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Questions of collective identity and nationhood dominate the memory debate in both the high and popular cultures of postsocialist Russia, Poland and Ukraine. Often the ‘Soviet’ and ‘Russian’ identity are reconstructed as identical; others remember the Soviet regime as an anonymous supranational ‘Empire’, in which both Russian and non-Russian national cultures were destroyed. At the heart of this ‘empire talk’ is a series of questions pivoting on the opposition between constructed ‘ethnic’ and ‘imperial’ identities. Did ethnic Russians constitute the core group who implemented the Soviet Terror, e.g. the mass murders of the Poles in Katyn and the Ukrainians in the Holodomor? Or were Russians themselves victims of a faceless totalitarianism? The papers in this volume explore the divergent and conflicting ways in which the Soviet regime is remembered and re-imagined in contemporary Russian, Polish and Ukrainian cinema and media.
Historical films --- Motion pictures --- Political aspects --- History and criticism. --- Historischer Film. --- Film. --- Krieg. --- Sowjetunion. --- Kollektives Gedächtnis. --- Polen. --- Russland. --- Ukraine. --- History and criticism --- Film adaptations --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Literature --- Motion picture adaptations --- istory and criticis. --- Adaptations
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Film --- History --- Motion Pictures --- Motion pictures and history --- Motion pictures --- Cinéma et histoire --- Cinéma --- Periodicals --- Périodiques --- Histoire --- Motion pictures and history. --- Arts and Humanities --- Performing Arts, Travel and Leisure --- Literature --- Arts and Humanities. --- Performing Arts, Travel and Leisure. --- Historischer Film --- History. --- Motion Pictures as Topic. --- Umschulungswerkstätten für Siedler und Auswanderer --- Cinema --- Films --- Films as Topic --- Movies --- Movies as Topic --- Cinemas --- Films as Topics --- Motion Picture --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Aspects, Historical --- Historical Aspects --- Aspect, Historical --- Historical Aspect --- Histories --- Geschichtsfilm --- Geschichte --- Historienfilm --- Historische Filme --- History and motion pictures --- Moving-pictures and history --- Umschulungswerkstätte für Siedler und Auswanderer --- USA --- Motion Pictures. --- Photography --- Bitterfeld --- USA. --- Filmkunst. --- Geschiedenis. --- Umschulungswerkstätte für Siedler und Auswanderer --- Movie --- Historischer Film.
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"An exciting new work in the burgeoning field of movie medievalism, this collection of essays focuses on film representations of the Crusades, other medieval East/West encounters, and the modern inheritance of encounters between orientalist fantasy and apocalyptic conspiracy. The essays themselves make substantial contributions to our understanding of orientalist medievalism in film"--Provided by publisher.
Middle Ages in motion pictures.
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Crusades in motion pictures.
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East and West in motion pictures.
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Moyen Age au cinéma
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Croisades au cinéma
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Orient et Occident au cinéma
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#SBIB:309H1320
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#SBIB:309H1521
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#SBIB:309H1328
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Motion pictures
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De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land)
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Radio- en/of televisieprogramma’s met een amusementsfunctie en/of esthetische functie
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Films met een ideologische en spiegelfunctie
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Moyen Age au cinéma
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Croisades au cinéma
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Orient et Occident au cinéma
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Crusades in motion pictures
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East and West in motion pictures
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Middle Ages in motion pictures
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Film.
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Historischer Film.
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Kreuzzüge
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Since the fall of the Berlin Wall, there has been a proliferation of German historical films. These productions have earned prestigious awards and scored at box offices both at home and abroad, where they count among the most popular German films of all time. Suddenly, however, a significant departure has been made from the country's prominent cinematic take on history: the radical style, content, and politics of the New German Cinema. With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in postwall Germany. Challenging p
Film. --- Germans in motion pictures. --- Historia på film. --- Historical films --- Historical films. --- Historischer Film. --- History in motion pictures. --- Motion pictures. --- Tyskar på film. --- Tyskland. --- History and criticism. --- Deutschland. --- Germany --- Germany. --- In motion pictures. --- History in motion pictures --- Histoire au cinéma --- In motion pictures --- #SBIB:309H1328 --- Films met een ideologische en spiegelfunctie --- Histoire au cinéma --- Au cinéma --- #SBIB:309H1326 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Films historiques --- History and criticism --- Histoire et critique --- Allemagne --- Motion pictures --- Germans in motion pictures --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- ХБНГУ --- Германия --- جرمانيا --- ドイツ --- ドイツ連邦共和国 --- ドイツ レンポウ キョウワコク --- Germany (East) --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Holy Roman Empire --- Deguo --- 德国 --- Gėrman --- Герман Улс
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