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Religion --- Hermann Broch --- History / World --- Religion / Judaism

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The Austrian novelist Hermann Broch ranks with Kafka and Musil among the three greatest 20th-century Austrian novelists and belongs to the century's most gifted novelists in German from whatever country. He established his reputation with 'The Sleepwalkers', a trilogy of political and philosophical novels. His best-known work is 'The Death of Virgil', a long, challenging work in a lyrical, exuberant, and sometimes nearly incomprehensible style, a kind of cerebral stream-of-consciousness of the dying Virgil. Broch also wrote extensively about modern art and architecture, Hofmannsthal, and mass psychology. He has a special connection to Yale, as he lived the last years of his life there after having escaped Austria in 1938. The participants in the Yale Symposium of April 2001 are among the world's most prominent Broch scholars. Fourteen of their presentations have been extensively revised for this volume, which focuses on Broch as critic and as novelist and dramatist. Topics include Broch's views on kitsch and art, and on drama; his cultural criticism; his cooperation with Borgese and Arendt; his theory of mass psychology; history in his works, Ernst Kretschmer's influence on him; 'Virgil' and Celan's 'Atemwende'; Jean Starr Untermeyer's translation of 'Virgil'; guilt and the fall in 'Those without Guilt'; and Broch reception in Japan. PAUL MICHAEL LüTZELER is Distinguished University Professor of German at Washington University St. Louis and editor of Broch's collected works. MATTHIAS KONZETT is associate professor of German at Yale; WILLY RIEMER is associate professor of German at the University of Delaware, and CHRISTA SAMMONS is curator of the German collections of the Beinecke Library at Yale.

Broch, Hermann --- Broch, Hermann, --- Criticism and interpretation. --- Brokh, Kherman, --- Brokh, German, --- Broh, Herman, --- ברוך, הרמן --- LITERARY CRITICISM / European / German. --- 20th-century Austrian writers. --- Austrian novelist. --- Broch reception. --- Hermann Broch. --- Mass psychology. --- The Death of Virgil. --- The Sleepwalkers.

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Robert Musil und Hermann Broch antworteten zwischen den Weltkriegen auf eine Epoche der Katastrophen, der sie mit ihren in weltanschauliche Erlösungshoffnungen verstrickten Protagonisten nah auf den Leib rückten: eine Pathogenese der bürgerlichen Welt für die 1930er Jahre. Dass sie nach 1933 die Sehnsucht ihrer Zeitgenossen nach einer »Weltanschauung« immer ernster nahmen, hat die Nachgeborenen nicht selten irritiert. Doch bezeugt noch heute ihr »Weltanschauungsroman 2. Ordnung«, der hier erstmals entfaltet wird, das gewaltige historische Projekt, sich auf die Sprache der Zeit einzulassen und ihren fatalsten Tendenzen mit literarischer Einfühlung und kritischer Distanz nachzuspüren.

German fiction --- German literature --- History and criticism. --- Themes, motives. --- Broch, Hermann, 1886-1951 --- Musil, Robert, 1880-1942 --- Criticism and interpretation. --- Allgemeine Literaturwissenschaft. --- Cultural Studies. --- German Literature. --- Germanistik. --- Hermann Broch. --- Kulturwissenschaft. --- Literary Studies. --- Literatur. --- Literature. --- Literaturwissenschaft. --- National Socialism. --- Nationalsozialismus. --- Vienna. --- Weltanschauung. --- Wien. --- Worldview. --- LITERARY CRITICISM / European / German. --- Robert Musil; Hermann Broch; Wien; Weltanschauung; Nationalsozialismus; Literatur; Germanistik; Allgemeine Literaturwissenschaft; Kulturwissenschaft; Literaturwissenschaft; Vienna; Worldview; National Socialism; Literature; German Literature; Literary Studies; Cultural Studies --- Broch, Hermann, --- Musil, Robert, --- 1900-1999 --- Musel, Robert, --- Muzilʹ, Robert, --- Brokh, Kherman, --- Brokh, German, --- Broh, Herman, --- Musil, Robert --- Музиль, Роберт, --- ברוך, הרמן

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Die Ikonen des Gesetzes fokussieren die Frage, wie absolut Mögliches ausgedrückt werden kann. Dazu werden Parallelen zwischen der bildenden Kunst, der Literatur, der Philosophie und der modernen Mathematik analysiert. Das Buch ist ein Schlüssel zum philosophischen Werk von Cacciari. Es ist lesbar als eine Ästhetik, die Cacciari mit dem Komponisten Luigi Nono erschlossen hat. Ihr gemeinsames Programm zielt auf die Sprengung des Kontinuums von Raum und Zeit, auf die Möglichkeit, die radikale Veränderung denkbar werden lässt. Das Nachwort orientiert über das philosophische Werk Cacciaris und dessen fragmentarische Rezeption in deutschen Übersetzungen.

Religionsphilosophie --- politische Philosophie --- Ästhetik --- Wissenschaftstheorie --- political philosophy --- philosophy of religion --- Paul Klee --- Martin Heidegger --- aesthetic --- Arnold Schönberg --- Bildtheorie --- Carl Schmitt --- continuum --- cultural theory --- epistemology of science --- Franz Kafka --- Franz Rosenzweig --- Hermann Broch --- Hermann Weyl --- Iconic turn --- image theory --- Kazimir Malewitsch --- Kontinuum --- Kulturwissenschaften --- Luitzen Brouwer

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The life and works of one of the most difficult yet rewarding composers of modern time. Jean Barraqué is increasingly being recognized as one of the great composers of the second half of the 20th century. Though he left only seven works, his voice in each of them is unmistakeable, and powerful. He had no doubt of his responsibility, as a creator, to take his listeners on challenging adventures that could not but leave them changed. After the collapse of morality he had witnessed as a child growing up during the Second World War, and having taken notice of so much disarray in the culture around him, he set himself to make music that would, out of chaos, speak. Three others were crucial to him. One was Pierre Boulez, who, three years older, provided him with keys to a new musical language-a language more dramatic, driving and passionate than Boulez's. Another was Michel Foucault, to whom he was close personally for a while, and with whom he had a dialogue that was determinative for both of them. Finally, in the writings of Hermann Broch-and especially in the novel The Death of Virgil-he found the myth he needed to realize musically. He played for high stakes, and he took risks-with himself as in his art. Intemperate and difficult, even with his closest friends, he died in 1973 at the age of forty-five. Paul Griffiths was chief music critic for the London 'Times' (1982-92) and 'The New Yorker' (1992-96) and since 1996 has written regularly for the 'New York Times'. He has written books on Boulez, Cage, Messiaen, Ligeti, Davies, Bartók and Stravinsky, as well as several librettos, among them 'The Jewel Box' (Mozart, 1991), 'Marco Polo' (Tan Dun, 1996) and 'What Next?' (Elliott Carter, 1999).

Barraqué, Jean --- Composers --- France --- Biography --- Barraqué, Jean. --- Barrake, Zhan --- France. --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Farans --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant͡ --- Frant͡s Uls --- Frant͡sii͡ --- Frantsuzskai͡a Rėspublika --- Frantsyi͡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangs --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Barraque, Jean. --- 20th century. --- Elliott Carter. --- Hermann Broch. --- Jean Barraqué. --- London Times. --- Michel Foucault. --- Mozart. --- New Yorker. --- Paul Griffiths. --- Pierre Boulez. --- Tan Dun. --- art. --- chaos. --- composer. --- myth.