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In 1997, during a symposium at Centre Pompidou, Leo Bersani presented a prescient critique of the assimilative tendencies that made ‘gays melt into the very culture they like to think of themselves as undermining.’ Mired in micropolitics, for Bersani, queer activism had relinquished the radical task of reconfiguring the horizon of the possible. Later published as ‘Gay Betrayals’, Bersani’s intervention champions a truly disruptive vision of homosexuality, one that betrays the relational, identitarian and communitarian foundations of bourgeois heterosexual respectability through ‘antimonogamous promiscuity’. Building on extensive artistic research into the politics of queer spaces and culture some 20 years later, artist duo Hannah Quinlan and Rosie Hastings revisit Bersani’s polemic with a response in three acts. Through a kaleidoscopic array of drawings, preparatory sketches and egg tempera paintings, a narrative of everyday (homo)sociality comes into view. A series of statuesque figures are caught as they feel the outlines of existing power structures, try out new strategies of inclusivity and, ultimately, wrestle with the blurred lineaments of identity and community.
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Queer Threads: Crafting Identity and Community showcases twenty-nine artists who are moving through the narrow space that is gay or straight, biological or social, craft and fine art and doing so explicitly through their work in fiber and textile. Loaded with gender connotations and power hierarchies, fiber-based handicrafts such as crochet, embroidery, knitting, macrame, quilting, and sewing provide a fitting platform for examining tastes, roles, and relationships socialized within and around gay and lesbian culture, as well as our reactions to the traditional home and cultures in which we were raised. This book evolves from an exhibition of the same name, that John Chaich curated in 2014 at the Leslie-Lohman Museum of Gay & Lesbian Art in New York City, the first dedicated LGBTQ art museum in the world with a mission to exhibit and preserve LGBTQ art and foster the artists who create it. While other recent, high-profile fiber and textile exhibitions have featured several of the artists in Queer Threads, the Leslie-Lohman exhibition marked the first time these works were shown together to specifically examine the works queerness. To further examine how queerness informs each featured artist's work in fiber and textiles, or vice versa, this book features interviewers from the worlds of music, fashion, media, dance, museums, and scholarship who are makers and thinkers themselves, many members of the queer community if not powerful allies. The resulting dialogues are as fun, challenging, personal, and universal as the ideas in the works discussed.
Textile crafts --- Homosexuality in art --- Gay artists --- Lesbian artists
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"Richard Meyer's Outlaw Representation tells the amazing, often outrageous, story of the battle over censorship and homosexuality in the modern art world. Featuring detailed analysis, biographical information, and artwork from such famous figure as Andy Warhol and Robert Mapplethorpe, this book will educate and enrage lovers of artistic freedom."--Provided by publisher
Homosexuality in art. --- Art, American --- Censorship --- Art américain --- Art, American. --- Censorship. --- Homosexuality in art. --- 1900-1999 --- United States.
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Arts --- Homoseksualiteit in de kunst --- Homosexuality in art --- Homosexualité dans l'art --- Kunsten --- Arts, Modern --- Arts. --- Homosexuality in art. --- Arts [Modern ] --- 20th century
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Fonds Suzan Daniel (FSD)
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Lavishly illustrated with over 175 black-and-white and color images that range from high to popular culture and from Ancient Greece to contemporary America, Christopher Reed's arresting book reveals the deep linkages between art and homosexuality as we understand those terms. This is the first book to fully explore the interdependence between the identity of the artist and the homosexual. It offers a bold, globe-spanning narrative that draws on artwork from all the important periods in the Western tradition, including classical, Renaissance, and contemporary, with special focus on the modern period. It was in the nineteenth century that the identities of the avant-garde artist and the homosexual took shape, and almost as quickly overlapped. The figures involved-Ingres, Courbet, Wilde, Whitman-are among that era's most iconic artists. The development of twentieth-century art-exemplified in the work of figures like Gertrude Stein, Jasper Johns, David Hockney, and David Wojnarowicz-this book argues is simply not understandable apart from the concurrent development of ideas about sexual identity. This highly readable volume challenges the ideas of many prominent art critics and punctures the platitudes surrounding discussions of both art and sexuality. The book discusses what it means to be an insider and outsider, how sexuality came to define one's fundamental humanity, and what people risk (and gain) in rejecting economic and social conformity. Reed shows that many of the core ideas that define modern thought more generally are nearly indecipherable without an understanding of this pairing. The debates that have surrounded artists and homosexuals in effect capture the dramatic history of the evolution of the modern mind.
Homosexuality and the arts. --- Art --- Sexology --- Homosexuality in art --- Erotic art --- Lesbianism in art
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"Much has been written about the contribution of ancient Greece to modern discourses of homosexuality, but Rome's significant role has been largely overlooked. Ancient Rome and the Construction of Modern Homosexual Identities explores the contested history of responses to Roman antiquity, covering areas such as literature, the visual arts, popular culture, scholarship, and pornography. Essays by scholars working across a number of disciplines analyse the demonization of Rome and attempts to write it out of the history of homosexuality by early activists such as John Addington Symonds, who believed that Rome had corrupted ideal (and idealized) 'Greek love' through its decadence and sexual licentiousness. The volume's contributors also investigate the identification with Rome by men and women who have sought an alternative ancestry for their desires. The volume asks what it means to look to Rome instead of Greece, theorizes the way in which Rome itself appropriates Greece, and explores the consequences of such appropriations and identifications, both ancient and modern.From learned discussions of lesbian cunnilingus in Renaissance commentaries on Martial and Juvenal, to disgust at the sexual excesses of the emperors, to the use of Rome by the early sexologists, to modern pornographic films that linger on the bodies of gladiators and slaves, Rome has been central to homosexual desires and experiences. By interrogating the desires that create engagements with the classical past, the volume illuminates both classical reception and the history of sexuality" --
Male homosexuality --- Male homosexuality in art --- Male homosexuality in literature --- Rome
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Heterosexuality. --- Homosexuality in art. --- Homosexuality in literature. --- Homosexuality. --- Psychoanalyse --- cultuur en religie.
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Erotic art --- Erotic literature --- Homosexuality in art. --- Homosexuality in literature. --- History and criticism. --- History and criticism.
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Animals in art. --- Gifts --- Homosexuality in art. --- Male homosexuality --- Pedophilia --- History. --- History. --- History.
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