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Theatre and the Macabre explores the morbid and gruesome onstage, from freak shows to the French Grand Guignol, from immersive theatre to dark tourism, stopping along the way to look at phantoms, severed heads, dances of death and dismembered bodies.
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Physicians in literature --- Anxiety in literature --- Stevenson, Robert Louis --- Horror plays --- Stevenson, Robert Louis, - 1850-1894. - Strange case of Dr. Jekyll and Mr. Hyde. --- Stevenson, Robert Louis, - 1850-1894 - Adaptations. --- Horror plays - History and criticism. --- Horror tales, Scottish - Adaptations.
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Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that. As Darryl Jones shows, the horror genre is huge. Ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers, the cathartic release of scaring ourselves has made its appearance in everything from Shakespearean tragedies to internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, this Very Short Introduction discusses why horror stories disturb us, and how society responds to literary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? Are there different levels of the horrific, and should we distinguish between the commonly reviled carnage of contemporary torture porn and the culturally acceptable bloodbaths of ancient Greek tragedies? Analysing the way in which horror manifests multiple personalities, and has been used throughout history to articulate the fears and taboos of the current generation, Darryl Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature.
Horror in literature --- Horror plays --- Horror films --- Horror tales --- Horror in mass media --- Gothic fiction (Literary genre) --- Gothic poetry (Literary genre) --- History and criticism
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"We know all kinds of monsters. Vampires who suck human blood, werewolves who harass tourists in London or Paris, zombies who long to feast on our brains, or Godzilla, who is famous in and outside of Japan for destroying whole cities at once. Regardless of their monstrosity, all of these creatures are figments of the human mind and as real as they may seem, monsters are and always have been constructed by human beings. In other words, they are imagined. How they are imagined, however, depends on many different aspects and changes throughout history. The present volume provides an insight into the construction of monstrosity in different kinds of media, including literature, film, and TV series. It will show how and by whom monsters are really created, how time changes the perception of monsters and what characterizes specific monstrosities in their specific historical contexts. The book will provide valuable insights for scholars in different fields, whose interest focuses on either media studies or history."
Horror films --- Horror films. --- Horror in literature --- Horror in literature. --- Horror in mass media --- Horror in mass media. --- Horror in music --- Horror in music. --- Horror plays --- Horror plays. --- Monsters in literature. --- Monsters in motion pictures. --- Monsters --- History and criticism. --- History and criticism. --- History and criticism. --- History and criticism. --- History and criticism. --- Social aspects.
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French literature --- Theatrical science --- French drama --- Horror plays, French --- Théâtre français --- Théâtre d'horreur français --- Théâtre français --- Théâtre d'horreur français --- French drama - 20th century
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Fiction --- Drama --- Thematology --- French literature --- anno 1600-1699 --- anno 1500-1599 --- Cruauté dans la littérature --- Cruelty in literature --- Wreedheid in de literatuur --- French drama --- French fiction --- Cruelty in literature. --- Blood in literature. --- Violence in literature. --- Théâtre français --- Roman français --- Sang dans la littérature --- Violence dans la littérature --- Horror plays, French --- Blood in literature --- Horror plays, French. --- Théâtre français --- Roman français --- Cruauté dans la littérature --- Sang dans la littérature --- Violence dans la littérature --- 16th century --- History and criticism --- 17th century --- Tales --- France --- French drama - 17th century --- French drama - 16th century --- French literature - 17th century --- French literature - 16th century
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Shelley, Mary --- Frankenstein (Fictitious character) in literature. --- Frankenstein films --- Horror plays --- English drama --- Monsters in literature. --- Monsters --- Frankenstein (Personnage fictif) dans la littérature --- Frankenstein (Films) --- Théâtre d'horreur --- Théâtre anglais --- Monstres dans la littérature --- Monstres --- History and criticism --- History and criticism. --- Drama --- Histoire et critique --- Théâtre --- Shelley, Mary Wollstonecraft, --- Adaptations. --- Frankenstein, Victor --- In literature.
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