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This book is the first synthetic treatment of Venetian woodcarving and woodcarvers. It opens with an introduction covering all aspects of the subject - materials, techniques, patronage, genres, and style, as well as social history of the profession in late Medieval and Renaissance Venice. There follows a biographical dictionary of nearly 600 woodcarvers, largely based on unpublished archival documents, the most interesting of which are transcribed in entirety. The catalogue focuses on 13 works of particular interest in and outside of Venice. The corpus of 20 illustrations in color and 300 in black and white reproduces statues, altarpieces, crucifixes, and choir stalls in lavish and exquisite detail. Centro.
houtsnijwerk --- beeldhouwkunst --- altaarstukken --- 1350 - 1550 --- 14de eeuw --- 15de eeuw --- 16de eeuw --- Venetië --- 761 <45 VENEZIA> --- 76 <45> "13/15" --- 761 <45 VENEZIA> Hoogdruktechnieken in de grafische kunst--Italië--VENEZIA --- Hoogdruktechnieken in de grafische kunst--Italië--VENEZIA --- Grafische kunsten. Grafiek. Prentkunst--Italië--15e-16e eeuw. Periode 1300-1599 --- Wood-carving, Renaissance --- Wood sculpture, Italian --- Italian wood sculpture --- Renaissance wood-carving --- History --- houtsnijwerk. --- sculptuur. --- altaarstukken. --- 1350 - 1550. --- 14de eeuw. --- 15de eeuw. --- 16de eeuw. --- Venetië. --- sculptuur
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In 1549 a Venetian print maker, Matteo Pagano, published a large engraving of an aerial view of the city of Cairo; it was accompanied by a Latin text ("Descriptio Alchiriae") written by the orientalist scholar, Guillaume Postel. The depiction of the city is sufficiently accurate to permit a detailed interpretation of the city to be made, and it remained the standard western representation of this fabled eastern city for the next 250 years. Nicholas Warner provides a context for Pagano's view of Cairo, a translation of Postel's text, and a commentary on the contents of the engraving itself in addition to the accompanying narrative. An index of subsequent revisions, and a superbly produced enhanced facsimile of the engraving itself is included. Volume 1 (208 pages) includes 36 large color plates, 5 black-and-white plates, and a modern facsimile of the original Latin text "Descriptio Alchiriae"; Volume 2 (208 pages) includes 68 black-and-white images, all details of the map. Volume 3--the map--is a "modern facsimile" of the original Map, i.e. with blemishes, etc. removed, packed in a slip case. It is the same size as the original, and folds out in a similar manner to an ordnance survey map. It is printed in two colors to match the original.
76.047 <620 CAIRO>
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094.1 <45 VENEZIA>
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761 <45 VENEZIA>
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Iconografie: landschappen; stadsgezichten; zeegezichten in de prentkunst--Egypte--CAIRO
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Oude drukken: bibliografie--
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