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Article
Goodbye South, Goodbye
Year: 1997

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Abstract


Article
HHH,portrait de Hou Hsiao-hsien
Year: 1997

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Hsiao-hsien,Hou


Article
Fleurs de Shangai(Les)
Year: 1998

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Hsiao-hsien, Hou


Article
FEATURESCertain Slant of Light: The Films of Hou Hsiao-hsien
Year: 2005

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Hsiao-hsien, Hou


Book
Hou Hsiao-hsien
Authors: ---
ISBN: 9783901644580 390164458X Year: 2014 Publisher: Wien SYNEMA - Gesellschaft für Film und Medien

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"For younger critics and audiences, Taiwanese cinema enjoys a special status, comparable with that of Italian neorealism and the French New Wave for earlier generations, a cinema that was and is introducing an innovative sensibility and fresh perspective. Hou Hsiao-hsien is the most important Taiwanese filmmaker working today, and his sensuous, richly nuanced films reflect everything that is vigorous and genuine in contemporary film culture. By combining multiple forms of tradition with a uniquely cinematic approach to space and time, Hou has created a body of work that, through its stylistic originality and historical gravity, opens up new possibilities for the medium. This new volume includes contributions by Olivier Assayas, Peggy Chiao, Chung Mong-hong, Jean-Michel Frodon, Hasumi Shigehiko, Ichiyama Shozo, Jia Zhang-ke, Kent Jones, Koreeda Hirokazu, Jean Ma, Ni Zhen, Abé Mark Nornes, James Quandt, Richard I. Suchenski, James Udden, and Wen Tien-hsiang, as well as conversations with Hou Hsiao-hsien and some of his most important collaborators over the decades."--Page 4 of cover.

Keywords

Hsiao-Hsien, Hou


Article
David Lynch et Hou Hsiao-Hsien, l'autre avant garde. Les Cahiers ont revu Mulholland Drive et Millennium Mambo, leurs films présentes à Cannes.
Year: 2001

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A City of Sadness.
Author:
ISBN: 0851709303 Year: 2002 Publisher: London British Film Institute

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Digital
The poetics of Chinese cinema
Authors: ---
ISBN: 9781137553096 9781137566089 Year: 2016 Publisher: New York, N.Y. Palgrave Macmillan

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This book examines the aesthetic qualities of particular Chinese-language films and the rich artistic traditions from which they spring. It brings together leading experts in the field, and encompasses detailed and wide-ranging case studies of films such as Hero, House of Flying Daggers, Spring in a Small Town, 24 City, and The Grandmaster, and filmmakers including Hou Hsiao-hsien, Jia Zhangke, Chen Kaige, Fei Mu, Zhang Yimou, Johnnie To, and Wong Kar-wai. By illuminating the form and style of Chinese films from across cinema history, The Poetics of Chinese Cinema testifies to the artistic value and uniqueness of Chinese-language filmmaking. .

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