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James Hogg (1770-1835) is increasingly recognised as a major Scottish author and one of the most original figures in European Romanticism. 16 essays written by international experts on Hogg draw on recent breakthroughs in research to illuminate the contexts and debates that helped to shape his writings. The book provides an indispensable guide to Hogg's life and worlds, his publishing history, reception and reputation, his treatments of politics, religion, nationality, social class, sexuality and gender, and the diverse literary forms - ballads, songs, poems, drama, short stories, novels, peri
Hogg, James, --- Criticism and interpretation. --- Ettrick shepherd, --- Craig, J. H., --- Hogg, James, -- 1770-1835 -- Criticism and interpretation. --- Hogg, James, -- 1770-1835. --- Hogg, James, 1770-1835 -- Literary collections. --- English literature. --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Hogg, James
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"The book argues for Hogg's centrality to British Romanticism, resituating his work in relation to Romantic contemporaries who include Byron, Blake, Scott, Baillie, Wordsworth, Coleridge, Southey, and Keats, and tracing his important inter-textual relationships to predecessors such as Spenser, Shakespeare, Johnson, Sterne, Gray, Collins, Macpherson, and Burns. Hogg creates a unique literary style which, the author argues, is best described as 'kaleidoscopic' in view of its similarities with David Brewster's kaleidoscope, invented in 1816. This ambitious and ground-breaking study not only sheds new light on Hogg's relationship with British Romanticism, but urges a re-thinking of Romanticism itself. It offers original new critical readings of a spectrum of Hogg's key works in a range of genres, demonstrating how his kaleidoscopic literary practice unsettles and reshapes our canonical understanding of the Romantic period and his place in it"--
English literature --- Romanticism --- Change in literature --- Scottish authors --- History and criticism --- Hogg, James, --- Criticism and interpretation.
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Radcliffe, Ann Ward --- Hoffmann, Ernst, Theodor, Amadeus --- Shelley, Mary Wollstonecraft --- Hogg, James --- Tieck, Ludwig
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Throughout his career, self-taught Scottish writer James Hogg (1770-1835) violated literary proprieties which discouraged the frank treatment of prostitution, infanticide, and the violence of war. Contemporary reviewers received Hogg’s bluntness rather fiercely because, in so doing, he questioned the ideologies of chastity, marriage and military masculinities that informed emerging discourses of the British Empire. This book reveals the strategic use that Hogg made of the marriage plot to challenge the civilising ideal of the motherly heroine as well as martial and sentimental masculinities which supported the discourse of a strong but tamed national vigour, thereby highlighting Hogg’s critical use of gender stereotypes in relation to norms of class and ethnicity when deconstructing this plot convention.
Marriage in literature. --- Literature --- Literature, Medieval. --- Study and teaching. --- Hogg, James, --- Criticism and interpretation. --- Political and social views.
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