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Johannes Chrysostomos ist über Jahrhunderte und bis heute in erstaunlicher Weise "Projektionsfläche" unterschiedlicher christlicher Identitätskonstruktionen. Seine Lebensgeschichte und vor allem seine Wirkungsgeschichte sind von größerer Bedeutung als seine Theologie. Der Band fragt deshalb nach den prägenden Bildern, die von dieser Persönlichkeit im Umlauf waren und sind, und nach ihrer Funktion in verschiedenen kulturellen und theologischen Diskursen. Der Band geht auf eine Basler Tagung im Januar 2007 zurück. Die Autoren kommen aus unterschiedlichen nationalen, konfessionellen und wissenschaftlichen Traditionen. Diese Pluralität der Zugänge erweist sich für diese spezifische Fragestellung als besonders fruchtbar. Besonderer Wert wird auf die Einbindung der byzantinischen Kultur- bzw. orthodoxen Konfessionstradition gelegt.
Christian saints --- John Chrysostom, --- Antiquity. --- History of Influence. --- History of Printing. --- Orthodoxy. --- Patristics.
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Un livre. Que savons-nous de l'histoire de cet objet prodigieux, fruit de l'esprit et de la rencontre d'innombrables savoir-faire? S'offrant pour la réflexion autant que pour la rêverie, le livre imprimé est jugé tantôt chef-d'oeuvre tantôt bien quelconque; il peut être couvert d'éloges ou de critiques, mais aussi contrôlé, censuré parfois. S'acquérant à grands frais ou pour presque rien, il est quelquefois volé, souvent collectionné, classé... mais aussi pilonné. Son histoire, longue et complexe, restituée avec subtilité et vigueur, nous rappelle que, de l'aube de l'imprimerie jusqu'au XXIe siècle, il n'a cessé de révolutionner les pratiques d'écriture et de lecture, de bouleverser les langues et l'univers des images, et qu'il marque matériellement et idéologiquement les sociétés, les imaginaires, les mémoires
Book history --- book history --- Books --- Printing --- History --- 655.11 --- 655.11 Boekdrukkunst: ontstaan--algemeen --- 655.11 History of printing. Discovery of book-printing techniques --- Boekdrukkunst: ontstaan--algemeen --- History of printing. Discovery of book-printing techniques --- Livres --- Imprimerie --- Histoire.
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The essays in this volume are concerned with early printed narrative texts in Western Europe. The aim of this book is to consider to what extent the shift from hand-written to printed books left its mark on narrative literature in a number of vernacular languages. Did the advent of printing bring about changes in the corpus of narrative texts when compared with the corpus extant in manuscript copies? Did narrative texts that already existed in manuscript form undergo significant modifications when they began to be printed? How did this crucial media development affect the nature of these narratives? Which strategies did early printers develop to make their texts commercially attractive? Which social classes were the target audiences for their editions? Around half of the articles focus on developments in the history of early printed narrative texts, others discuss publication strategies. This book provides an impetus for cross-linguistic research. It invites scholars from various disciplines to get involved in an international conversation about fifteenth- and sixteenth-century narrative literature.
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Fifteenth-century Bologna is one of the major Italian cities, home to a prestigious university and thriving industrial and economic center; in these conditions, ideal for the development of the early typographic art, the market of the manuscript book, with its world of copyists, illuminators, bookbinders, stationaries, soon adapts to the new way of production, fostering between XV and XVI century the emergence of some great families of booksellers-printers-publishers. Since the first decades of the sixteenth century, however, an overwhelming foreign book production is increasingly present on bolognese market: important printers like Vincenzo Valgrisi and Gabriele Giolito establish branches in the city, while in the law book sector the Lyonese publishing industry of Giunti is gaining momentum. The situation changes again in the second half of the century, when the market is remodeled following the conditioning by the ecclesiastical authorities and it extends to social strata previously excluded from cultural consumption. The work, which is based on a detailed investigation of the documentary sources, reconstructs for the first time a social history of the Bolognese book trade, both outlining the events of families and shops operating in the city, and opening the look at the relationships with the large foreign firms.
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Fifteenth-century Bologna is one of the major Italian cities, home to a prestigious university and thriving industrial and economic center; in these conditions, ideal for the development of the early typographic art, the market of the manuscript book, with its world of copyists, illuminators, bookbinders, stationaries, soon adapts to the new way of production, fostering between XV and XVI century the emergence of some great families of booksellers-printers-publishers. Since the first decades of the sixteenth century, however, an overwhelming foreign book production is increasingly present on bolognese market: important printers like Vincenzo Valgrisi and Gabriele Giolito establish branches in the city, while in the law book sector the Lyonese publishing industry of Giunti is gaining momentum. The situation changes again in the second half of the century, when the market is remodeled following the conditioning by the ecclesiastical authorities and it extends to social strata previously excluded from cultural consumption. The work, which is based on a detailed investigation of the documentary sources, reconstructs for the first time a social history of the Bolognese book trade, both outlining the events of families and shops operating in the city, and opening the look at the relationships with the large foreign firms.
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Fifteenth-century Bologna is one of the major Italian cities, home to a prestigious university and thriving industrial and economic center; in these conditions, ideal for the development of the early typographic art, the market of the manuscript book, with its world of copyists, illuminators, bookbinders, stationaries, soon adapts to the new way of production, fostering between XV and XVI century the emergence of some great families of booksellers-printers-publishers. Since the first decades of the sixteenth century, however, an overwhelming foreign book production is increasingly present on bolognese market: important printers like Vincenzo Valgrisi and Gabriele Giolito establish branches in the city, while in the law book sector the Lyonese publishing industry of Giunti is gaining momentum. The situation changes again in the second half of the century, when the market is remodeled following the conditioning by the ecclesiastical authorities and it extends to social strata previously excluded from cultural consumption. The work, which is based on a detailed investigation of the documentary sources, reconstructs for the first time a social history of the Bolognese book trade, both outlining the events of families and shops operating in the city, and opening the look at the relationships with the large foreign firms.
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Book history --- Graphic arts --- printing [process] --- typefaces [type forms] --- typography --- book history --- illustrations [layout features] --- Printing --- 655.26 --- 655.11 --- Printing, Practical --- Typography --- 655.11 Boekdrukkunst: ontstaan--algemeen --- 655.11 History of printing. Discovery of book-printing techniques --- Boekdrukkunst: ontstaan--algemeen --- History of printing. Discovery of book-printing techniques --- 655.26 Soorten zetwerk. Lay-out. Typografische vormgeving --- 655.26 Typography. Graphic design. Kinds of text (material to be set) --- Soorten zetwerk. Lay-out. Typografische vormgeving --- Typography. Graphic design. Kinds of text (material to be set) --- History&delete& --- Origin and antecedents --- History --- Invention
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In deze visuele geschiedenis zijn werken bijeengebracht die de canon van meer dan vijfhonderd jaar westerse boekvormgeving illustreren. Het gedrukte boek is in al zijn gedaanten te zien: als naslagwerk en kunstwerk, als machine à lire en beeldboek, en als prestigeboek en wegwerppocket. Er is werk opgenomen van beroemde drukkers uit de handpersperiode — Nicolas Jenson, Aldus Manutius, Christoff el Plantijn, de Elzeviers, John Baskerville, Giambattista Bodoni — en van toonaangevende ontwerpers uit de moderne tijd — William Morris, El Lissitzky, Jan Tschichold, Paul Rand, Massin, Irma Boom. Verder is er bijzonder geïllustreerd werk in opgenomen van architecten en kunstenaars als Giovanni Battista Piranesi en Maria Sibylla Merian. Extra aandacht krijgen ook de drukkershandboeken, die iets van het proces laten zien, en de kalligrafieboeken en letterproeven, die de letter in een breder kader plaatsen. --Amsterdam University Press
Book history --- Graphic arts --- graphic design --- history [discipline] --- typography --- 094.1 <4/9> --- 655.11 <035> --- 003.077 --- 655.11 <035> Boekdrukkunst: ontstaan--algemeen--Grote handboeken. Compendia --- 655.11 <035> History of printing. Discovery of book-printing techniques--Grote handboeken. Compendia --- Boekdrukkunst: ontstaan--algemeen--Grote handboeken. Compendia --- History of printing. Discovery of book-printing techniques--Grote handboeken. Compendia --- 003.077 Schoonschrift. Decoratieve schriften. Kalligrafie --- Schoonschrift. Decoratieve schriften. Kalligrafie --- 094.1 <4/9> Oude drukken: bibliografie--Landen en plaatsen van de moderne wereld --- Oude drukken: bibliografie--Landen en plaatsen van de moderne wereld --- boekdrukkunst
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Der Buchdruck veränderte die Welt, doch es bedurfte einer zweiten Generation von «Printing Natives», die mit Ablassbriefen, Thesen, Diffamierungen und Sensationsmeldungen als Massenware einen tiefgreifenden Kulturwandel entfesselte. Der renommierte Kirchenhistoriker Thomas Kaufmann zeigt in seinem anschaulichen, Augen öffnen den Buch, warum wir die «Generation Luther» besser verstehen, wenn wir die heutigen «Digital Natives» betrachten – und umgekehrt. Die ersten Autos waren motorisierte Kutschen, der Computer diente als Schreibmaschine, und gedruckte Bücher setzten die handgeschriebenen fort: Innovationen werden zunächst in den gewohnten Bahnen genutzt, bevor eine zweite Generation die neuen Möglichkeiten ausschöpft. Thomas Kaufmann beschreibt, wie um 1500 eine junge Generation die Drucktechnik nutzte, um gegen die «Türkengefahr» zu mobilisieren, Ablassbriefe zu vertreiben und für eine «Reformation» der Kirche zu kämpfen. Drucker wie Aldus Manutius, Graphiker wie Albrecht Dürer, Humanisten wie Erasmus von Rotterdam und Johannes Reuchlin oder Theologen wie Martin Luther und Ulrich Zwingli vermarkteten sich auf Flugschriften und in Traktaten selbst und machten Druck: Gegner wurden in wachsenden Echoräumen diffamiert, Ereignisse zu Sensationen gemacht, um eine sich zerstreuende Aufmerksamkeit zu fesseln. Die Reformation war, wie Thomas Kaufmann zeigt, nur ein Teil dieses viel breiteren kulturellen Umbruchs. Schließlich veränderte die neue Technik die Art des Forschens und mit Enzyklopädien oder druckgraphischen Werken die Weise, wie Menschen die Welt wahrnehmen.
Book history --- anno 1500-1599 --- 655.11 --- 094:32 --- 094:2 --- 070 <09> --- 070 <09> Persgeschiedenis --- Persgeschiedenis --- 094:2 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Godsdienst. Theologie --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Godsdienst. Theologie --- 094:32 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Politiek. Staatskunde. Staatswetenschappen --(algemeen) --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Politiek. Staatskunde. Staatswetenschappen --(algemeen) --- 655.11 Boekdrukkunst: ontstaan--algemeen --- 655.11 History of printing. Discovery of book-printing techniques --- Boekdrukkunst: ontstaan--algemeen --- History of printing. Discovery of book-printing techniques
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"A collection of nineteen essays that trace texts from their creation and printing through to their publication, dissemination, and collection. Examines continuities and changes in the book trade and is illustrated in black and white. The eleventh volume of the Print Networks series"--Provided by publisher.
655.11 --- History of printing. Discovery of book-printing techniques --- Book history --- Graphics industry --- Authors and publishers --- Book collecting --- Book collectors --- Book industries and trade --- Books and reading --- Libraries --- Printing --- Book owners --- Books --- Book selection --- Collectors and collecting --- Private libraries --- Bibliophily --- Antiquarian booksellers --- Bibliomania --- Author and publisher --- Publishers and authors --- Publishing contracts --- Authorship --- Contracts --- Book proposals --- Copyright --- Literary agents --- History --- Law and legislation
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