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Film --- France --- Motion pictures --- Motion picture audiences --- Homosexuality and motion pictures --- Homosexuality in motion pictures. --- Cinéma --- Homosexualité et cinéma --- Homosexualité au cinéma --- History --- Histoire --- Publics --- Cinéma --- Homosexualité et cinéma --- Homosexualité au cinéma

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Fonds Suzan Daniel (FSD)

Homosexuality in motion pictures. --- Homosexualité au cinéma --- Ed. by Richard Dyer --- film --- homoseksualiteit --- lesbianisme --- camp --- Fassbinder Rainer Werner --- Williams Tennessee --- gender studies --- 791.41 --- Homosexuality in motion pictures --- Motion pictures --- Homosexualité au cinéma

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"In Screening Gender, Framing Genre, Peter Dickinson examines the history and theory of films adapted from Canadian literature through the lens of gender studies. Unique in its discussion of a range of different adaptations, including films based on novels, plays, poetry, and Native orature, this study offers new and often provocative readings of works by such well-known Canadian authors as Margaret Atwood, Marie-Claire Blais, and Michael Ondaatije, and by such important Canadian filmmakers as Mireille Dansereau, Claude Jutra, Robert LePage, and Bruce McDonald."--Jacket.

Roman canadien --- Cinema --- Homosexualite au cinema. --- Sexualite au cinema. --- Canadian fiction --- Motion pictures --- Homosexuality in motion pictures. --- Sex in motion pictures. --- Histoire et critique. --- Histoire. --- Adaptations cinematographiques et televisees. --- History and criticism. --- History. --- Canada.

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Unique en son genre, ce livre offre un panorama très complet des multiples représentations des gays et des lesbiennes dans le 7e art, de son invention à nos jours. Un tour d'horizon qui ne se limite pas au cinéma gay ni aux grands films parlant d'homosexualité (Mort à Venise, L'Homme blessé, Victor Victoria, Le Secret de Brokeback Mountain...) mais qui englobe des genres plus secrets (le western, le flirt noir) ou plus inattendus (les duos comiques à la Laurel et Hardy, les comédies franchouillardes, le cinéma d'horreur), sans oublier l'érotisme. La manière dont le cinéma parle d'homosexualité est tout sauf neutre : que les homosexuels soient réprimés ou tolérés, les films en portent la trace. C'est cette histoire complexe, où se mêlent des aspects purement cinématographiques et d'autres de nature plus politique, que cet ouvrage s'efforce de retracer. Greta Garbo, Rainer Werner Fassbinder, Rock Hudson, Barbara Hammer, Wong Kar-wai, Youssef Chahine, Jean Cocteau, Gus Van Sant, Pedro Almodovar, François Ozon, Pier Paolo Pasolini et Rose Troche font partie de ce voyage à la fois chronologique et géographique à travers plus de 5 000 films et 600 photographies.

Homosexuality in motion pictures --- Motion pictures --- Homosexualité au cinéma --- Cinéma --- Plots, themes, etc --- Intrigues, thèmes, etc --- Homosexuality in motion pictures. --- Homosexualité au cinéma --- Cinéma --- Intrigues, thèmes, etc --- Cinéma, histoire --- Homosexualité --- Pasolini, Pier Paolo --- Cocteau, Jean --- Almodóvar, Pedro --- Plots, themes, etc. --- Homosexuels --- Au cinéma --- Filmographie

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The Desiring-Image yields new models of queer cinema produced since the late 1980s, based on close formal analysis of diverse films as well as innovative contributions to current film theory. The book defines "queer cinema" less as a specific genre or in terms of gay and lesbian identity, but more broadly as a kind of filmmaking that conveys sexual desire and orientation as potentially fluid within any individual's experience, and as forces that can therefore unite unlikely groups of people along new lines, socially, sexually, or politically. The films driving this analysis range from celebrated fixtures of the New Queer Cinema of the 1990s (including Cheryl Dunye's The Watermelon Woman and Todd Haynes's Velvet Goldmine) to sexually provocative films of the same era that are rarely classified as queer (David Cronenberg's Dead Ringers and Naked Lunch) to breakout films by 21st-century directors (Rodney Evans's Brother to Brother, John Cameron Mitchell's Shortbus). To frame these readings and to avoid heterosexist assumptions in other forms of film analysis, The Desiring-Image revisits the work of the philosopher Gilles Deleuze, whose two major works on cinema somehow never address the radical ideas about desire he expresses in other texts. This book brings those notions together in innovative ways, making them clear and accessible to newcomers and field specialists alike, with clear, illustrated examples drawn from a wide range of movies extending beyond the central case studies. Thus, The Desiring-Image speaks to readers interested in queer and gay/lesbian studies, in film theory, in feminist and sexuality scholarship, and in theory and philosophy, putting those discourses into rich, surprising conversations with popular cinema of the last 30 years.

Sociology of the family. Sociology of sexuality --- Philosophy and psychology of culture --- Film --- Deleuze, Gilles --- Homosexuality in motion pictures. --- Gays in motion pictures. --- Homosexualité au cinéma --- Homosexuels au cinéma --- Deleuze, Gilles, --- Criticism and interpretation. --- film --- twintigste eeuw --- eenentwintigste eeuw --- filmtheorie --- Deleuze Gilles --- homoseksualiteit --- gender studies --- film en homoseksualiteit --- Cronenberg David --- Mitchell John Cameron --- Dunye Cheryl --- Evans Rodney --- Denis Claire --- Haynes Todd --- 791.43 --- 791.41 --- Homosexualité au cinéma --- Homosexuels au cinéma --- Gays in motion pictures --- Homosexuality in motion pictures --- Motion pictures --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- دولوز، جيل --- Delezi, Jier, --- Gay people in motion pictures.