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Nigel Henderson (1917-1985) was a British artist and founding member of the Independent Group, but he was also a photographer whose work has been compared to that of Cartier-Bresson and Brassai. Introduced to the art world by his mother Wyn Henderson who managed the famous Guggenheim Jeune gallery, he became acquainted with leading figures in modern art, including Max Ernst and Marcel Duchamp. In 1943, recovering from the trauma of his experiences as a pilot in the Second World War, Henderson began experimenting with photography. While living in Bethnal Green, east London, he created an extraordinary archive of photography documenting life in the area between 1949 and 1953. This beautiful book showcases 150 of these newly digitised photographs which capture the heart of working-class life. From hop-scotching children to a funeral cortege, and street parties celebrating the 1953 coronation, Henderson's unique view of the streets evokes the wit, resilience and character of the local people as well as documenting a way of life that would soon disappear, as Britain moved into the 1960s.

Street photography --- Documentary photography --- Henderson, Nigel, --- East End (London, England) --- History

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Architecture and photography share the condition of being suspended be¬tween fine art and craft. Realism is considered a given, something that happens almost by default. From the moment it is taken, a photograph is un-derstood to be a record of what was in front of the camera—just as a building, as soon as it is inhabited, becomes the fixed backdrop for everyday life.In Epics in the Everyday, Jesús Vassallo explores this condition, tracing a series of collaborations between architects and photographers from the postwar years up to the present. Consistently, the subject matter of these collaborations is the built environment, which presents architects and photographers—in different ways—with a mirror that challenges the idea of realism in their respective disciplines. Beyond casting a diagonal light on important developments within the two individual disciplines, the book chronicles an alternative history of both modern architecture and photography and builds a case for a specific type of realism found at their intersection.

Architecture --- Photography --- photography [process] --- architecture [object genre] --- realism [philosophical movement] --- 72.01 --- 77.046 --- fotografie --- fotografietheorie --- architectuur --- architectuurfotografie --- twintigste eeuw --- Henderson Nigel --- Ruscha Ed --- Ruff Thomas --- Demand Thomas --- Becher Bernd --- Becher Hilla --- Architectuur (theorie) --- Architectuurtheorie --- Architectuurfotografie --- Photographie --- Rapport art-architecture --- Réalisme --- Avant-garde --- Architectural photography. --- Architecture and photography. --- Photographic reproduction of plans, drawings, etc. --- Realism in art.

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Photography --- Street photography --- Cities and towns --- Documentary photography --- Photographie de rue --- Villes --- Photographie documentaire --- Exhibitions. --- Pictorial works --- Expositions --- Ouvrages illustrés --- with Essays by Kerry Brougher and Russell Ferguson --- fotografie --- documentaire --- documentaire fotografie --- straatfotografie --- twintigste eeuw --- Araki Nobuyoshi --- DiCorcia Philip-Lorca --- Donovan Terence --- Eggleston William --- Frank Robert --- Friedlander Lee --- Henderson Nigel --- Klein William --- Lee Nikki S. --- Meiselas Susan --- Moriyama Daido --- Opie Catherine --- Sekula Allan --- Singh Raghubir --- Streuli Beat --- Struth Thomas --- Tillmans Wolfgang --- Wall Jeff --- Winogrand Garry --- 77.036 --- 77.044 --- 77.041 --- Ouvrages illustrés --- Exhibitions --- Photography [Artistic ] --- Streets --- Lee Nikki S

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Art --- design [discipline] --- textile materials --- Vezelay, Paule --- Kent, Rockwell --- Collins, Cecil --- Piper, John --- Cocteau, Jean --- Warhol, Andy --- Hepworth, Barbara --- Picasso, Pablo --- Clarke, Geoffrey --- Léger, Fernand --- Henderson, Nigel --- Sutherland, Graham --- Marini, Marino --- Nicholson, Ben --- Paolozzi, Eduardo --- Steichen, Edward --- Tilson, Joe --- Plumb, John --- Reeves, Ruth --- Reynolds, Alan --- Rhodes, Zandra --- Rowntree, Kenneth --- Steinberg, Saul --- Vertès, Marcel --- Miró, Joan --- Picabia, Francis --- Matisse, Henri --- Braque, Georges --- Dalí, Salvador --- Vasarely, Victor --- Dufy, Raoul --- Chagall, Marc --- Moore, Henry --- Cohen, Harold --- Heron, Patrick --- Scott, William --- Vaughan, Keith --- Brocquy, le, Louis M. --- Gear, William --- Bérard, Christian --- Calder, Alexander --- Derain, André

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Art --- art [fine art] --- Brandt, Bill --- Adams, Robert --- Bowling, Frank --- Kossoff, Leon --- Hockney, David --- Hamilton, Richard --- Frink, Elisabeth --- Metzger, Gustav --- Chandra, Avinash --- Cordell, Magda --- Frankfurther, Eva --- Hardy, Bert --- Henderson, Nigel --- King, Peter --- Ayres, Gillian --- Mayne, Roger --- McHale, John --- Medalla, David --- Pasmore, Victor --- Paolozzi, Eduardo --- Sleigh, Sylvia --- Smithson, Alison & Peter --- Williams, Denis --- Newton Souza, Francis --- Shemza, Anwar Jalal --- Williams, Aubrey --- Baker, Shirley --- Cooke, Jean --- Freud, Lucian --- Bacon, Francis --- Rie, Lucie --- Auerbach, Frank --- Bratby, John --- Clough, Prunella --- Denny, Robyn --- Heath, Adrian --- Heron, Patrick --- Hill, Anthony --- Latham, John --- Lim, Kim --- Martin, Mary --- Miller, Lee --- Scott, William --- Turnbull, William --- Coper, Hans --- Chadwick, Lynn --- Davie, Alan --- Themerson, Franciszka --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- United Kingdom --- art [discipline] --- moderne kunst. --- gender. --- 1945 - 1965. --- 20ste eeuw. --- Groot-Brittannië.