Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Hughes, Arthur --- Hughes, Arthur.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art styles --- Painting --- Hunt, William Holman --- Burne-Jones, Edward Coley --- Millais, John Everett --- Hughes, Arthur --- Brown, Ford Madox --- Rossetti, Dante Gabriel --- Morris, William --- anno 1800-1899 --- England

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Painting --- anno 1800-1899 --- Great Britain --- Pre-Raphaelitism --- Preraphaelitism --- Art --- Pré-raphaélites --- --Histoire de l'art --- --Grande-Bretagne --- --XIXe s., --- Pre-Raphaelitism. --- Préraphaélisme --- painting [image-making] --- Pre-Raphaelite --- kunst --- schilderkunst --- Prerafaelieten --- prerafaëlitische schilderkunst --- Groot-Brittannië --- negentiende eeuw --- genreschilderkunst --- neoclassicisme --- exotisme --- Boyce Gorge Price --- Brett John --- Brown Ford Madox --- Burne-Jones Edward --- Collins Charles Allston --- Collinson James --- Deverell Walter Howell --- Dyce William --- Hughes Arthur --- Hunt William Holman --- Inchbold John William --- Martineau Robert-Braithwaite --- Millais John Everett --- Morris William --- Rossetti Dante Gabriel --- Scott William Bell --- Seddon Thomas --- Stephens Frederick George --- Wallis Henry --- Windus William Lindsay --- 75.035 --- Histoire de l'art --- XIXe s., 1801-1900 --- Grande-Bretagne

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Painting --- polyptychs --- anno 500-1499 --- anno 1900-1999 --- painting [image-making] --- Art --- Panel painting --- Panel painting, Medieval --- Panel painting, Renaissance --- Peinture sur panneau --- Peinture sur panneau médiévale --- Peinture sur panneau de la Renaissance --- Exhibitions --- Expositions --- Diptychs --- Triptychs --- Exhibitions. --- liste des auteurs Marie-Claude Chaudonneret, Marie-Anne Dupuy, Bruno Foucart [et al.] --- kunst --- schilderkunst --- polyptieken --- veelluiken --- triptieken --- diptieken --- luiken --- Meester van Cesi --- Daddi Bernardo --- Simone dei Crocifissi --- de Carro Antonio --- Antonio de Carro --- Borassa Luis --- Sassetta --- van Eyck Jan --- van der Weyden Rogier --- Braccesco Carlo --- David Gerard --- Gossaert Jan --- van Hemessen Jan --- Cranach Lucas de Oude --- Capassini Giovanni --- Pourbus Pieter --- Vasari Giorgio --- van Steenwyck Hendrick --- Rubens Peter Paul --- Francken Frans II --- Fohr Carl Philipp --- von Schadow Wilhelm --- Orsel Victor --- Couder Auguste --- Janmot Louis --- Brown Ford Madox --- Burne-Jones Edward --- Hughes Arthur --- Lecomte de Noüy Jean Jules Antoine --- Moreau Gustave --- Khnopff Fernand --- Sérusier Paul --- Bonnard Pierre --- Denis Maurice --- Maurin Charles --- Frédéric Léon --- Cottet Charles --- Meunier Constantin --- Amiet Cuno --- Balla Giacomo --- Devambez André --- van Doesburg Theo --- Magritte René --- Léger Fernand --- Beckmann Max --- Matta Roberto --- Requichot Bernard --- Barré MArtin --- Manessier Alfred --- Poliakoff Serge --- Johns Jasper --- Kiefer Anselm --- Lüpertz Markus --- Ryman Robert --- Bacon Francis --- Asse Geneviève --- Marden Brice --- Twombly Cy --- Kelly Ellsworth --- Soulages Pierre --- 75.03 --- 7.03 --- Histoire de la peinture --- Histoire de la sculpture --- Peinture sur panneau médiévale --- Diptychs - Exhibitions. --- Painting - Exhibitions --- Triptychs - Exhibitions. --- MUSEE DU LOUVRE (PARIS) --- PEINTURE --- EXPOSITIONS

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories, such as Darwin's theory of evolution and sexual selection, deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science - and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media, from photography to oil painting. This volume reminds us that science and art are not tightly compartmentalized, separate influences, but rather fields that shared forms - manifest as waves, layers, lines, or geometries - and invest in the idea of the evolution of form.

Art victorien. --- Art et sciences --- Illustration scientifique --- Art, Victorian. --- Art and science --- Scientific illustration --- Art, Victorian --- Natural history in art --- Arts --- Medical illustration --- Culture --- Science --- Art objects --- Objectivity in literature --- Architecture --- Communication visuelle en sciences --- Illustrateurs scientifiques --- Illustration en sciences naturelles --- Objectivité. --- Sciences --- Sciences naturelles --- Art --- Objets d'art. --- Illustration médicale --- History --- Philosophy. --- Aesthetics. --- Esthétique. --- Dans la littérature --- Histoire. --- Burne-Jones, Edward Coley, --- Hughes, Arthur, --- MacDonald, George, --- Burne-Jones, Edward Coley --- MacDonald, George --- Great Britain --- Grande-Bretagne --- Scientific illustration. --- Science. --- Objectivity in literature. --- Natural history in art. --- Medical illustration. --- Culture. --- Arts. --- Art and science. --- England. --- Victorian art --- Art, Modern --- Science and art --- Illustration, Scientific --- Science illustration --- Scientific literature --- Illustration of books --- Drawing --- Technical illustration --- Arts, Fine --- Arts, Occidental --- Arts, Primitive --- Arts, Western --- Fine arts --- Humanities --- Illustration, Medical --- Medicine and art --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics --- Bric-a-brac --- Objects, Art --- Objets d'art --- Decoration and ornament --- Decorative arts --- Object (Aesthetics) --- Antiques --- Natural science --- Natural sciences --- Science of science --- Illustration --- Scientific applications --- Social aspects --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales --- 1800-1899 --- Objectivité. --- Illustration médicale --- Esthétique. --- Dans la littérature