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Guerre mondiale 1939-1945 --- Sciences socialesen Général --- Sociale wetenschappen in 't algemeen --- Wereldoorlog 1939-1945 --- Hiroshima --- Hirosjima --- 355.018 : 623.4 (521.84)

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Crime --- Violence --- Criminal justice, Administration of --- History --- Hiroshima-shi (Japan) --- Poetry. --- Hiroshima --- Hirosima-si (Japan) --- Hiroschima (Japan) --- Khirosima (Japan) --- Hirosjima (Japan) --- Hiroshima (Japan) --- Hiroshimah (Japan) --- Kabe-machi (Japan) --- Asa-chō (Japan) --- Aki-chō (Japan) --- Shiraki-chō (Japan) --- Numata-chō (Hiroshima-ken, Japan) --- Senogawa-chō (Japan) --- Funakoshi-chō (Hiroshima-ken, Japan) --- Hesaka-chō (Japan) --- Itsukaichi-chō (Hiroshima-ken, Japan) --- Nakayama-mura (Hiroshima-ken, Japan) --- Inokuchi-mura (Hiroshima-ken, Japan) --- Crime - Europe - History --- Violence - Europe - History --- Criminal justice, Administration of - Europe - History

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First hand accounts of the first victims of nuclear weapons.

History of Asia --- anno 1940-1949 --- Hiroshima --- Nagasaki --- Atomic bomb victims --- 838.1 Ecologie --- 844.5 Gezondheid --- 872 Massavernietigingswapens --- 883.2 Oost-Azië --- A-bomb victims --- Hibakusha --- Victims of atomic bombings --- War victims --- Biography --- Hiroshima-shi (Japan) --- Nagasaki-shi (Japan) --- Nagasaki (Japan) --- Hirosima-si (Japan) --- Hiroschima (Japan) --- Khirosima (Japan) --- Hirosjima (Japan) --- Hiroshima (Japan) --- Hiroshimah (Japan) --- Kabe-machi (Japan) --- Asa-chō (Japan) --- Aki-chō (Japan) --- Shiraki-chō (Japan) --- Numata-chō (Hiroshima-ken, Japan) --- Senogawa-chō (Japan) --- Funakoshi-chō (Hiroshima-ken, Japan) --- Hesaka-chō (Japan) --- Itsukaichi-chō (Hiroshima-ken, Japan) --- Nakayama-mura (Hiroshima-ken, Japan) --- Inokuchi-mura (Hiroshima-ken, Japan) --- History --- Personal narratives.

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This compelling autobiography tells the life story of famed manga artist Nakazawa Keiji. Born in Hiroshima in 1939, Nakazawa was six years old when on August 6, 1945, the United States dropped the atomic bomb. His gritty and stunning account of the horrific aftermath is powerfully told through the eyes of a child who lost most of his family and neighbors. The narrative continues through the brutally difficult years immediately after the war, his art apprenticeship in Tokyo, his pioneering ""atomic-bomb"" manga, and the creation of Bar

Cartoonists --- Comic books, strips, etc. --- Atomic bomb victims --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- History. --- Nakazawa, Keiji. --- Nakazawa, Keiji --- 中沢啓治 --- 中沢啓治. --- Childhood and youth. --- Family. --- Hiroshima-shi (Japan) --- Japan --- Hiroshima --- Hirosima-si (Japan) --- Hiroschima (Japan) --- Khirosima (Japan) --- Hirosjima (Japan) --- Hiroshima (Japan) --- Hiroshimah (Japan) --- Kabe-machi (Japan) --- Asa-chō (Japan) --- Aki-chō (Japan) --- Shiraki-chō (Japan) --- Numata-chō (Hiroshima-ken, Japan) --- Senogawa-chō (Japan) --- Funakoshi-chō (Hiroshima-ken, Japan) --- Hesaka-chō (Japan) --- Itsukaichi-chō (Hiroshima-ken, Japan) --- Nakayama-mura (Hiroshima-ken, Japan) --- Inokuchi-mura (Hiroshima-ken, Japan) --- History --- Manhua (Comic books) --- Manhwa (Comic books) --- Drawing --- Literature --- Graphic artists --- beeldverhalen

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In 1962, a Hiroshima peace delegation and an Auschwitz survivor's organization exchanged relics and testimonies, including the bones and ashes of Auschwitz victims. This symbolic encounter, in which the dead were literally conscripted in the service of the politics of the living, serves as a cornerstone of this volume, capturing how memory was utilized to rebuild and redefine a shattered world. This is a powerful study of the contentious history of remembrance and the commemoration of the atomic bomb in Hiroshima in the context of the global development of Holocaust and World War II memory. Emphasizing the importance of nuclear issues in the 1950s and 1960s, Zwigenberg traces the rise of global commemoration culture through the reconstruction of Hiroshima as a 'City of Bright Peace', memorials and museums, global tourism, developments in psychiatry, and the emergence of the figure of the survivor-witness and its consequences for global memory practices.

Collective memory --- Atomic bomb victims --- Memorials --- Peace --- Holocaust, Jewish (1939-1945) --- War victims --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- Victims of war --- Victims --- Coexistence, Peaceful --- Peaceful coexistence --- International relations --- Disarmament --- Peace-building --- Security, International --- Commemorations --- Historic sites --- Memorialization --- Monuments --- Political aspects --- Historiography. --- Mental health. --- Hiroshima-shi (Japan) --- Hiroshima --- Hirosima-si (Japan) --- Hiroschima (Japan) --- Khirosima (Japan) --- Hirosjima (Japan) --- Hiroshima (Japan) --- Hiroshimah (Japan) --- Kabe-machi (Japan) --- Asa-chō (Japan) --- Aki-chō (Japan) --- Shiraki-chō (Japan) --- Numata-chō (Hiroshima-ken, Japan) --- Senogawa-chō (Japan) --- Funakoshi-chō (Hiroshima-ken, Japan) --- Hesaka-chō (Japan) --- Itsukaichi-chō (Hiroshima-ken, Japan) --- Nakayama-mura (Hiroshima-ken, Japan) --- Inokuchi-mura (Hiroshima-ken, Japan) --- History --- Moral and ethical aspects.