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This volume presents the only English translation of the prayers of Japan's indigenous religious tradition, Shinto. These prayers, norito, are works of religious literature that are basic to our understanding of Japanese religious history. Locating Donald Philippi as one of a small number of scholars who have developed a perceptive approach to the problem of "hermeneutical distance" in dealing with ancient or foreign texts, Joseph M. Kitagawa recalls Mircea Eliade's observation that "most of the time [our] encounters and comparisons with non-Western cultures have not made all the `strangeness' of these cultures evident. . . . We may say that the Western world has not yet, or not generally, met with authentic representatives of the `real' non-Western traditions." Composed in the stately ritual language of the ancient Japanese and presented as a "performing text," these prayers are, Kitagawa tells us, "one of the authentic foreign representatives in Eliade's sense." In the preface Kitagawa elucidates their significance, discusses Philippi's methods of encountering the "strangeness" of Japan, and comments astutely on aspects of the encounter of East and West.

Shinto --- Akitsu-Kami. --- Goddesses. --- Heavenly Sins. --- Hirano no maturi. --- Honji Suijaku. --- Imperial Plantations. --- Individual Norito. --- Kasuga maturi. --- Midu-ho no kuni. --- Nakatomi. --- Priestesses. --- Sovereign. --- anthropos. --- corpus Christianum. --- doctrine. --- heavenly. --- imperium. --- ishin. --- kotodama. --- massively. --- mawosu. --- muro. --- negi. --- sacerdotium. --- semmyō. --- studium. --- uti-bito. --- yama-no-kuti.

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According to the contributors to this volume, the relationship of Buddhism and the arts in Japan is less the rendering of Buddhist philosophical ideas through artistic imagery than it is the development of concepts and expressions in a virtually inseparable unity. By challenging those who consider religion to be the primary phenomenon and art the secondary arena for the apprehension of religious meanings, these essays reveal the collapse of other dichotomies as well. Touching on works produced at every social level, they explore a fascinating set of connections within Japanese culture and move to re-envision such usual distinctions as religion and art, sacred and secular, Buddhism and Shinto, theory and substance, elite and popular, and even audience and artist. The essays range from visual and literary hagiographies to No drama, to Sermon-Ballads, to a painting of the Nirvana of Vegetables. The contributors to the volume are James H. Foard, Elizabeth ten Grotenhuis, Frank Hoff, Laura S. Kaufman, William R. LaFleur, Susan Matisoff, Barbara Ruch, Yoshiaki Shimizu, and Royall Tyler.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Buddhism and art --- Buddhism in literature. --- Japanese literature --- Art and Buddhism --- Art --- Buddhist art --- History and criticism. --- Acala. --- Amaterasu. --- Anne Bradstreet. --- Arahitogami. --- Benkei. --- Benzaiten. --- Biography. --- Bodhi. --- Bodhidharma. --- Bodhisattva. --- Buddha-nature. --- Buddhahood. --- Buddhism and Christianity. --- Buddhism in Japan. --- Buddhism. --- Buddhist philosophy. --- Buddhist poetry. --- Calligraphy. --- Chion-in. --- D. T. Suzuki. --- Deity. --- Demonology. --- Devadatta. --- Dogen. --- Earl Miner. --- Edo period. --- Esoteric Buddhism. --- Fujiwara. --- Gagaku. --- Gautama Buddha. --- Genji Monogatari Emaki. --- Genshin. --- Gongen. --- Guanyin. --- Hachiman. --- Hagiography. --- Hayashi Razan. --- Honji suijaku. --- How It Happened. --- Illustration. --- Impermanence. --- Ippen. --- Iris Murdoch. --- Itako. --- Ivan Morris. --- Japanese aesthetics. --- Japanese art. --- Japanese painting. --- Japanese poetry. --- Kaibara Ekken. --- Kegon. --- Ki no Tsurayuki. --- Kobayashi Issa. --- Kojiro. --- Kokugaku. --- Kshitigarbha. --- Kukai. --- Liminality. --- Literature. --- Lotus Sutra. --- Mahasthamaprapta. --- Mahayana. --- Masao Abe. --- Matsuo Basho. --- Metempsychosis. --- Mircea Eliade. --- Murasaki Shikibu. --- Narrative. --- Nichiren. --- Nyorai. --- Onryo. --- Oracle. --- Parinirvana. --- Parody. --- Perfection of Wisdom. --- Poetry. --- Preta. --- Religion. --- Rennyo. --- Renunciation. --- Royall Tyler (academic). --- Setsuwa. --- Shinbutsu bunri. --- Shingon Buddhism. --- Shinran. --- Shinto. --- Shoshin. --- State Shinto. --- Tachikawa-ryu. --- Taima Mandala. --- Tendai. --- Tengu. --- Tenjin (kami). --- The Tale of the Heike. --- Traditional story. --- Upaya. --- Vipassana. --- Yamabushi. --- Zen master. --- Zoku.