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No detailed description available for "New Approaches to Ernst Lubitsch".

Motion picture producers and directors --- Ernst Lubitsch, Silent German cinema, Classical Hollywood cinema, Film comedy, the musical.

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The Imaginary Geography of Hollywood Cinema 1960-2000 combines digital cartography with close readings of representative films to write a history of twentieth century Hollywood narrative cinema at the intersection of the geographies of narrative location, production, consumption and taste in the post-classical era, before the rise of digital cinema. This text reorients and redraws the boundaries of film history both literally and figuratively by cataloguing films' narrative locations on digital maps to examine where Hollywood locates its narratives over time.

Motion picture locations --- Television program locations United States. --- Filming on location --- Locations (Motion pictures) --- Moving-picture locations --- Motion pictures --- Setting and scenery --- Television program locations --- Locations (Television programs) --- Television --- Locations --- Stage-setting and scenery --- Media & Communications --- Hollywood cinema --- cinema geography --- film cartography --- narrative location --- United States

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In 1931 Universal Pictures released Dracula and Frankenstein, two films that inaugurated the horror genre in Hollywood cinema. These films appeared directly on the heels of Hollywood's transition to sound film. Uncanny Bodies argues that the coming of sound inspired more in these massively influential horror movies than screams, creaking doors, and howling wolves. A close examination of the historical reception of films of the transition period reveals that sound films could seem to their earliest viewers unreal and ghostly. By comparing this audience impression to the first sound horror films, Robert Spadoni makes a case for understanding film viewing as a force that can powerfully shape both the minutest aspects of individual films and the broadest sweep of film production trends, and for seeing aftereffects of the temporary weirdness of sound film deeply etched in the basic character of one of our most enduring film genres.

Horror films --- Sound motion pictures --- Films d'horreur --- Films sonores --- History and criticism. --- Histoire et critique --- 82:791.43 --- Literatuur en film --- Horror films - United States - History and criticism. --- Horror films. --- Sound motion pictures - History and criticism. --- Film --- Music, Dance, Drama & Film --- History and criticism --- 82:791.43 Literatuur en film --- Moving-pictures, Talking --- Talkies --- Talking motion pictures --- Motion pictures --- 20th century american culture. --- 20th century american film history. --- american culture. --- american film history. --- american movie history. --- audience reception. --- cinema. --- classic horror cinema. --- dark. --- dracula. --- early sound film. --- film studies. --- filmmaking. --- frankenstein. --- hollywood cinema. --- horror genre. --- horror movies. --- intense. --- modality. --- movie studies. --- sound film. --- svengali. --- the hollywood review of 1929. --- uncanny theater. --- united states of america. --- universal pictures. --- vampires. --- ventriloquism.

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Patrice Petro challenges the conventional assessment of German film history, which sees classical films as responding solely to male anxieties and fears. Exploring the address made to women in melodramatic films and in popular illustrated magazines, she shows how Weimar Germany had a commercially viable female audience, fascinated with looking at images that called traditional representations of gender into question. Interdisciplinary in her approach, Petro interweaves archival research with recent theoretical debates to offer not merely another view of the Weimar cinema but also another way of looking at Weimar film culture. Women's modernity, she suggests, was not the same as men's modernism, and the image of the city street in film and photojournalism reveals how women responded differently from men to the political, economic, and psychic upheaval of their times.

Frau. --- Motiv (Literatur) --- Motiv (Kunst) --- Geschichte. --- Film. --- Frau --- Film --- Liebesfilm --- Zuschauer --- Weimarer Republik --- Stummfilm --- Deutschland. --- Deutschland --- Anna Boleyn. --- Baudelaire, Charles. --- Being and Time. --- Berlin. --- Buci-Glucksmann, Christine. --- Communist Party. --- Derrida, Jacques. --- Elsaesser, Thomas. --- Evans, Richard J. --- Freud, Sigmund. --- Geschlecht in Fesseln. --- Grossmann, Atina. --- Hansen, Miriam. --- Heidegger, Martin. --- Hollywood cinema. --- Irigaray, Luce. --- Jardine, Alice. --- Johnston, Claire. --- Kammerspielfilm. --- Kerbs, Diethart. --- Koonz, Claudia. --- Lamprecht, Gerhard. --- Lang, Fritz. --- Letzte Mann, Der. --- Luxemberg, Rosa. --- Mellencamp, Patricia. --- Metropolis. --- Munson, Anthony. --- Nazi cinema. --- Nolde, Emil. --- Oedipal narrative. --- Prometheus. --- Quataert, Jean. --- Querschnitt, Der. --- Ruttmann, Walter. --- Schönlank, Bruno. --- androgyny: female. --- anti-Semitism. --- censorship, film. --- consumerism. --- crisis: historical. --- documentary realism. --- film style. --- homophobia. --- hysteria. --- imperial Germany. --- masquerade. --- mass culture. --- modernism. --- petite-bourgeoisie. --- photoessay. --- press archives. --- rationalization. --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deguo --- 德国 --- Deutsches Reich --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- Gėrman --- German Uls --- Герман Улс --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- ХБНГУ --- Германия --- جرمانيا --- ドイツ --- ドイツ連邦共和国 --- ドイツ レンポウ キョウワコク --- Germany (East) --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Holy Roman Empire --- Analyse cinematographique --- Feminisme et le cinema --- Femmes et le cinema --- Films musicaux --- Rapports sociaux entre sexes dans les films --- Stummfilme --- 1918-1933 --- Betrachter --- Publikum --- Zuschauerin --- Erwachsene Frau --- Weib --- Weibliche Erwachsene --- Frauen --- Erwachsener --- Weiblichkeit --- Deutsche Länder --- Germany --- Heiliges Römisches Reich --- Rheinbund --- Deutscher Bund --- Norddeutscher Bund --- Republic of Germany --- Allemagne --- Ǧumhūrīyat Almāniyā al-Ittiḥādīya --- Niemcy --- République Fédérale d'Allemagne --- Repubblica Federale di Germania --- Germanija --- Federativnaja Respublika Germanija --- FRG --- Deyizhi-Lianbang-Gongheguo --- Deutsche --- Deutsches Sprachgebiet --- 03.10.1990 --- -Anna Boleyn.