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What is the point of publishing in the humanities? This Element provides an answer to this question. It builds on a unique set of quantitative and qualitative data to understand why humanities scholars publish. It looks at both basic characteristics such as publication numbers, formats, and perceptions, and differences of national academic settings alongside the influences of the UK's Research Excellence Framework and the German Exzellenzinitiative. The data involve a survey of more than 1,000 humanities scholars and social scientists in the UK and Germany, allowing for a comprehensive comparative study, and a series of qualitative interviews. The resulting critique provides scholars and policy makers with an accessible and critical work about the particularities of authorship and publishing in the humanities. And it gives an account of the problems and struggles of humanities scholars in their pursuit of contributing to discourse, and to be recognised with their intellectual work.
Humanities --- Humanities literature --- Authorship. --- Publishing.
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The Works of George Santayana, Volume V, brings together a total of 3,081 letters. Book One covers the longest period of time, in effect spanning Santayana's correspondence from the 1880s through most of the first decade of the twentieth century.edited and with an introduction by William G. Holzberger Since the first selection of George Santayana's letters was published in 1955, shortly after his death, many more letters have been located. The Works of George Santayana, Volume V, brings together a total of 3,081 letters. The volume is divided chronologically into eight books of roughly comparable length. Book One covers the longest period of time, in effect spanning Santayana's correspondence from the 1880s through most of the first decade of the twentieth century. It illuminates Santayana's life from the age of nineteen until well into his middle years, when he had established his professional career as a full professor at Harvard.In his introduction, William Holzberger summarizes their significance as follows: "We find in Santayana's letters not only a distillation of his philosophy but also a multitude of new perspectives on the published work. The responses to his correspondents are filled with spontaneous comments on and restatements of his fundamental philosophical ideas and principles. Because Santayana's philosophy was not for him a thing apart, but rather the foundation of his existence, the letters indicate the ways in which his entire life was permeated and directed by that philosophy."
Philosophers --- Santayana, George, --- Scholars --- HUMANITIES/Literature & Criticism
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"La nuit de Noël dans tous les pays" de Alphonse Chabot. Ecrivain français ( 1841 - 1920 ).
Humanities literature. --- Humanities --- History. --- Chabot, Alphonse,
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"La nuit de Noël dans tous les pays" de Alphonse Chabot. Ecrivain français ( 1841 - 1920 ).
Humanities literature. --- Humanities --- History. --- Chabot, Alphonse,
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A selection of Santayana's notes in the margins of other authors' works that sheds light on his thought, art, and life. In his essay "Imagination," George Santayana writes, "There are books in which the footnotes, or the comments scrawled by some reader's hand in the margins, may be more interesting than the text." Santayana himself was an inveterate maker of notes in the margins of his books, writing (although neatly, never scrawling) comments that illuminate, contest, or interestingly expand the author's thought. These volumes offer a selection of Santayana's marginalia, transcribed from books in his personal library. These notes give the reader an unusual perspective on Santayana's life and work. He is by turns critical (often), approving (seldom), literary slangy, frivolous, and even spiteful. The notes show his humor, his occasional outcry at a writer's folly, his concern for the niceties of English prose and the placing of Greek accent marks. These two volumes list alphabetically by author all the books extant that belonged to Santayana, reproducing a selection of his annotations intended to be of use to the reader or student of Santayana's thought, his art, and his life. Santayana, often living in solitude, spent a great deal of his time talking to, and talking back to, a wonderful miscellany of writers, from Spinoza to Kant to J.S. Mill to Bertrand Russell. These notes document those conversations.
Philosophy. --- PHILOSOPHY/General --- HUMANITIES/Literature & Criticism
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A selection of Santayana's notes in the margins of other authors' works that sheds light on his thought, art, and life. In his essay "Imagination," George Santayana writes, "There are books in which the footnotes, or the comments scrawled by some reader's hand in the margins, may be more interesting than the text." Santayana himself was an inveterate maker of notes in the margins of his books, writing (although neatly, never scrawling) comments that illuminate, contest, or interestingly expand the author's thought. These volumes offer a selection of Santayana's marginalia, transcribed from books in his personal library. These notes give the reader an unusual perspective on Santayana's life and work. He is by turns critical (often), approving (seldom), literary slangy, frivolous, and even spiteful. The notes show his humor, his occasional outcry at a writer's folly, his concern for the niceties of English prose and the placing of Greek accent marks.These two volumes list alphabetically by author all the books extant that belonged to Santayana, reproducing a selection of his annotations intended to be of use to the reader or student of Santayana's thought, his art, and his life.Santayana, often living in solitude, spent a great deal of his time talking to, and talking back to, a wonderful miscellany of writers, from Spinoza to Kant to J. S. Mill to Bertrand Russell. These notes document those conversations.
Philosophy. --- PHILOSOPHY/General --- HUMANITIES/Literature & Criticism
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What is the point of publishing in the humanities? This Element provides an answer to this question. It builds on a unique set of quantitative and qualitative data to understand why humanities scholars publish. It looks at both basic characteristics such as publication numbers, formats, and perceptions, and differences of national academic settings alongside the influences of the UK's Research Excellence Framework and the German Exzellenzinitiative. The data involve a survey of more than 1,000 humanities scholars and social scientists in the UK and Germany, allowing for a comprehensive comparative study, and a series of qualitative interviews. The resulting critique provides scholars and policy makers with an accessible and critical work about the particularities of authorship and publishing in the humanities. And it gives an account of the problems and struggles of humanities scholars in their pursuit of contributing to discourse, and to be recognised with their intellectual work.--
Literature --- Humanities --- Humanities literature --- Authorship. --- Publishing. --- Humanities.
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An engaging illustrated history of feminism from antiquity through third-wave feminism, featuring Sappho, Mary Magdalene, Mary Wollstonecraft, Sojourner Truth, Simone de Beauvoir, and many others.
Feminism --- History. --- History --- Comic --- Book --- SOCIAL SCIENCES/Sociology --- ARTS/General --- HUMANITIES/Literature & Criticism
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Humanities literature --- Literature publishing --- Publishing --- History --- Tesauro, Alessandro. --- Edizioni Ripostes --- History.
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The author shows how game theory can illuminate the rational choices made by characters in texts ranging from the Bible to Joseph Heller's 'Catch-22' and can explicate strategic questions in law, history, and philosophy.
Game theory. --- Humanities --- Mathematical models. --- ECONOMICS/Game Theory --- HUMANITIES/Literature & Criticism
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