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Art, Modern --- Women artists --- Art --- Wearing, Gillian --- Rosler, Martha --- Parker, Cornelia --- Walker, Kara --- Himid, Lubaina --- Whiteread, Rachel --- Maher, Alice --- Borland, Christine --- Moti Roti --- Artists --- Book

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"This is the first extensive monograph on the work of British artist and Turner Prize winner, Lubaina Himid. Including the artist's own writing from the 1990s to the present day, alongside archival images, and documentation from recent exhibitions and projects." One of the pioneers of the British Black Arts Movement, Lubaina Himid first came to prominence in the 1980s when she began organising exhibitions of work by her peers, whom she felt were under-represented in the contemporary art scene. Himid's work challenges the stereotypical depictions of black figures in art history, foregrounding the contribution of the African diaspora to Western culture. 'Invisible Strategies' brings together a wide range of Himid's paintings from the 1980s to the present day, as well as sculptures, ceramics, and works on paper. The exhibition opens with Himid's monumental Freedom and Change, 1984, which appropriates and transforms the female figures from Picasso's 'Two Women Running on the Beach' ('The Race'), 1922, into black women, powerfully and humorously subverting one of the most canonical paintings in Western art history.

Art --- painting [image-making] --- #breakthecanon --- Himid, Lubaina --- Art, Black --- Women artists, Black --- Women, Black, in art --- Black people in art --- Racism in art --- African American women artists --- 75.071 --- kunst --- kunstenaars --- twintigste eeuw --- eenentwintigste eeuw --- schilderkunst --- installaties --- keramiek --- zwarte identiteit --- kolonialisme --- postkolonialisme --- 7.071 --- Groot-Brittannië --- Tanzania --- Black Art Group --- Turner Prize --- Afro-American women artists --- Women artists, African American --- Women artists --- Black women artists --- Black art --- Negro art --- Himid, Lubaina,

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Inside the Invisible provides the first examination of the work of Turner Prize-winning Black British artist and curator Professor Lubaina Himid CBE. This comprehensive volume breaks new ground by theorizing her development of an alternative visual and textual language within which to do justice to the hidden histories and untold stories of Black women, children, and men bought and sold into transatlantic slavery. For Himid, the act of forgetting within official sites of memory is indivisible from the art of remembering within an African diasporic art historical tradition. She interrogates the widespread distortion and even wholesale erasure of Black bodies and souls subjected to dehumanizing stereotypes and grotesque caricatures within western imaginaries and dominant iconographic traditions over the centuries. Creating bodies of work in which she comes to grips with the physical and psychological realities of iconic and anonymous African diasporic individuals as living breathing human beings rather than as objectified types, she bears witness not only to tragedy but to triumph. A self-appointed researcher, historian, and storyteller as well as an artist, she succeeds in seeing "inside the invisible" regarding untold narratives of Black agency and artistry by mining national archives, listening to oral stories, acknowledging art-making traditions, and revisiting autobiographical testimonies.

Slavery in art --- African diaspora in art --- kunst --- feminisme --- 7.01 --- 7.03 --- 7.071 HIMID --- 75.071 HIMID --- racisme --- gender studies --- slavernij --- Afrika --- eenentwintigste eeuw --- twintigste eeuw --- postkolonialisme --- kolonialisme --- Groot-Brittannië --- kunst en politiek --- politiek --- Himid, Lubaina, --- Slavery in art. --- African diaspora in art. --- visualising --- black history --- contemporary --- art

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Iconography --- Drawing --- Painting --- prints [visual works] --- painting [image-making] --- culturele diversiteit (kunst) --- Bedeau, Clement --- Bolton, Sylbert --- Boyce, Sonia --- Caesar, Pogus --- Chambers, Eddie --- Dedi, Shakka --- Egonu, Uzo --- Himid, Lubaina --- Jantjes, Gavin --- Johnson, Claudette --- Joseph, Tom --- Lamba, Juginder --- Ming, Bill --- Moo-Young, Tony --- Murray, Ossie --- Niati, Houria --- Nsusha, Benjamin Nhlanhla --- Ntuli, Pitika P. --- Riley, Richie --- Ryan, Veronica --- Santos, Jorge --- Piper, Keith --- anno 1900-1999 --- Great Britain

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Art --- histories [literary works] --- art [discipline] --- social stratification --- political art --- Rakowitz, Michael --- Breitz, Candice --- Klein, Astrid --- Arcangel, Cory --- Berksoy, Semiha --- Dawood, Shezad --- Himid, Lubaina --- Janssens, Ann Veronica --- Nkanga, Otobong --- Ogboh, Emeka --- Rosenkranz, Pamela --- Sarkissian, Hrair --- Wa Lehulere, Kemang --- Zaatari, Akram --- Abu Hamdan, Lawrence --- Pacheco, Bruno --- Balteo Yazbeck, Alessandro --- Arsanios, Marwa --- Rafman, Jon --- Cheng, Ian --- Phillipson, Heather --- Caland, Huguette --- Kasten, Barbara --- Shemza, Anwar Jalal --- Wasif, Munem --- Douglas, Stan --- Marwan --- Jaar, Alfredo