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Grundlegende Kenntnisse der Buchgeschichte sind auch im heutigen Berufsalltag immer wieder von Nutzen. So setzt beispielsweise die Vorbereitung von Ausstellungen oder die Präsentation historischer Bestände einschlägiges Wissen voraus. Dieses Buch wendet sich an alle, die sich das dafür notwendige buchhistorische Hintergrundwissen aneignen wollen. Diese Einführung vermittelt einen allgemeinen Überblick zur Geschichte des Buches von seinen Anfängen bis zur Gegenwart. Die Entwicklung von Zeitungen, Zeitschriften, Karten und Atlanten, Noten und Musikdrucken wie auch orientalischen und ostasiatischen Büchern ist ebenfalls Teil des Inhalts. This introduction to the history of the book focuses on 19th and 20th century Europe. It primarily covers materials most often dealt with by library staff. The discussion is couched in general history, especially cultural history. It covers in detail issues related to older books, such as the preservation of collections.

Books --- History. --- History of the book. --- library history. --- History --- E-books

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‘This volume is both original and useful. Whilst each of the essays in and of itself offers new research, the volume taken as a whole is a substantial contribution to book, image, and media history. It deliberately disrupts the idea of a unified field, demonstrating how both books and prints (sometimes combined within the same volume) act as agents between cultures.‘ — Kate Flint, Provost Professor of Art History and English, University of Southern California, USA ‘Rather than ask the old questions, ‘what is a book’ or ‘what is a print’, Stead and her collaborators want to know: what has been the use of this text-bearing object? What does it do? Applying those queries to all manner of media – made, found, used, and re-purposed – this new approach dissolves (and complicates) the distinction between the material and textual aspects of what we read, and encourages methodologies that cross the boundaries of discipline.’ — Leslie Howsam, Emerita Distinguished University Professor, University of Windsor, Canada This book contributes significantly to book, image and media studies from an interdisciplinary, comparative point of view. Its broad perspective spans medieval manuscripts to e-readers. Inventive methodology offers numerous insights into visual, manuscript and print culture: material objects relate to meaning and reading processes; images and texts are examined in varied associations; the symbolic, representational and cultural agency of books and prints is brought forward. An introduction substantiates methods and approaches, ten chapters follow along media lines: from manuscripts to prints, printed books, and e-readers. Eleven contributors from six countries challenge the idea of a unified field, revealing the role of books and prints in transformation and circulation between varying cultural trends, ‘high’ and ‘low’. Mostly Europe-based, the collection offers book and print professionals, academics and graduates, models for future research, imaginatively combining material culture with archival data, cultural and reading theories with historical patterns.

Illustrated books --- History --- Books --- Books-History. --- Civilization-History. --- History of the Book. --- Cultural History. --- Books—History. --- Civilization—History.

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Reading Proclus and the Book of Causes, published in three volumes, is a fresh, comprehensive understanding of Proclus' legacy in the Hellenic, Byzantine, Islamic, Latin and Hebrew traditions. The history of the Book of Causes, an Islamic adaptation of mainly Proclus' Elements of Theology and Plotinus' Enneads, is reconsidered on the basis of newly discovered manuscripts. This first volume enriches our understanding of the diverse reception of Proclus' Elements of Theology and of the Book of Causes in the Western tradition where universities and religious schools offered unparalleled conditions of diffusion. The volume sheds light on overlooked authors, texts, literary genres and libraries from all major European universities from the 12th to the 16th centuries.

Neoplatonism. --- Proclus, --- Liber de causis. --- Appreciation --- Translations --- Appreciation. --- Translations. --- Causation --- Book History and Cartography --- History of the Book

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History, Ancient. --- History of Religion --- Papyrology --- Hermetism --- Classical Studies --- History of Literature --- Egyptology --- History of the Book --- Late Antiquity

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Thomas Wyatt didn't publish "They Flee from Me." It was written in a notebook, maybe abroad, maybe even in prison. Today it is in every poetry anthology. How did it survive? That is the story Peter Murphy tells—in vivid and compelling detail—of the accidents of fate that kept a great poem alive across 500 turbulent years. Wyatt's poem becomes an occasion to ask and answer numerous questions about literature, culture, and history. Itself about the passage of time, it allows us to consider why anyone would write such a thing in the first place, and why anyone would care to read or remember the person who wrote it. From the deadly, fascinating circles of Henry VIII's court to the contemporary classroom, The Long Public Life of a Short Private Poem also introduces us to a series of worlds. We meet antiquaries, editors, publishers, anthologizers, and critics whose own life stories beckon. And we learn how the poem came to be considered, after many centuries of neglect, a model of the "best" English has to offer and an ideal object of literary study. The result is an exploration of literature in the fine grain of the everyday and its needs: in the classroom, in society, and in the life of nations.

Sonnets, English --- History and criticism. --- Wyatt, Thomas, --- Thomas Wyatt. --- archive. --- editing. --- history of criticism. --- history of the book. --- literary history. --- love poetry. --- poetry. --- reading. --- renaissance.