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Essays on gay and lesbian performances in Ireland
Gay theater --- Homosexuality in the theater --- Gender identity in the theater. --- Theater
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"Sue-Ellen Case is arguably the most influential and significant scholar in feminist and queer theatre studies. This collection brings together her most important writing. Framing this with new introductory material, Sue-Ellen Case will contextualise her work within broader developments in critical theory and feminist / lesbian studies." --
Feminist criticism. --- Feminist drama --- Feminist theater. --- Homosexuality and theater. --- Homosexuality in the theater. --- Queer theory. --- History and criticism.
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This contribution to Theatre Studies explores the shaping and performing of gender identity in British and Irish theatres since the 1980's. It highlights contact zones, conflict areas, and divergencies between the two theatre contexts with reference to historic, socio-political, and cultural clusters. Largely from a queer theory standpoint, this book reads several plays in their attempt to unmask exploiting mechanisms of sexuality and gender regulation. It focuses on alternative notions of soc...
Gender identity in the theater --- Feminism and theater --- Homosexuality in the theater --- Theater and society --- History --- Geschichte 1980-2010. --- Englisch.
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"In Afro-Fabulations: The Queer Drama of Black Life, cultural critic and historian Tavia Nyong'o surveys the conditions of contemporary black artistic production in the era of post-blackness. Moving fluidly between the insurgent art of the 1960's and the intersectional activism of the present day, Afro-Fabulations challenges genealogies of blackness that ignore its creative capacity to exceed conditions of traumatic loss, social death, and archival erasure"--
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Gay theater --- Gay people and the performing arts --- Homosexuality in the theater --- Ludlam, Charles --- Busch, Charles --- Louryk, Bradford --- Mac, Taylor, 1973 --- -Criticism and interpretation. --- Influence. --- Knowledge --- Literature. --- Literature
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"Interrogeant l'articulation entre sexe, genre et sexualité, faisant la critique des processus de normalisation et d'exclusion, le queer a par excellence partie liée avec la scène. Par des études des scènes française, espagnole, latino américaine, des entretiens d'artistes tel Steven Cohen, et un Manifeste pour une lesbianisation du théâtre (Mag De Santo), le dossier central offre un parcours riche des formes scéniques contemporaines renouvelées." --
Arts du spectacle. --- Minorités sexuelles --- Au théâtre. --- Arts du spectacle --- Gays and the performing arts --- Homosexuality in the theater --- Gay theater --- Minorités sexuelles --- Gay people and the performing arts.
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A fascinating look at the shifting meanings of murderous gay characters in American theater over a century.
Gays in the performing arts --- Homosexuality in the theater --- American drama --- Gays in literature. --- Homosexuality in literature. --- Homicide in literature. --- Theater --- Performing arts --- History and criticism. --- Gay people in the performing arts --- Gay people in literature.
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"This book demonstrates the political potential of mainstream theatre in the US at the end of the twentieth century, tracing ideological change over time in the reception of US mainstream plays taking HIV/AIDS as their topic from 1985 to 2000. This is the first study to combine the topics of the politics of performance, LGBT theatre, and mainstream theatre’s political potential, a juxtaposition that shows how radical ideas become mainstream, that is, how the dominant ideology changes. Using materialist semiotics and extensive archival research, Juntunen delineates the cultural history of four pivotal productions from that period—Larry Kramer’s The Normal Heart (1985), Tony Kushner’s Angels in America (1992), Jonathan Larson’s Rent (1996), and Moises Kaufman’s The Laramie Project (2000). Examining the connection between AIDS, mainstream theatre, and the media reveals key systems at work in ideological change over time during a deadly epidemic whose effects changed the nation forever. Employing media theory alongside nationalism studies and utilizing dozens of reviews for each case study, the volume demonstrates that reviews are valuable evidence of how a production was hailed by society’s ideological gatekeepers. Mixing this new use of reviews alongside textual analysis and material study—such as the theaters’ locations, architectures, merchandise, program notes, and advertising—creates an uncommonly rich description of these productions and their ideological effects. This book will be of interest to scholars and students of theatre, politics, media studies, queer theory, and US history, and to those with an interest in gay civil rights, one of the most successful social movements of the late twentieth century." --
Gays and the performing arts --- Homosexuality in the theater --- Theater --- American drama --- Homosexuality in literature. --- AIDS (Disease) in literature. --- Homosexuels et arts du spectacle --- Homosexualité au théâtre --- Théâtre --- Théâtre américain --- Homosexualité dans la littérature. --- Sida dans la littérature. --- American drama. --- Gays and the performing arts. --- Homosexuality in the theater. --- Theater. --- History --- History and criticism. --- Histoire --- Histoire et critique. --- Gay people and the performing arts --- Gay people and the performing arts.
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Cet essai se propose de définir une nouvelle forme de fable, la fiction queer, et d'en montrer la pertinence esthétique et politique en contexte postmoderne. En effet, dans la mesure où elle expérimente, par le libre travail de l'imagination, d'autres pensées du corps et des relations humaines, elle remet en question les évidences du genre, des sexualités et des identités sociales dont nous héritons ; elle échappe de même aux dispositifs formels dominants et aux idéologies postmodernistes en s'écartant de la réalité sur un monde dialogique, ce qui lui permet de la saisir, de l'interroger, de la critiquer et de la réinventer. Composé d'un volet théorique et de trois analyses d'oeuvres exemplaires (roman, théâtre-musique, cinéma), "Fictions queer" se présente comme une poétique alternative pour la littérature et les arts du spectacle d'aujourd'hui
Esthétique --- Imagination --- Dans la littérature --- Dans la musique --- Au cinéma --- Aesthetics --- Homosexuality in literature --- Homosexuality in the theater --- Queer theory --- Homosexuality in motion pictures --- Gay culture --- Gender identity in the theater --- Gender identity in literature --- Gender identity in motion pictures --- Dans la littérature. --- Dans la musique. --- Au cinéma.
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Staging an important new conversation between performers and critics, Blacktino Queer Performance approaches the interrelations of blackness and Latinidad through a stimulating mix of theory and art. The collection contains nine performance scripts by established and emerging black and Latina/o queer playwrights and performance artists, each accompanied by an interview and critical essay conducted or written by leading scholars of black, Latina/o, and queer expressive practices. As the volume's framing device, "blacktino" grounds the specificities of black and brown social and political relations while allowing the contributors to maintain the goals of queer-of-color critique. Whether interrogating constructions of Latino masculinity, theorizing the black queer male experience, or examining black lesbian relationships, the contributors present blacktino queer performance as an artistic, critical, political, and collaborative practice. These scripts, interviews, and essays not only accentuate the value of blacktino as a reading device; they radiate the possibilities for thinking through the concepts of blacktino, queer, and performance across several disciplines. Blacktino Queer Performance reveals the inevitable flirtations, frictions, and seductions that mark the contours of any ethnoracial love affair. Contributors. Jossiana Arroyo, Marlon M. Bailey, Pamela Booker, Sharon Bridgforth, Jennifer Devere Brody, Cedric Brown, Bernadette Marie Calafell, Javier Cardona, E. Patrick Johnson, Omi Osun Joni L. Jones, John Keene, Lawrence La Fountain-Stokes, D. Soyini Madison, Jeffrey Q. McCune Jr., Andreea Micu, Charles I. Nero, Tavia Nyong'o, Paul Outlaw, Coya Paz, Charles Rice-Gonzalez, Sandra L. Richards, Matt Richardson, Ramon H. Rivera-Servera, Celiany Rivera-Velazquez, Tamara Roberts, Lisa B. Thompson, Beliza Torres Narvaez, Patricia Ybarra, Vershawn Ashanti Young
Gays and the performing arts --- Homosexuality in the theater --- Gay theater --- Hispanic American theater --- African American theater --- Performance. --- Critical pedagogy. --- 765 --- Theorie van het theater en de film - Scenografie en productie --- 761.10 --- Theorie van het theater en de film - Dramaturgie --- Gay people and the performing arts
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