret come to light?
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In this tale from W. W. Jacobs, a family that is struggling financially receives a much-needed windfall. But when the other residents of the neighborhood get wind of the good news, the family finds itself fending off a variety of schemers and plotters.
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In Pastoralia elements of contemporary life are twisted, merged and amplified into a slightly skewed version of modern America. A couple live and work in a caveman theme-park, where speaking is an instantly punishable offence. A born loser attends a self-help seminar where he is encouraged to rid himself of all the people who are 'crapping in your oatmeal'. And a male exotic dancer and his family are terrorised by their decomposing aunt who visits them with a solemn message from beyond the grave.
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