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Historical drama.

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Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2022 with the help of original edition published long back [1557]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions.

Historical drama.

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"These include television's radically new ecology; with factual formats a growth area. Docudrama in film has also burgeoned recently, partly because the industries themselves have grown closer and partly because of continued interest in the lives of the famous and of those in the news. International co-production now exploits many different screening opportunities and possibilities, with the result that docudrama and become a cinematic as well as televisual staple. Docudrama is not only popular with audiences; it also causes constant flurries of commentary and controversy. Concerns about 'borders' and 'boundaries', a questioning of documentary's claim to represent the real, doubts about the popular audience's ability to cope with new approaches to the ideas of witness, testimony and confession, authenticity and truth - all fuel the debate. "This second edition of No Other Way To Tell It defines the form, analyses its codes and conventions, and reviews contrasting histories in America and British practice - taking into account new developments since the first edition.

Television plays --- Historical drama

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Historical drama, Romanian.

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Die polnische Schriftstellerin Zofia Kossak (1889-1968) schrieb historische Romane, mit denen sie versuchte, die Traumata des 20. Jahrhunderts zu überwinden - zwei Kriege, die Oktoberrevolution, die Inhaftierung im Konzentrationslager Auschwitz und den Verlust der Heimat. Die Beiträger:innen befassen sich mit individuellen und kollektiven Erfahrungen, mit der menschlichen Einsamkeit angesichts der großen Geschichte, wobei der Schwerpunkt auf den Prosawerken und autobiografischen Aufzeichnungen Kossaks liegt, die sowohl in Bezug auf die Erzählweise als auch auf den Ideengehalt als Traditionalistin gilt. Die hier vorgeschlagenen Interpretationen, die sich auf zeitgenössische literaturwissenschaftliche Theorien stützen, brechen jedoch mit dem stereotypen Denken und werfen ein neues Licht auf Kossaks Werk, indem sie die Aufmerksamkeit auf das lenken, was sie in ihrer unmittelbaren Umgebung wahrnahm, was sie beschäftigte und was auch zu den Problemen des 21. Jahrhunderts gehört: auf den Totalitarismus, den Heimatverlust, die Bedeutung der Vergangenheit für die Gegenwart oder die Sorge um die Umwelt angesichts der industriellen Entwicklung. The Polish writer Zofia Kossak (1889-1968) wrote historical novels with which she tried to overcome the traumas of the 20th century: two wars, the October Revolution, imprisonment in KL Auschwitz and the loss of her homeland. The contributors deal with individual and collective experiences, with human loneliness in the face of the great story, focusing on the prose works and autobiographical notes of the writer who is considered a traditionalist both in terms of narrative style and idea content. However, the interpretations proposed here, based on contemporary literary theories, break with stereotypical thinking and shed new light on Zofia Kossak's work by drawing attention to what she perceived in her immediate surroundings, what preoccupied her and what is also part of the problems of the 21st century: totalitarianism, loss of homeland, the significance of the past for the present or concern for the environment in the face of necessary industrial development.

Historical drama, American.