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hinrichs, heide

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Morning Change is a book on movement, location and nomadism in the oeuvre of the Brussels based German artist Heide Hinrichs (b. 1976). It is an invitation to follow different lines that are directed east — east of Kassel, east of Busan, east of Seattle, east of London. The lines are drawn over continents and oceans, against the Earth’s own movement we unconsciously witness with each sunrise. Within the traces of these lines, static objects are put back into motion and they are made to leave their recommended positions of meaning.The publication brings together three groups of works, developed over different periods of time between 1999 and 2018, exploring the artist’s recurring interest in these topics.the horse — a story that starts 10 year after the fall of the Iron Curtain, Silent Sisters / Stille Schwestern together with a series of drawings and installations that were conceived in response to DICTEE — a text written by the Korean-American artist Theresa Hak Kyung Cha and On Some of the Birds of Nepal (Parting the Animal Kingdom of the East) — an installation that Hinrichs created in the context of the first Kathmandu Triennale 2017.

Hinrichs, Heide --- kunst --- Hinrichs Heide --- België --- Duitsland --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- 7.071 --- Exhibitions --- artists' books [books] --- Art --- installations [visual works] --- 7.07 --- Hinrichs, Heide °1976 (°Oldenburg, Duitsland) --- Kunstenaarsboeken --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldende kunst ; 1ste helft 21ste eeuw ; H. Hinrichs --- watercolor [paint] --- Art, Belgian --- Sculpture, Belgian. --- Hinrichs, Heide,

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Drawing --- Poetry --- artists' books [books] --- Hinrichs, Heide --- Photography --- Maier-Reimer, Daniel

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Art --- performance art --- artists' books [books] --- exhibiting --- sails --- sailing --- philosophy of art --- Metten, Philip --- Mekas, Jonas --- Holmqvist, Karl --- Tuymans, Luc --- Koo Jeong-a --- Janssens, Ann Veronica --- Nannucci, Maurizio --- Mast, Jan --- Hausswolff, von, Carl Michael --- Hinrichs, Heide --- Gautier, Alexis --- Gonzalez-Casanova, Cari --- Meyers, Jean-Michel --- Kyes, Zak --- McCarthy, Pat --- Gillick, Liam --- Sala, Anri --- Tiravanija, Rirkrit --- Vitone, Luca --- Obrist, Hans Ulrich --- Elggren, Leif --- Dockx, Nico --- A Dog Republic

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'Risquons-Tout' is an ambitious, thematic group exhibition that explores the potential of transgression and unpredictability. It examines how art challenges the homogenisation of thought in the now infamous echo chambers of our overcrowded info-sphere. 'Risquons-Tout' presents some of the most innovative and influential artists and authors from the Eurocore region, which extends between Amsterdam, Paris, Cologne, Dusseldorf and London, with Brussels at its centre. The title is borrowed from a place located on the Belgian-French border, a real yet liminal space of transition, passage and informal exchanges, notably smuggling. The invited artists negotiate different dynamics of bridging, passing, translating and transgressing. In doing so they burst the safe bubbles generated by prediction algorithms, designed to avoid any risk, whether intellectual, financial, emotional or physical. The exhibition's geographic and political scope addresses today's global connectivity, trans-national circulation and diasporic movements. 'Risquons-Tout' will occupy the entire WIELS building and range out into neighbouring exhibition and performance spaces. It will present the works of 38 internationally recognised or emerging artists. The exhibition proposes a rich array of practices that defy easy categorisation. 'Risquons-Tout' will also include a performative section and an Open School that will serve as a laboratory for artists and scholars to draw upon questions of risk, unpredictability and borders through a range of alternative methods for the transmission of knowledge. Exhibition: WIELS, Brussels, Belgium (12.09.2020 - 10.01.2021).

kunst --- eenentwintigste eeuw --- 7.01 --- 7.039 --- kunsttheorie --- kunst en politiek --- Exhibitions --- Art --- Contemporary [style of art] --- Kunst en politiek ; globalisering --- Kunst en maatschappij --- Kunstgeschiedenis ; 2000 - 2050 --- Grensverleggende kunst --- Kunst en transgressie --- Transgression (Ethics) in art --- Art, European --- Transgression --- Art européen --- Dans l'art. --- rules [administrative instructions] --- art [fine art] --- boundaries --- hazards --- artificial intelligence --- Kerckhoven, Van, Anne-Mie --- Heck, Kati --- Lohaus, Bernd --- Solh, Al, Mounira --- Beloufa, Neïl --- Dawood, Shezad --- Duclaux, Lise --- Ferrer, Esther --- Graf, Manuel --- Geys, Jef --- Himid, Lubaina --- Julien, Isaac --- Nys, Sophie --- Atkins, Ed --- Prouvost, Laure --- Lacoste, De, Jean --- Nyampeta, Christian --- Hinrichs, Heide --- Creuzet, Julien --- Snick, van, Philippe --- Ourahmane, Lydia --- Turato, Nora --- Kanga, Irene --- Seifee, Sina --- Stawarska-Beavan, Magda --- Taocheng Wang, Evelyn --- Lakhrissi, Tarek --- Kara, Melike --- Ayed, Alex --- Leung, Ghislaine --- Laâbissi, Latifa --- Stricker, Monika --- Tuerlinckx, Joëlle --- Buggenhout, Peter --- Kinoshita, Suchan --- Sturtevant, Elaine --- Boer, de, Manon --- Panamarenko --- Congolese Plantation Workers Art League [Lusanga] --- Transgression (Ethics) in art - Exhibitions --- Art, European - 21st century - Exhibitions --- rules [instructions] --- art [discipline]