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Military history, Ancient. --- War films. --- History, Ancient, in motion pictures. --- Soldiers in motion pictures. --- Motion pictures --- Anti-war films --- Ancient military history

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Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this original study explores the current cycle of ancient world epics in cinema within the social and political climate created by September 11th 2001. Examining films produced against the backdrop of the War on Terror and subsequent invasions of Iraq and Afghanistan, this book assesses the relationship between mainstream cinema and American society through depictions of the ancient world, conflict and faith. Davies explores how these films evoke depictions of the Second World War, the Vietnam War and the Western in portraying warfare in the ancient world, as well as discussing the influence of genre hybridisation, narration and reception theory. He questions the extent to which ancient world epics utilise allegory, analogy and allusion to parallel past and present in an industry often dictated by market forces. Featuring analysis of Alexander, Troy, 300, Centurion, The Eagle, The Passion of the Christ and more, this book offers new insight on the continued evolution of the ancient world epic in cinema.

Epic films --- Historical films --- War films --- History, Ancient, in motion pictures. --- September 11 Terrorist Attacks, 2001 --- War on Terrorism, 2001-2009 --- Motion pictures --- History and criticism. --- Influence. --- Social aspects --- History and criticism

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"Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this original study explores the current cycle of ancient world epics in cinema within the social and political climate created by September 11th 2001. Examining films produced against the backdrop of the War on Terror and subsequent invasions of Iraq and Afghanistan, this book assesses the relationship between mainstream cinema and American society through depictions of the ancient world, conflict and faith. Davies explores how these films evoke depictions of WWII, the Vietnam War and the Western in portraying warfare in the ancient world, as well discussing the influence of genre hybridisation, narration and reception theory. He questions the extent to which ancient world epics utilise allegory, analogy and allusion to parallel past and present in an industry often dictated by market forces. Featuring analysis of Alexander, Troy, 300, Centurion, The Eagle, The Passion of the Christ and more, this book offers new insight on the continued evolution of the ancient world epic in cinema"--

Epic films --- Historical films --- War films --- History, Ancient, in motion pictures. --- September 11 Terrorist Attacks, 2001 --- War on Terrorism, 2001-2009 --- Motion pictures --- History and criticism. --- Influence. --- Social aspects --- Films épiques --- Films historiques --- Films de guerre --- Histoire ancienne --- 11 septembre 2001, Attentats du (États-Unis) --- Guerre contre le terrorisme (2001-2009) --- Cinéma --- Histoire et critique --- Au cinéma --- Influence --- Aspect social --- Histoire et critique. --- Au cinéma. --- History, Ancient, in motion pictures --- #SBIB: --- Costume spectacles (Motion pictures) --- Film epics --- Heroic films --- Monumental films --- Spectacles (Motion pictures) --- Spectaculars (Motion pictures) --- Global Struggle Against Violent Extremism, 2001-2009 --- Global War on Terror, 2001-2009 --- GWOT, 2001-2009 (War on Terrorism) --- Terror War, 2001-2009 --- Terrorism War, 2001-2009 --- War against Terrorism, 2001-2009 --- War on Terror, 2001-2009 --- Military history, Modern --- Terrorism --- World politics --- Afghan War, 2001 --- -Iraq War, 2003-2011 --- Operation Enduring Freedom, 2001 --- -History and criticism --- History and criticism --- Prevention --- September 11 Terrorist Attacks (2001) --- War on Terrorism (2001-2009) --- #SBIB:309H1326 --- #SBIB:309H1320 --- #SBIB:309H520 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Audiovisuele communicatie: algemene werken --- Histoire du cinéma --- --Film historique --- --États-Unis --- --Histoire et critique --- --Film de guerre --- --Histoire ancienne --- --11 septembre 2001, --- Terrorisme --- --Aspects sociaux --- --History and criticism --- Afghan War, 2001-2021 --- Iraq War, 2003-2011 --- -Motion pictures --- Epic films - United States - History and criticism --- Historical films - United States - History and criticism --- War films - United States - History and criticism --- September 11 Terrorist Attacks, 2001 - Influence --- War on Terrorism, 2001-2009 - Influence --- Motion pictures - Social aspects - United States --- Film historique --- Film de guerre --- 11 septembre 2001, 2001 --- Aspects sociaux --- États-Unis --- Films épiques --- 11 septembre 2001, Attentats du (États-Unis) --- Cinéma --- Au cinéma.