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Like two friends sitting down in front of the television together, in Talking #browntv, Frederick Luis Aldama and William Anthony Nericcio dialogue about the representations of Latina/os in American television and film from the twentieth century to the present day. One part conversation, one part critique, one part visual cultural studies, and one part rant against the culture industry profiting off warped caricatures of Latina/o subjectivities, Aldama and Nericcio analyze the ways in which Latinx performers have been mediated—with varying degrees of complexity—on the American screen. A comprehensive review of the history of Mexicans, Mexican Americans, Hispanics, Chicana/os, Latina/os, and Latinx performers in television and film, Talking #browntv boldly interrogates one of the largest paradoxes in the history of American television: Why are there so few Latina/os on television, and why, when they do appear, are they so often narcos, maids, strumpets, tarts, flakes, and losers? From the subversive critiques embedded in well-loved children's characters like Speedy Gonzalez to the perpetuation of racial stereotypes in modern-era pornography, from Eva Longoria as ethnic mannequin to J-Lo flipping the sexy Latina music video on its head in “I Luh Ya Papi,” and with more than 150 full-color images, Aldama and Nericcio seek to expose the underlying causes as to why Latina/os constitute only 2 percent of mainstream cultural production when they're the majority minority in the US. In a moment when anti-Mexican and anti-immigrant rhetoric oozes from TV sets and medias platform, Talking #browntv emerges as a bold antidote, an eloquent rejoinder, and a thoughtful meditation on Latina/os on the American screen and in America today.
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"This book explores the representations of Latinx in mainstream film and television. The authors provide a roadmap through the history of Latinx misrepresentation, including character types, sexuality, and casting issues, and discuss the disproportionate appearance of Latinx in films and TV despite their growing demographic in the United States"--Provided by publisher.
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Hispanic Americans in motion pictures --- Hispanic Americans on television --- Hispanic American actors --- Motion pictures --- Américains d'origine latino-américaine au cinéma --- Américains d'origine latino-américaine à la télévision --- Américains d'origine latino-américaine --- Cinéma --- Encyclopedias. --- Encyclopedias. --- Encyclopedias. --- Encyclopédies --- Encyclopédies --- Encyclopédies
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This is the first book that examines how “ethnic spectacle” in the form of Asian and Latin American bodies played a significant role in the cultural Cold War at three historic junctures: the Korean War in 1950, the Cuban Revolution in 1959, and the statehood of Hawaii in 1959. As a means to strengthen U.S. internationalism and in an effort to combat the growing influence of communism, television variety shows, such as The Xavier Cugat Show, The Ed Sullivan Show, and The Chevy Show, were envisioned as early forms of global television. Beyond the Black and White TV examines the intimate moments of cultural interactions between the white hosts and the ethnic guests to illustrate U.S. aspirations for global power through the medium of television. These depictions of racial harmony aimed to shape a new perception of the United States as an exemplary nation of democracy, equality, and globalism.
Cold War --- Variety shows (Television programs) --- Asian Americans on television. --- Hispanic Americans on television. --- Hispanic Americans in television --- Television --- Asian Americans in television --- Television variety shows --- Variety programs (Television programs) --- Variety television programs --- Nonfiction television programs --- Influence. --- History and criticism. --- ethnic spectacle, asian, latin american, Cold War, Korean War, Cuban Revolution, statehood of Hawaii, US internationalism, communism, television variety show, The Xavier Cugat Show, The Ed Sullivan Show, The Chevy Show, white host, ethnic guest, democracy, equality, globalism.
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