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"Our homes contain us, but they are also within us. They can represent places to be ourselves, to recollect childhood memories, or to withdraw into adult spaces of intimacy; they can be sites for developing rituals, family relationships, and acting out cultural expectations. Like the personal, social, and cultural elements out of which they are constructed, homes can be not only comforting, but threatening too. The home is a rich theme running through post-war western art, and it continues to engage contemporary artists today - yet it has been the subject of relatively little critical writing. Art and the Home: Comfort, Alienation and the Everyday is the first single-authored, up-to-date book on the subject. Imogen Racz provides a theme-led discussion about how the physical experience of the dwelling space and the psychological complexities of the domestic are manifested in art, focusing mainly on sculpture, installation and object-based practice; discussing the work and ideas of artists as diverse as Louise Bourgeois, Gordon Matta-Clark, George Segal and Cornelia Parker within their artistic and cultural contexts."--Wheelers.co.nz.
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From sleeping and bathing, chores, and making and eating food to the arrival of television, this book unveils the untold story of Italian domestic experiences from the 1940s to the 1970s, providing a fresh account of modern domesticity relevant to understanding how we make sense of the places we live.
Home in art. --- Art, Italian --- Families in art.
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Home in literature --- Homeless persons in art --- Dwellings in literature --- Home in art --- Homeless persons in art. --- Home in art.
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"Art, Borders and Belonging: On Home and Migration investigates how three associated concepts-house, home and homeland-are represented in contemporary global art. The volume brings together essays which explore the conditions of global migration as a process that is always both about departures and homecomings, indeed, home-makings, through which the construction of migratory narratives are made possible. Although centrally concerned with how recent and contemporary works of art can materialize the migratory experience of movement and (re)settlement, the contributions to this book also explore how curating and exhibition practices, at both local and global levels, can extend and challenge conventional narratives of art, borders and belonging. A growing number of artists migrate; some for better job opportunities and for the experience of different cultures, others not by choice but as a consequence of forced displacement caused economic or environmental collapse, or by political, religious or military destabilization. In recent years, the theme of migration has emerged as a dominant subject in art and curatorial practices. Art, Borders and Belonging thus seeks to explore how the migratory experience is generated and displayed through the lens of contemporary art. In considering the extent to which the visual arts are intertwined with real life events, this text acts as a vehicle of knowledge transfer of cultural perspectives and enhances the importance of understanding artistic interventions in relation to home, migration and belonging"--
Art and society --- Belonging (Social psychology) in art. --- Dwellings in art. --- Home in art. --- Homeland in art. --- History
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Painting --- anno 1600-1699 --- Netherlands --- Home in art --- Manners and customs in art --- Painting, Dutch --- Exhibitions --- Painting [Dutch ] --- 17th century --- Interior decoration in art --- History
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"In the act of enclosing space and making rooms, we make and define our aspirations and identities. Taking a room by room approach, this fascinating volume explores how representations of domestic space have embodied changing spatial configurations and values, and considers how we see modern individuals in the process of making themselves 'at home'. Scholars from the US, UK and Australasia re-visit and re-think interiors by Bonnard, Matisse, Degas and Vuillard, as well as the great spaces of early modernity; the drawing room in Rossetti's house, hallways in Hampstead Garden Suburb, the Paris attic of the Brothers Goncourt; Schutte-Lihotzky's Frankfurt Kitchen, to explore how interior making has changed from the Victorian to the modern period. From the smallest room - the bathroom - to the spacious verandas of Singapore Deco, Domestic Interiors focuses on modern rooms 'imaged' and imagined, it builds a distinct body of knowledge around the interior, interiority, representation and modernity, and creates a rich resource for students and scholars in art, architecture and design history."--Publisher's description.
Home in art. --- Rooms in art. --- Architecture and society --- Architecture --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- History --- Social aspects --- Human factors
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"In the act of enclosing space and making rooms, we make and define our aspirations and identities. Taking a room by room approach, this fascinating volume explores how representations of domestic space have embodied changing spatial configurations and values, and considers how we see modern individuals in the process of making themselves 'at home'. Scholars from the US, UK and Australasia re-visit and re-think interiors by Bonnard, Matisse, Degas and Vuillard, as well as the great spaces of early modernity; the drawing room in Rossetti's house, hallways in Hampstead Garden Suburb, the Paris attic of the Brothers Goncourt; Schutte-Lihotzky's Frankfurt Kitchen, to explore how interior making has changed from the Victorian to the modern period. From the smallest room - the bathroom - to the spacious verandas of Singapore Deco, Domestic Interiors focuses on modern rooms 'imaged' and imagined, it builds a distinct body of knowledge around the interior, interiority, representation and modernity, and creates a rich resource for students and scholars in art, architecture and design history."--Publisher's description.
architectuur --- Private houses --- interior design --- architecture [discipline] --- binnenhuisinrichting --- anno 1800-1999 --- Architecture and society --- Architecture and society. --- Home in art. --- Rooms in art. --- History --- 1800-1999. --- Home in art --- Rooms in art --- Architecture --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Social aspects --- Human factors
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In a study that stretches over two centuries and four countries, Helgerson unearths the shared preoccupations of European domestic drama and painting. The result is an unexpected prehistory of the nineteenth- and twentieth-century cult of domesticity. [publisher's description]
Painting --- Drama --- History of civilization --- anno 1700-1799 --- anno 1600-1699 --- Europe --- Adultery in art. --- Home in art. --- Middle class in art. --- Painting, Dutch --- Painting, French --- Working class in art. --- Adultery in art --- Home in art --- Middle class in art --- Working class in art --- Labor and laboring classes in art
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architectuur --- Sociology of the family. Sociology of sexuality --- moderne kunst --- gezinssociologie --- Modern [styles and periods] --- interior design --- Architecture --- Housekeeping --- Sociology of environment --- architecture [discipline] --- Art --- binnenhuisinrichting --- anno 1800-1999 --- Kunsttheorie ; architectuurtheorie ; onderdrukking van huiselijkheid --- 7.01 --- 72.01 --- Kunst ; theorie, filosofie, esthetica --- Architectuur ; theorie, filosofie, esthetica --- Architecture, Modern. --- Art, Modern. --- Families in art. --- Home in art. --- Modern [style or period] --- Art, Modern --- Architecture, Modern --- Families in art --- Home in art --- Family in art --- Modern art --- Modern architecture --- Nieuwe Ploeg (Group of artists) --- architectuurtheorie
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"'Though home is a name, a word, it is a strong one', said Charles Dickens, 'stronger than magician ever spoke, or spirit answered to, in strongest conjuration.' The ancient Greek word nostos, meaning homecoming or return, has a commensurate power and mystique. Irish philosopher-poet John Moriarty described it as 'a teeming word... a haunted word... a word to conjure with'. The most celebrated and culturally enduring nostos is that of Homer's Odysseus who spent ten years returning home after the fall of Troy. His journey back involved many obstacles, temptations, and fantastical adventures and even a katabasis, a rare descent by the living into the realm of the dead. All the while he was sustained and propelled by his memories of Ithaca ('His native home deep imag'd in his soul', as Pope's translation has it). From Virgil's Aeneid to James Joyce's Ulysses, from MGM's The Wizard of Oz to the Coen Brothers' O Brother, Where Art Thou?, and from Derek Walcott's Omeros to Margaret Atwood's Penelopiad, the Odyssean paradigm of nostos and nostalgia has been continually summoned and reimagined by writers and filmmakers. At the same time, 'Ithaca' has proved to be an evocative and versatile abstraction. It is as much about possibility as it is about the past; it is a vision of Arcadia or a haunting, an object of longing, a repository of memory, 'a sleep and a forgetting'. In essence it is about seeking what is absent. Imagining Ithaca explores the idea of nostos, and its attendant pain (algos), in an excitingly eclectic range of sources: from Rebecca West's The Return of the Soldier and Remarque's All Quiet on the Western Front, through the exilic memoirs of Nabokov and the time-travelling fantasies of Woody Allen, to Seamus Heaney's Virgilian descent into the London Underground and Michael Portillo's Telemachan railway journey to Salamanca. This kaleidoscopic exploration spans the end of the Great War, when the world at large was experiencing the complexities of homecoming, to the era of Brexit and COVID-19 which has put the notion of nostalgia firmly under the microscope."--book jacket
Exiles in art. --- Exiles in art. --- Exiles in literature. --- Exiles in literature. --- Foyer dans l'art. --- Foyer dans la littérature. --- Guerre mondiale, 1914-1918 --- Home in art. --- Home in art. --- Home in literature. --- Home in literature. --- Homecoming in art. --- Homecoming in art. --- Homecoming in literature. --- Homecoming in literature. --- Influence (Literary, artistic, etc.). --- Nostos (The Greek word). --- Nostos (The Greek word). --- Retour au foyer dans l'art. --- World War, 1914-1918 --- Influence. --- Influence. --- 1914-1918.
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