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The controversial British writer Ford Madox Ford (1873–1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme, issue, or work; and relates aspects of Ford’s writing, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier , long considered a modernist masterpiece; and Parade’s End , which Anthony Burgess described as ‘the finest novel about the First World War’, Samuel Hynes has called ‘the greatest war novel ever written by an Englishman’, and which was adapted by Tom Stoppard for the acclaimed 2012 BBC/HBO television series, starring Benedict Cumberbatch and Rebecca Hall. The twelve essays in this volume, Ford Madox Ford’s Cosmopolis , focus directly on the internationalism so important to Ford, and bring out three main ideas. First, his lifelong commitment to an international vision of literature and culture. Second, ‘Cosmopolis’ also refers to Ford’s experiences of the particular cosmopolitan cities he lived in: London, Paris, New York. Third, the idea that his lifelong experience of Paris in particular informed and shaped his writing. Ford’s Cosmopolis is thus not only an ideal city or state open to such cosmopolitan exchange. It is also a mode of writing which invents forms and styles to render the experience of such hybridity, diversity, fluidity, and tolerance. Contributors are: Alexandra Becquet, Helen Chambers, Martina Ciceri, Laurence Davies, Claire Davison, Annalisa Federici, Georges Létissier, Caroline Patey, Andrea Rummel, Max Saunders, Rob Spence, Martin Stannard, George Wickes, Joseph Wiesenfarth.

Ford, Ford Madox, --- Hueffer, Ford Madox, --- Hueffer, H. Ford, --- Huffer, Ford, --- Chaucer, Daniel, --- Hueffer, Ford Hermann, --- Hueffer, Ford M. --- Hueffer, Ford H. --- Haig, Fenil, --- Ford, Ford Madox

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Ford, Ford Madox, --- Ford, Ford Madox --- -Criticism and interpretation --- Hueffer, Ford Madox, --- Hueffer, H. Ford, --- Huffer, Ford, --- Chaucer, Daniel, --- Hueffer, Ford Hermann, --- Hueffer, Ford M. --- Hueffer, Ford H. --- Haig, Fenil, --- Criticism and interpretation.

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The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. The book series, International Ford Madox Ford Studies, has been founded to reflect the recent resurgence of interest in Ford's life and work. Each volume will normally be based upon a particular theme or issue. Each will relate aspects of Ford's work, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade's End, which Anthony Burgess d

Cities and towns in literature. --- Ford, Ford Madox, --- Hueffer, Ford Madox, --- Hueffer, H. Ford, --- Huffer, Ford, --- Chaucer, Daniel, --- Hueffer, Ford Hermann, --- Hueffer, Ford M. --- Hueffer, Ford H. --- Haig, Fenil, --- Criticism and interpretation. --- London (England) --- In literature --- Ford, Ford Madox

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The controversial British writer Ford Madox Ford is increasingly recognized as a major presence in early twentieth-century literature. He is best-known for his fiction, especially The Good Soldier , long considered a modernist masterpiece; and Parade’s End , which was adapted by Tom Stoppard for the acclaimed 2012 television series, starring Benedict Cumberbatch. This volume marks the centenary of The Good Soldier , with eighteen essays by established experts and new scholars. It includes groundbreaking work on the novel’s narrative technique, chronology, and genre; plus pioneering work considering the treatment of bodies and minds; eugenics; poison; and surveillance. Innovative comparative studies discuss Ford’s novel in relation to Henry James, Violet Hunt, H. G. Wells, Franz Kafka, Jean Rhys, David Jones, and Lawrence Durrell.

English essays --- Ford, Ford Madox, --- Hueffer, Ford Madox, --- Hueffer, H. Ford, --- Huffer, Ford, --- Chaucer, Daniel, --- Hueffer, Ford Hermann, --- Hueffer, Ford M. --- Hueffer, Ford H. --- Haig, Fenil, --- Ford, Ford Madox

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fin de siècle --- cultuurgeschiedenis --- geschiedenis --- Les Vingt --- Sickert, Walter Richard --- Morris, William --- Foulds, John --- Ford, Ford Madox --- Forster, E.M. --- Ibsen, Henrik --- Shakespeare, William --- Otlet, Paul --- La Fontaine, Henri --- Shaw, George Bernard --- 19de eeuw --- 20ste eeuw --- Europa --- Groot-Brittannië --- België --- Les Vingt (1883-1893) --- Hueffer, Ford Madox --- fin de siècle. --- cultuurgeschiedenis. --- geschiedenis. --- Les Vingt (1883-1893). --- Sickert, Walter Richard. --- Morris, William. --- Foulds, John. --- Hueffer, Ford Madox. --- Ibsen, Henrik. --- Shakespeare, William. --- Otlet, Paul. --- La Fontaine, Henri. --- Shaw, George Bernard. --- 19de eeuw. --- 20ste eeuw. --- Europa. --- Groot-Brittannië. --- België. --- symbolisme. --- Zrzavý, Jan.