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Argentine Cinema and National Identity' covers the development of Argentine cinema since the late 1950s to the mid-1970s, a period that has been understudied. This essential cultural history delves on the dialect tradition versus modernity that was in place during those years and also comprises an examination of the political economy of film production as well as the different laws, including that implementing censorship that regulated this cultural industry. It also pays particular attention to two historical film genres: the historical film genre per se and the 'gauchesque', a genre based on outlaw gauchos that was crucial for nation-building in the nineteenth century. This volume investigates the way Argentine cinema positioned itself when facing the competition of glossy American films and resorted to the historical and 'gauchesque' to bridge the stark divisions between the Argentine left and right in the late 1960s.
Motion pictures --- National characteristics in motion pictures. --- History. --- National cinema --- cultural history --- historical film
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In this Open Access book, film scholar Rasmus Greiner develops a theoretical model for the concept of the histosphere to refer to the “sphere” of a cinematically modelled, physically experienceable historical world. His analysis of practices of modelling and perceiving, immersion and empathy, experience and remembering, appropriation and refiguration, combine approaches from film studies, such as Vivian Sobchack’s phenomenology of film experience, with historiographic theories, such as Frank R. Ankersmit’s concept of historical experience. Building on this analysis, Greiner examines the spatial and temporal organization of historical films and presents discussions of mood and atmosphere, body and memory, and genre and historical consciousness. The analysis is based around three historical films, spanning six decades, that depict 1950s Germany: Helmut Käutner’s Sky Without Stars (1955), Jutta Brückner’s Years of Hunger (1980), and Sven Bohse’s three-part TV series Ku’damm 56 (2016).
Film, TV & radio --- History --- Film theory & criticism --- Screen Studies --- History, general --- Film Theory --- Film Studies --- Histosphere --- Historical Film --- Phenomenology of Film --- Historical Experience --- Audiovisual --- Historical Worlds --- Open Access --- Performing arts --- Historiography --- Film history, theory & criticism
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