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History on television --- Television and politics --- Television broadcasting --- History --- Social aspects

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Writing Australian History On-screen reveals the depths in Australian history from convict times to the present day. The essays convey perspectives of Australian history on screen taken from an Australian viewpoint in a way that offers insights and an understanding of the unique Australian history and sense of identity.

Television programs --- Motion pictures --- History on television. --- History in motion pictures. --- History. --- Australia --- On television. --- In motion pictures. --- Historiography.

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"An introduction to the use of feature films, television shows and documentary footage as historical sources through wide-ranging and carefully selected case studies"-- "How, as historians, should we 'read' a film? Histories on Screen answers this and other questions in a crucial volume for any history student keen to master source use. The book begins with a theoretical 'Thinking about Film' section that explores the ways in which films can be analyzed and interrogated as either primary sources, secondary sources or indeed as both. The much larger 'Using Film' segment of the book then offers engaging case studies which put this theory into practice. Topics including gender, class, race, war, propaganda, national identity and memory all receive good coverage in what is an eclectic multi-contributor volume. Documentaries, films and television from Britain and the United States are examined and there is a jargon-free emphasis on the skills and methods needed to analyze films in historical study featuring prominently throughout the text. Histories on Screen is a vital resource for all history students as it enables them to understand film as a source and empowers them with the analytical tools needed to use that knowledge in their own work. "--

History in motion pictures. --- Histoire --- History on television. --- Motion pictures --- Cinéma --- Television --- Télévision --- Au cinéma --- A la télévision --- Au cinéma. --- A la télévision. --- History in motion pictures --- History on television --- Radio vision --- TV --- Artificial satellites in telecommunication --- Electronic systems --- Optoelectronic devices --- Telecommunication --- Astronautics --- Optical communication systems --- History on televison --- Motion pictures - United States --- Motion pictures - Great Britain --- Television - United States --- Television - Great Britain

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Comment la télévision contribue-t-elle à construire notre mémoire de la collaboration ? Une approche originale des enjeux mémoriels liés à la Seconde Guerre mondiale par une auteure récompensée du Prix d’Encouragement de l’Inathèque 2015, à paraître dans la collection Etudes & Controverses de l’Ina.Au-delà de l’analyse d’un genre à succès – la fiction de prime time –, Elsa Marty interroge la construction du rapport d’une société à son passé. De la production à la réception de téléfilms mettant en scène des « collabos », diffusés entre 1987 et 2009, l’ouvrage révèle l’ambition d’une télévision qui veut émouvoir mais aussi faire réfléchir les Français.Figure vilipendée du XXe siècle, symbole de la dimension honteuse des années d’Occupation, le collaborateur incarne l’une des blessures mémorielles de la Seconde Guerre mondiale.Son intervention dans les fictions du petit écran est multiforme : hauts fonctionnaires et grands noms de la collaboration, miliciens ou petites mains de l’administration, femme tondue à la Libération pour s’être compromise avec l’ennemi…Les « collabos » télévisuels endossent une palette de comportements reflétant l’étendue des modes de compromission sous l’Occupation, de la collaboration d’Etat jusqu’aux formes plus individuelles d’accommodation.Si les stéréotypes collent à la peau de ces personnages, les scénaristes, réalisateurs et producteurs ont aussi à cœur de proposer des lectures nuancées et parfois renouvelées de la collaboration. Actualité des procès fortement médiatisés de la seconde épuration, politiques mémorielles et héritages personnels conditionnent la création et la réception de ces œuvres proposées largement diffusées.

World War, 1939-1945 --- Characters and characteristics on television. --- History on television. --- Television and the war. --- Collaborationists --- Television film --- Themes, motives --- History --- Guerre mondiale (1939-1945) --- Téléfilms --- Collaborateurs --- Thèmes, motifs --- Thèmes, motifs.

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Since 1952, CBC television has played a unique role as the primary mass media purveyor of Canadian history. Yet until now, there have been no comprehensive accounts of Canadian history on television. Monica MacDonald takes us behind the scenes of the major documentaries and docudramas broadcast on the CBC, including in Explorations (1956–64) and the series Images of Canada (1972–76), The National Dream (1974), The Valour and the Horror (1992), and Canada: A People's History (2000–02). Drawing on a wide range of sources, MacDonald explores how producers struggled to represent the Canadian past under a range of external and internal pressures. Despite dramatic shifts in the writing of history over this period, she determines that television themes and interpretations largely remained the same. The greater change was in the production and presentation, particularly in the role of professional historians, as journalists emerged not only as the new producers of Canadian history on CBC television, but also as the new content authorities. A critique of public history through the lens of political economy, Recasting History reveals the conflicts, compromises, and controversies that have shaped the CBC version of the Canadian past.

Television --- History on television. --- Television and history --- History and television --- History --- Radio vision --- TV --- Artificial satellites in telecommunication --- Electronic systems --- Optoelectronic devices --- Telecommunication --- Astronautics --- Social aspects --- Optical communication systems